out beforehand, and which they also intended to employ on the Booth liner to put the detectives off in case suspicion should be aroused. In his personality of Duke, he bought at Cook’s office a return ticket from London to Amsterdam via Harwich, engaging his berth for that night and impressing his identity on the clerk. He then went on to Liverpool Street and in his personality of Vane he took a return ticket from London to Brussels by the same route. As Duke he had the passport he used on his occasional visits to Amsterdam. As Vane he had obtained a passport for Holland and Belgium some eighteen months earlier, when he and Miss Winter had gone there for a short holiday.

As Duke he travelled down on the boat train to Harwich, choosing his carriage so that he would be among the first on board. He gave up his ticket at the office, received his landing ticket, and was shown to his cabin. There he arranged his things and left the note for his daughter. Then he put on his Vane makeup, slipped out of the cabin unobserved, and joining the last stragglers from the train, presented his second ticket and was shown to the cabin he had reserved as Vane. As Vane next day he went ashore, leaving behind him incontrovertible evidence of the death of Duke.

At Rotterdam he took tickets for return via Hull, and travelling to Leeds, put up at the Victory Hotel until the date of the sailing of the Enoch. He and Miss Winter joined forces in the train between Leeds and Liverpool, and on going on board the liner they attempted to throw any pursuing detective off the scent by carrying out the same ruse by which Duke had faked his suicide. They had taken two sets of tickets⁠—one set at Cook’s to Manáos in the name of Vane, and the other at the Booth Line offices to Para in the name of da Silva, and had engaged staterooms and tried to impress their personalities on the clerks on each occasion. They had further provided themselves with sets of large and small suitcases. The small ones, in which they packed their clothes and the diamonds, they labelled “da Silva,” the large ones they labelled “Vane.” They then put the “da Silva” suitcases inside the “Vane,” went on board as Vane, and were shown to their cabin. As Vane, they went back to purser and said they were going ashore. They went out on deck in the direction of the gangway, but instead of crossing it they regained their cabin, made up as the da Silvas, took out their small da Silva suitcases, and slipping unseen from the cabin, returned to the Purser as having just come on board.

The scheme as a whole worked out according to plan⁠—save for Miss Winter’s lapse in omitting to wait for and destroy the cipher letter⁠—but though the principals did not know it, a coincidence took place which came within an ace of wrecking it. When Sylvia and Harrington were driving home from the East End on the night of the crime they saw Mr. Duke turn out of Hatton Garden into Holborn. He was hurrying anxiously along the pavement with very different mien to his usual upright, leisurely bearing. There was something furtive about his appearance, and his face, revealed by a bright shaft of light streaming from a confectioner’s shop, was drawn and haggard. Fearing some ill news, Sylvia had stopped the taxi and hurried after him, but before she had reached the pavement he had disappeared. She did not, however, take the matter seriously until at breakfast the next morning he told her of the crime. Even then it never occurred to her to suspect him; in fact, she had forgotten the incident, but when he went on to state, as it were casually, that he had been at his club all evening and had walked directly home from there, she remembered. She realised that he was lying, and suspicion was inevitable. In desperation lest Harrington should unwittingly give away information which might put the police on her father’s track, she rang him up and arranged an immediate meeting at which she warned him of the possibilities. That afternoon Harrington called to tell her how things had gone at the office, and then she had overwhelmed him by insisting on the postponement of the wedding until the affair should be cleared up. When, however, she learned that French suspected Harrington and herself of knowing the criminal, she thought the postponed marriage might give direction to his investigations, and to avoid this she gave out that the ceremony had once again been arranged. The poor girl’s mind was nearly unhinged thinking of what she should do in the event of the police making an arrest, but fortunately for her she was not called upon to make the decision.

It remains merely to say that some weeks later Reginald Ainsley Duke paid the supreme penalty for his crimes, and his daughter, hating London and England for the terrible memories they held, allowed herself to be persuaded for the third time to fix the date of the wedding with Charles Harrington, and to seek happiness with him on his brother’s ranch in Southern California. The firm of Duke & Peabody weathered the storm, and the surviving partners did not forget the Gething sisters when balancing their accounts.

Colophon

The Standard Ebooks logo.

Inspector French’s Greatest Case
was published in 1924 by
Freeman Wills Crofts.

This ebook was produced for
Standard Ebooks
by
Robin Whittleton,
and is based on a transcription produced in 2021 by
Al Haines, Cindy Beyer, and The Online Distributed Proofreaders Canada Team
for
Project Gutenberg
and on digital scans from the
Internet Archive.

The cover page is adapted from
Inspector French’s Greatest Case,
a painting completed in 1924 by
Salomon van Abbé.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created

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