The Lock
The four glasses which were standing in front of the diners were still nearly half full, which is a sign, as a general rule, that the guests are quite so. They were beginning to speak without waiting for an answer; no one took any notice of anything except what was going on inside him; voices grew louder, gestures more animated, eyes brighter.
It was a bachelors’ dinner of confirmed old celibates. They had instituted this regular banquet twenty years before, christening it “The Celibate,” and at the time there were fourteen of them, all fully determined never to marry. Now there were only four of them left; three were dead and the other seven were married.
These four stuck firmly to it, and, as far as lay in their power, they scrupulously observed the rules which had been laid down at the beginning of their curious association. They had sworn, hand-in-hand, to turn aside every woman they could from the right path, and their friends’ wives for choice, and more especially those of their most intimate friends. For this reason, as soon as any of them left the society, in order to set up in domestic life for himself, he took care to quarrel definitely with all his former companions.
Besides this, they were pledged at every dinner to relate most minutely their last adventures, which had given rise to this familiar phrase among them: “To lie like an old bachelor.”
They professed, moreover, the most profound contempt for woman, whom they talked of as an animal made solely for their pleasure. Every moment they quoted Schopenhauer, who was their god, and his well-known essay “On Women”; they wished that harems and towers might be reintroduced, and had the ancient maxim: “Mulier, perpetuus infans,” woven into their table-linen, and below it, the line of Alfred de Vigny: “La femme, enfant malade et douze fois impure.” So that by dint of despising women they lived only for them, while all their efforts and all their desires were directed toward them. Those of them who had married called them old fops, made fun of them, and—feared them.
When they began to feel the exhilarating effects of the champagne, the tales of their old bachelor experiences began.
On the day in question, these old fellows, for they were old by this time, and the older they grew the more extraordinary strokes of luck in the way of love affairs they had to relate, were quite talkative. For the last month, according to their own accounts, each of them had seduced at least one woman a day. And what women! the youngest, the noblest, the richest, and the most beautiful!
After they had finished their stories, one of them, he who had spoken first and had therefore been obliged to listen to all the others, rose and said:
“Now that we have finished drawing the longbow, I should like to tell you, not my last, but my first adventure—I mean the first adventure of my life, my first fall—for it is a moral fall after all, in the arms of Venus. Oh! I am not going to tell you my first—what shall I call it?—my first appearance; certainly not. The leap over the first ditch (I am speaking figuratively) has nothing interesting about it. It is generally rather a muddy one, and one picks oneself up rather abashed, with one charming illusion the less, with a vague feeling of disappointment and sadness. That realization of love the first time one experiences it is rather repugnant; we had dreamed of it as being so different, so delicate, so refined. It leaves a physical and moral sense of disgust behind it, just as when one