can carve. You are not from the Muses.” And even as they had stoned the last so also they stoned him. And afterwards they carved his message on gold and laid it up in their temples.
When will the Muses rest? When are they weary? Even yet once again they sent a messenger under the gateway into the Golden Town. And for all that he wore a garland of gold that the high Muses gave him, a garland of kingcups soft and yellow on his head, yet fashioned of pure gold and by whom but the Muses, yet did they stone him in the Golden Town. But they had the message, and what care the Muses?
And yet they will not rest, for some while since I heard them call to me.
“Go take our message,” they said, “unto the Golden Town.”
But I would not go. And they spake a second time. “Go take our message,” they said.
And still I would not go, and they cried out a third time: “Go take our message.”
And though they cried a third time I would not go. But morning and night they cried and through long evenings.
When will the Muses rest? When are they weary? And when they would not cease to call to me I went to them and I said: “The Golden Town is the Golden Town no longer. They have sold their pillars for brass and their temples for money, they have made coins out of their golden doors. It is become a dark town full of trouble, there is no ease in its streets, beauty has left it and the old songs are gone.”
“Go take our message,” they cried.
And I said to the high Muses: “You do not understand. You have no message for the Golden Town, the holy city no longer.”
“Go take our message,” they cried.
“What is your message?” I said to the high Muses.
And when I heard their message I made excuses, dreading to speak such things in the Golden Town; and again they bade me go.
And I said: “I will not go. None will believe me.”
And still the Muses cry to me all night long.
They do not understand. How should they know?
The Three Tall Sons
And at last Man raised on high the final glory of his civilization, the towering edifice of the ultimate city.
Softly beneath him in the deeps of the earth purred his machinery fulfilling all his needs, there was no more toil for man. There he sat at ease discussing the Sex Problem.
And sometimes painfully out of forgotten fields, there came to his outer door, came to the furthest rampart of the final glory of Man, a poor old woman begging. And always they turned her away. This glory of Man’s achievement, this city was not for her.
It was Nature that came thus begging in from the fields, whom they always turned away.
And away she went again alone to her fields.
And one day she came again, and again they sent her hence. But her three tall sons came too.
“These shall go in,” she said. “Even these my sons to your city.”
And the three tall sons went in.
And these are Nature’s sons, the forlorn one’s terrible children, War, Famine and Plague.
Yea and they went in there and found Man unawares in his city still poring over his Problems, obsessed with his civilization, and never hearing their tread as those three came up behind.
Compromise
They built their gorgeous home, their city of glory, above the lair of the earthquake. They built it of marble and gold in the shining youth of the world. There they feasted and fought and called their city immortal, and danced and sang songs to the gods. None heeded the earthquake in all those joyous streets. And down in the deeps of the earth, on the black feet of the abyss, they that would conquer Man mumbled long in the darkness, mumbled and goaded the earthquake to try his strength with that city, to go forth blithely at night and to gnaw its pillars like bones. And down in those grimy deeps the earthquake answered them, and would not do their pleasure and would not stir from thence, for who knew who they were who danced all day where he rumbled, and what if the lords of that city that had no fear of his anger were haply even the gods!
And the centuries plodded by, on and on round the world, and one day they that had danced, they that had sung in that city, remembered the lair of the earthquake in the deeps down under their feet, and made plans one with another and sought to avert the danger, sought to appease the earthquake and turn his anger away.
They sent down singing girls, and priests with oats and wine, they sent down garlands and propitious berries, down by dark steps to the black depths of the earth, they sent peacocks newly slain, and boys with burning spices, and their thin white sacred cats with collars of pearls all newly drawn from sea, they sent huge diamonds down in coffers of teak, and ointment and strange oriental dyes, arrows and armor and the rings of their queen.
“Oho,” said the earthquake in the coolth of the earth, “so they are not the gods.”
What We Have Come To
When the advertiser saw the cathedral spires over the downs in the distance, he looked at them and wept.
“If only,” he said, “this were an advertisement of Beefo, so nice, so nutritious, try it in your soup, ladies like it.”
The Tomb of Pan
“Seeing,” they said, “that old-time Pan is dead, let us now make a tomb for him and a monument, that the dreadful worship of long ago may be remembered and avoided by all.”
So said the people of the enlightened lands. And they built a white and mighty tomb of marble. Slowly it rose under the hands of the builders
