Caresses
No, my friend, do not think any more of it. What you ask of me revolts and disgusts me. It is as if God—for I believe in God—had wanted to spoil every good thing that He made by attaching some horrible thing to it. He had given us love, the divinest thing the world ever knew, but, finding it too lovely and too fine for us, He imagined our senses, shameful, vile, revolting, brutal senses, senses that He seems to have fashioned in malicious jest and linked with the excretions of our bodies; He has conceived them in such a way that we cannot think of it without blushing, can only speak of it in hushed voices. The dreadful thing they do is wrapped in shame. It hides away, disgusts our souls, offends our eyes; despised by morality, hounded down by law, it consummates itself in darkness, as if it were a criminal.
Never speak to me of it, never!
I do not know whether I love you, but I know that your nearness pleases me, that your glance is sweet to me and your voice caresses my heart. From the day you had of me the frailness you desire, you would become hateful to me. The delicate bond that holds us to each other would be broken. An infamous abyss would lie between us.
Let us stay as we are. And … love me if you will, I will let you.
Madame, will you allow me also to speak to you with brutal frankness, without polite euphemisms, as I would speak to a friend who was anxious to take on himself a lifelong vow?
Neither do I know whether I love you. I should be sure of it only after the thing that so revolts you.
Have you forgotten Musset’s poem:
Je me souviens encor de ces spasmes terribles,
De ces baisers muets, de ces muscles ardents,
De cet être absorbé, blême et serrant les dents.
S’ils ne sont pas divins, ces moments sont horribles.12We experience that sense of horror and overwhelming disgust only when the madness of our blood has led us into casual adventures. But when a woman is the being we have chosen, entirely charming and infinitely desirable, as you are for me, the caress of love becomes the sharpest, most complete and supremest pleasure.
This caress, madame, is the proof of love. If our passion dies after that fierce embrace, we have been deceiving ourselves. If it grows, we love.
A philosopher, who did not practise his doctrines, has put us on our guard against this snare of nature’s. Nature desires new life, he says, and to compel us to create it, has set the double bait of love and pleasure round the snare. And he adds: “As soon as we have let ourselves be taken, as soon as the momentary madness has left us, we are filled with a profound sadness, understanding the trick that has deceived us, seeing, feeling, touching the secret hidden cause that has driven us in spite of ourselves.”
That is often true, very often. Then we go away, in utter revulsion. Nature has conquered us, has thrown us against our will into arms that were opened for us because she willed them to open.
Yes, I know the cold savage kisses pressed on strange lips, the fixed burning gaze into eyes that one has never seen before and will never see again, and all that I can’t tell, all that sears our mind with a bitter grief.
But if this hazy cloud of affection that we call love has closed round two human beings, if they never cease to think long of each other, and, when they are separated, to remember one another, all the time, day and night, hiding in their hearts the beloved’s features and his smile and the sound of his voice; if they have been obsessed, possessed by the absent form whose
