With her long lashes she veiled the dark blue eyes that expressed anything but tender feeling, and yet, so shaded, they appeared as a lover would wish, and in a low tone she answered, “Well, he could not enter when he would, only when permitted.”
She raised her eyes quickly to see the effect; and she did see an effect that she would have given thousands to be able to transfer to canvas.
His face, above all she had ever seen, seemed designed to express feeling, passion; and his wearing life had made it so thin, and his eyes were so large and lustrous, that the spiritual greatly predominated, and she felt as if she could almost see the throbs of the strong, passionate heart.
Apart from her artistic purposes, contact with such warm, intense life had for Christine a growing fascination. She had not realized that in kindling and fanning this flame of honest love to sevenfold power and heat, she might be kindled herself. When, therefore, she saw the face of Dennis Fleet eloquent with the deepest, strongest feeling that human features can portray, another chord than the artistic one was touched, and there was a low, faint thrill of that music which often becomes the sweetest harmony of life.
“And at some time in the future may I hope to enter?” he asked, tremulously.
She threw him another smile over her shoulder as she turned to her easel—a smile that from a true woman would mean, You may, but which from many would mean nothing, and said, vaguely, “What is life without hope?” and then, as matters were going too fast and far, decisively changed the subject.
Seated at her easel she painted eagerly and rapidly, while he measured the space over and around the fireplace with a view to its ornamentation. She kept the conversation on the general subject of art, and, though Dennis knew it not, every glance at his face was that of a portrait-painter.
XXXII
Bitter Disappointment
Dennis went back to the store in a maze of hopes and fears, but hope predominated. Christine could not be indifferent and treat him as she did, if she had a particle of sincerity, and with a lover’s faith he would not believe her false, though he knew her to be so faulty.
“At any rate,” he said to himself, “in this new arrangement I have all the opportunity a man could ask, and if I cannot develop her plainly manifested interest into something more decisive by such companionship, I may as well despair;” and he determined to avail himself of every advantage within his reach in making the most of what he deemed a rare stroke of fortune. His greatly increased salary enabled him to dress with that taste and even elegance so pleasing to a lady’s eye, and he had withal acquired that ease and grace of manner which familiarity with the best society bestows.
It is also well to tell the reader that after some hesitation Dennis had confided his feelings to his mother, and received from her the warmest sympathy. To Ethel Fleet’s unworldly nature, that he should fall in love with and marry his employer’s daughter seemed eminently fitting, with just a spice of beautiful romance. And it was her son’s happiness and Christine’s beauty that she thought of, not Mr. Ludolph’s money. In truth, such was her admiration for her son, she felt that with all her wealth the young lady would receive a greater honor than she conferred. Though Dennis wrote with the partiality of a lover, he could not so portray Christine’s character but that his mother felt the deepest anxiety, and often sighed in sad foreboding of serious trouble in the future.
From Mrs. Fleet’s knowledge of her son’s passion, Christine, though she knew it not, received another advantage of incalculable value. Dennis had painted an excellent little cabinet likeness of her, and sent it to his mother. In the quiet of the night she would sit down before that picture, and by her strong imagination summon her ideal of Christine, and then lead her directly to Christ, as parents brought their children of old. Could such prayers and faith be in vain? Faith is often sorely tried in this world, but never tried in vain.
Day after day Dennis went to Mr. Ludolph’s new home during the morning hours, and Christine’s spell worked with bewildering and increasing power. While she tortured him with many doubts and fears, his hope grew to be almost a certainty that he had at last made a place for himself in her heart. Sometimes the whole story of his love trembled on his lips, but she never permitted its utterance. That she determined should be reserved for the climax. He usually met her alone, but noticed that in the presence of others she was cool and undemonstrative. Mr. Ludolph rarely saw them together, and, when he did, there was nothing in his daughter’s manner to awaken suspicion. This perfectly acted indifference in the presence of others, and equally well acted regard when alone, often puzzled Dennis sorely. But at last he concluded: “She is wiser than I. She knows that I am in no condition now to make proposals for her hand; therefore it is better that there should be no recognized understanding between us;” and he resolved to be as prudent as she. Then again she would so awaken his jealousy and fears that he would feel that he must know his fate—that anything was better than such torturing uncertainty.
As for Christine, two processes were going on in her mind—one that she recognized, and one that she did not.
Her artistic aims were clear and definite. In the first place she meant perfectly to master the human face as it expressed emotions, especially such as were of a tender nature; and in the second place she intended to paint a picture that in itself would make her famous. She chose a most difficult
