The Eustace Diamonds

further invitation, both for herself and for her child, to the palace. And she had positively asserted her intention of keeping the diamonds. Her late husband, she said, had given the diamonds to her. As they were supposed to be worth £10,000, and were really family diamonds, the matter was felt by all concerned to be one of much importance. And she was oppressed by a heavy load of ignorance, which became serious from the isolation of her position. She had learned to draw cheques, but she had no other correct notion as to business. She knew nothing as to spending money, saving it, or investing it. Though she was clever, sharp, and greedy, she had no idea what her money would do, and what it would not; and there was no one whom she would trust to tell her. She had a young cousin, a barrister⁠—a son of the dean’s, whom she perhaps liked better than any other of her relations⁠—but she declined advice even from her friend the barrister. She would have no dealings on her own behalf with the old family solicitor of the Eustaces⁠—the gentleman who had now applied very formally for the restitution of the diamonds; but had appointed other solicitors to act for her. Messrs. Mowbray and Mopus were of opinion that as the diamonds had been given into her hands by her husband without any terms as to their surrender, no one could claim them. Of the manner in which the diamonds had been placed in her hands, no one knew more than she chose to tell.

But when she started with her house in town⁠—a modest little house in Mount Street, near the park⁠—just two years after her husband’s death, she had a large circle of acquaintances. The Eustace people, and the Greystock people, and even the Linlithgow people, did not entirely turn their backs on her. The countess, indeed, was very venomous, as she well might be; but then the countess was known for her venom. The dean and his family were still anxious that she should be encouraged to discreet living, and, though they feared many things, thought that they had no ground for open complaint. The Eustace people were forbearing, and hoped the best. “D⁠⸺ the necklace!” John Eustace had said, and the bishop unfortunately had heard him say it! “John,” said the prelate, “whatever is to become of the bauble, you might express your opinion in more sensible language.” “I beg your lordship’s pardon,” said John, “I only mean to say that I think we shouldn’t trouble ourselves about a few stones.” But the family lawyer, Mr. Camperdown, would by no means take this view of the matter. It was, however, generally thought that the young widow opened her campaign more prudently than had been expected.

And now as so much has been said of the character and fortune and special circumstances of Lizzie Greystock, who became Lady Eustace as a bride, and Lady Eustace as a widow and a mother, all within the space of twelve months, it may be as well to give some description of her person and habits, such as they were at the period in which our story is supposed to have its commencement. It must be understood in the first place that she was very lovely;⁠—much more so, indeed, now than when she had fascinated Sir Florian. She was small, but taller than she looked to be⁠—for her form was perfectly symmetrical. Her feet and hands might have been taken as models by a sculptor. Her figure was lithe, and soft, and slim, and slender. If it had a fault it was this⁠—that it had in it too much of movement. There were some who said that she was almost snakelike in her rapid bendings and the almost too easy gestures of her body; for she was much given to action, and to the expression of her thought by the motion of her limbs. She might certainly have made her way as an actress, had fortune called upon her to earn her bread in that fashion. And her voice would have suited the stage. It was powerful when she called upon it for power; but, at the same time, flexible and capable of much pretence at feeling. She could bring it to a whisper that would almost melt your heart with tenderness⁠—as she had melted Sir Florian’s, when she sat near to him reading poetry; and then she could raise it to a pitch of indignant wrath befitting a Lady Macbeth when her husband ventured to rebuke her. And her ear was quite correct in modulating these tones. She knew⁠—and it must have been by instinct, for her culture in such matters was small⁠—how to use her voice so that neither its tenderness nor its wrath should be misapplied. There were pieces in verse that she could read⁠—things not wondrously good in themselves⁠—so that she would ravish you; and she would so look at you as she did it that you would hardly dare either to avert your eyes or to return her gaze. Sir Florian had not known whether to do the one thing or the other, and had therefore seized her in his arms. Her face was oval⁠—somewhat longer than an oval⁠—with little in it, perhaps nothing in it, of that brilliancy of colour which we call complexion. And yet the shades of her countenance were ever changing between the softest and most transparent white, and the richest, mellowest shades of brown. It was only when she simulated anger⁠—she was almost incapable of real anger⁠—that she would succeed in calling the thinnest streak of pink from her heart, to show that there was blood running in her veins. Her hair, which was nearly black⁠—but in truth with more of softness and of lustre than ever belong to hair that is really black⁠—she wore bound tight round her perfect forehead, with one long love-lock hanging over her shoulder. The form of her