voice was the voice of Lakington. It struck him that the next ten minutes or so might be well worth while. The problem of removing the pearls from the Duchess’s neck before such an assembly seemed to present a certain amount of difficulty even to such an expert as Henry. And Hugh crept a little nearer the window, so as to miss nothing. He crept near enough, in fact, to steal a look at Irma, and in doing so saw something which made him rub his eyes and then grin once more. She was standing on the outskirts of the group, an evening wrap thrown loosely over her arm. She edged a step or two towards a table containing bric-a-brac, the centre of which was occupied, as the place of honour, by a small inlaid Chinese cabinet⁠—a box standing on four grotesquely carved legs. It was a beautiful ornament, and he dimly remembered having heard its history⁠—a story which reflected considerable glory on the predatory nature of a previous Duke. At the moment, however, he was not concerned with its past history, but with its present fate; and it was the consummate quickness of the girl that made him rub his eyes.

She took one lightning glance at the other guests who were craning eagerly forward round the Indian; then she half dropped her wrap on the table and picked it up again. It was done so rapidly, so naturally, that for a while Hugh thought he had made a mistake. And then a slight rearrangement of her wrap to conceal a hard outline beneath, as she joined the others, dispelled any doubts. The small inlaid Chinese cabinet now standing on the table was not the one that had been here previously. The original was under Irma Peterson’s cloak.⁠ ⁠…

Evidently the scene was now set⁠—the necessary props were in position⁠—and Hugh waited with growing impatience for the principal event. But the principal performer seemed in no hurry. In fact, in his dry way Lakington was thoroughly enjoying himself. An intimate inside knowledge of the skeletons that rattled their bones in the cupboards of most of those present enabled the gods to speak with disconcerting accuracy; and as each victim insisted on somebody new facing the sands that came from beyond the mountains, the performance seemed likely to last indefinitely.

At last a sudden delighted burst of applause came from the group, announcing the discomfiture of yet another guest, and with it Lakington seemed to tire of the amusement. Engrossed though he was in the anticipation of the main item which was still to be staged, Drummond could not but admire the extraordinary accuracy of the character study. Not a detail had been overlooked; not a single flaw in Lakington’s acting could he notice. It was an Indian who stood there, and when a few days later Hugh returned her pearls to the Duchess, for a long time neither she nor her husband would believe that Ram Dar had been an Englishman disguised. And when they had at last been persuaded of that fact, and had been shown the two cabinets side by side, it was the consummate boldness of the crime, coupled with its extreme simplicity, that staggered them. For it was only in the reconstruction of it that the principal beauty of the scheme became apparent. The element of luck was reduced to a minimum, and at no stage of the proceedings was it impossible, should things go amiss, for Lakington to go as he had come, a mere Indian entertainer. Without the necklace, true, in such an event; but unsuspected, and free to try again. As befitted his last, it was perhaps his greatest effort.⁠ ⁠… And this was what happened as seen by the fascinated onlooker crouching near the window outside.

Superbly disdainful, the Indian tipped back his sand into the little bag, and replacing it in his pocket, stalked to the open window. With arms outstretched he stared into the darkness, seeming to gather strength from the gods whom he served.

“Do your ears not hear the whisperings of the night?” he demanded. “Life rustling in the leaves; death moaning through the grasses.” And suddenly he threw back his head and laughed, a fierce, mocking laugh; then he swung round and faced the room. For a while he stood motionless, and Hugh, from the shelter of the bushes, wondered whether the two quick flashes that had come from his robe as he spoke⁠—flashes such as a small electric torch will give, and which were unseen by anyone else⁠—were a signal to the defunct chauffeur.

Then a peculiar look came over the Indian’s face, as his eyes fell on the Chinese cabinet.

“Where did the Protector of the Poor obtain the sacred cabinet of the Chow Kings?” He peered at it reverently, and the Duke coughed.

“One of my ancestors picked it up somewhere,” he answered apologetically.

“Fashioned with the blood of men, guarded with their lives, and one of your ancestors picked up it!” The Duke withered completely under the biting scorn of the words, and seemed about to say something, but the Indian had turned away, and his long, delicate fingers were hovering over the box. “There is power in this box,” he continued, and his voice was low and thoughtful. “Years ago a man who came from the land where dwells the Great Brooding Spirit told me of this thing. I wonder⁠ ⁠… I wonder⁠ ⁠…”

With gleaming eyes he stared in front of him, and a woman shuddered audibly.

“What is it supposed to do?” she ventured timidly.

“In that box lies the power unknown to mortal man, though the priests of the Temple City have sometimes discovered it before they pass beyond. Length you know, and height, and breadth⁠—but in that box lies more.”

“You don’t mean the fourth dimension, do you?” demanded a man incredulously.

“I know not what you call it, sahib,” said the Indian quietly. “But it is the power which renders visible or invisible at will.”

For a moment Hugh felt an irresistible temptation to shout

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