“What am I doing? What am I doing to you?” she sobbed convulsively, embracing his knees.
The prince was a whole hour soothing and comforting her, and left her, at length, pacified and composed. He sent another messenger during the night to inquire after her, and two more next morning. The last brought back a message that Nastasia was surrounded by a whole army of dressmakers and maids, and was as happy and as busy as such a beauty should be on her wedding morning, and that there was not a vestige of yesterday’s agitation remaining. The message concluded with the news that at the moment of the bearer’s departure there was a great confabulation in progress as to which diamonds were to be worn, and how.
This message entirely calmed the prince’s mind.
The following report of the proceedings on the wedding day may be depended upon, as coming from eyewitnesses.
The wedding was fixed for eight o’clock in the evening. Nastasia Philipovna was ready at seven. From six o’clock groups of people began to gather at Nastasia’s house, at the prince’s, and at the church door, but more especially at the former place. The church began to fill at seven.
Colia and Vera Lebedeff were very anxious on the prince’s account, but they were so busy over the arrangements for receiving the guests after the wedding, that they had not much time for the indulgence of personal feelings.
There were to be very few guests besides the best men and so on; only Dana Alexeyevna, the Ptitsins, Gania, and the doctor. When the prince asked Lebedeff why he had invited the doctor, who was almost a stranger, Lebedeff replied:
“Why, he wears an ‘order,’ and it looks so well!”
This idea amused the prince.
Keller and Burdovsky looked wonderfully correct in their dress-coats and white kid gloves, although Keller caused the bridegroom some alarm by his undisguisedly hostile glances at the gathering crowd of sightseers outside.
At about half-past seven the prince started for the church in his carriage.
We may remark here that he seemed anxious not to omit a single one of the recognized customs and traditions observed at weddings. He wished all to be done as openly as possible, and “in due order.”
Arrived at the church, Muishkin, under Keller’s guidance, passed through the crowd of spectators, amid continuous whispering and excited exclamations. The prince stayed near the altar, while Keller made off once more to fetch the bride.
On reaching the gate of Daria Alexeyevna’s house, Keller found a far denser crowd than he had encountered at the prince’s. The remarks and exclamations of the spectators here were of so irritating a nature that Keller was very near making them a speech on the impropriety of their conduct, but was luckily caught by Burdovsky, in the act of turning to address them, and hurried indoors.
Nastasia Philipovna was ready. She rose from her seat, looked into the glass and remarked, as Keller told the tale afterwards, that she was “as pale as a corpse.” She then bent her head reverently, before the icon in the corner, and left the room.
A torrent of voices greeted her appearance at the front door. The crowd whistled, clapped its hands, and laughed and shouted; but in a moment or two isolated voices were distinguishable.
“What a beauty!” cried one.
“Well, she isn’t the first in the world, nor the last,” said another.
“Marriage covers everything,” observed a third.
“I defy you to find another beauty like that,” said a fourth.
“She’s a real princess! I’d sell my soul for such a princess as that!”
Nastasia came out of the house looking as white as any handkerchief; but her large dark eyes shone upon the vulgar crowd like blazing coals. The spectators’ cries were redoubled, and became more exultant and triumphant every moment. The door of the carriage was open, and Keller had given his hand to the bride to help her in, when suddenly with a loud cry she rushed from him, straight into the surging crowd. Her friends about her were stupefied with amazement; the crowd parted as she rushed through it, and suddenly, at a distance of five or six yards from the carriage, appeared Rogojin. It was his look that had caught her eyes.
Nastasia rushed to him like a madwoman, and seized both his hands.
“Save me!” she cried. “Take me away, anywhere you like, quick!”
Rogojin seized her in his arms and almost carried her to the carriage. Then, in a flash, he tore a hundred-rouble note out of his pocket and held it to the coachman.
“To the station, quick! If you catch the train you shall have another. Quick!”
He leaped into the carriage after Nastasia and banged the door. The coachman did not hesitate a moment; he whipped up the horses, and they were off.
“One more second and I should have stopped him,” said Keller, afterwards. In fact, he and Burdovsky jumped into another carriage and set off in pursuit; but it struck them as they drove along that it was not much use trying to bring Nastasia back by force.
“Besides,” said Burdovsky, “the prince would not like it, would he?” So they gave up the pursuit.
Rogojin and Nastasia Philipovna reached the station just in time for the train. As he jumped out of the carriage and was almost on the point of entering the train, Rogojin accosted a young girl standing on the platform and wearing an old-fashioned, but respectable-looking, black cloak and a silk handkerchief over her head.
“Take fifty roubles for your cloak?” he shouted, holding the money out to the girl. Before the astonished young woman could collect her scattered senses, he pushed the money into her hand, seized the mantle, and threw it and the handkerchief over Nastasia’s head and shoulders. The latter’s wedding-array would have attracted too much attention, and it was not until some time later that the girl understood why her
