“There is a survival for you,” said Dyson; “it has come to its last days, I imagine. Look how the laurels have grown gaunt, and weedy, and black, and bare, beneath; look at the house, covered with yellow wash and patched with green damp. Why, the very notice-board which informs all and singular that the place is to be let has cracked and half fallen.”
“Suppose we go in and see it,” said Phillipps. “I don’t think there is anybody about.”
They turned up the drive, and walked slowly, towards this remnant of old days. It was a large straggling house, with curved wings at either end, and behind a series of irregular roofs and projections, showing that the place had been added to at diverse dates; the two wings were roofed in cupola fashion, and at one side, as they came nearer, they could see a stable-yard, and a clock turret with a bell, and the dark masses of gloomy cedars. Amidst all the lineaments of dissolution, there was but one note of contrast: the sun was setting beyond the elm-trees, and all the west and the south were in flames, and on the upper windows of the house the glow shone reflected, and it seemed as if blood and fire were mingled. Before the yellow front of the mansion, stained, as Dyson had remarked, with gangrenous patches, green and blackening, stretched what once had been, no doubt, a well-kept lawn, but it was now rough and ragged, and nettles and great docks, and all manner of coarse weeds, struggled in the places of the flowerbeds. The urns had fallen from their pillars beside the walk, and lay broken in shards upon the ground, and everywhere from grass-plot and path a fungoid growth had sprung up and multiplied, and lay dank and slimy like a festering sore upon the earth. In the middle of the rank grass of the lawn was a desolate fountain; the rim of the basin was crumbling and pulverized with decay, and within, the water stood stagnant, with green scum for the lilies that had once bloomed there; and rust had eaten into the bronze flesh of the Triton that stood in the middle, and the conch-shell he held was broken.
“Here,” said Dyson, “one might moralize over decay and death. Here all the stage is decked out with the symbols of dissolution; the cedarn gloom and twilight hangs heavy around us, and everywhere within the pale dankness has found a harbor, and the very air is changed and brought to accord with the scene. To me, I confess, this deserted house is as moral as a graveyard, and I find something sublime in that lonely Triton, deserted in the midst of his water-pool. He is the last of the gods; they have left him and he remembers the sound of water falling on water, and the days that were sweet.”
“I like your reflections extremely,” said Phillipps, “but I may mention that the door of the house is open.”
“Let us go in then.”
The door was just ajar, and they passed into the mouldy hall, and looked in at a room on one side. It was a large room, going far back, and the rich old red flock paper was peeling from the walls in long strips, and blackened with vague patches of rising damp; the ancient clay, the dank reeking earth rising up again, and subduing all the work of men’s hands after the conquest of many years. And the floor was thick with the dust of decay, and the painted ceiling fading from all gay colors and light fancies of cupids in a career, and disfigured with sores of dampness, seemed transmuted into other work. No longer the amorini chased one another pleasantly, with limbs that sought not to advance, and hands that merely simulated the act of grasping at the wreathed flowers, but it appeared some savage burlesque of the old careless world and of its cherished conventions, and the dance of the loves had become a dance of Death; black pustules and festering sores swelled and clustered on fair limbs, and smiling faces showed corruption, and the fairy blood had boiled with the germs of foul disease; it was a parable of the leaven working, and worms devouring for a banquet the heart of the rose.
Strangely, under the painted ceiling, against the decaying walls, two old chairs still stood alone, the sole furniture of the empty place. High-backed, with curving arms and twisted legs, covered with faded gold leaf, and upholstered in tattered damask, they too were a part of the symbolism, and struck Dyson with surprise. “What have we here?” he said. “Who has sat in these chairs? Who, clad in peach-bloom satin, with lace ruffles and diamond buckles, all golden, a conté fleurettes to his companion? Phillipps, we are in another age.
