Each object with a joy: the counterchange
Is severally in all. Let’s quit this ground,
And smoke the temple with our sacrifices.
To Belarius. Thou art my brother; so we’ll hold thee ever.
You are my father too, and did relieve me,
To see this gracious season.
All o’erjoy’d,
Save these in bonds: let them be joyful too,
For they shall taste our comfort.
My good master,
I will yet do you service.
The forlorn soldier, that so nobly fought,
He would have well becomed this place, and graced
The thankings of a king.
I am, sir,
The soldier that did company these three
In poor beseeming; ’twas a fitment for
The purpose I then follow’d. That I was he,
Speak, Iachimo: I had you down and might
Have made you finish.
Kneeling. I am down again:
But now my heavy conscience sinks my knee,
As then your force did. Take that life, beseech you,
Which I so often owe: but your ring first;
And here the bracelet of the truest princess
That ever swore her faith.
Kneel not to me:
The power that I have on you is to spare you;
The malice towards you to forgive you: live,
And deal with others better.
Nobly doom’d!
We’ll learn our freeness of a son-in-law;
Pardon’s the word to all.
You holp us, sir,
As you did mean indeed to be our brother;
Joy’d are we that you are.
Your servant, princes. Good my lord of Rome,
Call forth your soothsayer: as I slept, methought
Great Jupiter, upon his eagle back’d,
Appear’d to me, with other spritely shows
Of mine own kindred: when I waked, I found
This label on my bosom; whose containing
Is so from sense in hardness, that I can
Make no collection of it: let him show
His skill in the construction.
Reads. “When as a lion’s whelp shall, to himself unknown, without seeking find, and be embraced by a piece of tender air; and when from a stately cedar shall be lopped branches, which, being dead many years, shall after revive, be jointed to the old stock, and freshly grow; then shall Posthumus end his miseries, Britain be fortunate and flourish in peace and plenty.”
Thou, Leonatus, art the lion’s whelp;
The fit and apt construction of thy name,
Being Leo-natus, doth import so much.
To Cymbeline. The piece of tender air, thy virtuous daughter,
Which we call “mollis aer;” and “mollis aer”
We term it “mulier:” which “mulier” I divine
Is this most constant wife; who, even now,
Answering the letter of the oracle,
Unknown to you, unsought, were clipp’d about
With this most tender air.
The lofty cedar, royal Cymbeline,
Personates thee: and thy lopp’d branches point
Thy two sons forth; who, by Belarius stol’n,
For many years thought dead, are now revived,
To the majestic cedar join’d, whose issue
Promises Britain peace and plenty.
Well;
My peace we will begin. And, Caius Lucius,
Although the victor, we submit to Caesar,
And to the Roman empire; promising
To pay our wonted tribute, from the which
We were dissuaded by our wicked queen;
Whom heavens, in justice, both on her and hers,
Have laid most heavy hand.
The fingers of the powers above do tune
The harmony of this peace. The vision
Which I made known to Lucius, ere the stroke
Of this yet scarce-cold battle, at this instant
Is full accomplish’d; for the Roman eagle,
From south to west on wing soaring aloft,
Lessen’d herself, and in the beams o’ the sun
So vanish’d: which foreshow’d our princely eagle,
The imperial Caesar, should again unite
His favour with the radiant Cymbeline,
Which shines here in the west.
Laud we the gods;
And let our crooked smokes climb to their nostrils
From our blest altars. Publish we this peace
To all our subjects. Set we forward: let
A Roman and a British ensign wave
Friendly together: so through Lud’s-town march:
And in the temple of great Jupiter
Our peace we’ll ratify; seal it with feasts.
Set on there! Never was a war did cease,
Ere bloody hands were wash’d, with such a peace. Exeunt.
Colophon
Cymbeline
was published in 1609 by
William Shakespeare.
This ebook was produced for
Standard Ebooks
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Emma Sweeney,
and is based on a transcription produced in 1993 by
Jeremy Hylton
for the
Massachusetts Institute of Technology
and on digital scans from the
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The cover page is adapted from
Imogen and the Shepherds,
a painting completed in 1874 by
James Smetham.
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