a paro⁠—a para⁠—”

“A paradox,” said d’Artagnan.

“Precisely; thank you! my tongue trips, I am so hot.”

“My friend,” said d’Artagnan, “continue your interesting description, I beg. What is that large white building with many windows?”

“Oh! that is the college of the Jesuits. Pardieu! you have an apt hand. Do you see, close to the college, a large house with steeples, turrets, built in a handsome Gothic style, as that fool, M. Gétard, says?”

“Yes, that is plainly to be seen. Well?”

“Well, that is where Aramis resides.”

“What! does he not reside at the episcopal palace?”

“No; that is in ruins. The palace likewise is in the city, and Aramis prefers the faubourgs. That is why, as I told you, he is partial to Saint-Paterne; Saint-Paterne is in the faubourg. Besides, there are in this faubourg a mall, a tennis-court, and a house of Dominicans. Look, that where the handsome steeple rises to the heavens.”

“Well?”

“Next, you see the faubourg is like a separate city, it has its walls, its towers, its ditches; the quay is upon it likewise, and the boats land at the quay. If our little corsair did not draw eight feet of water, we could have come full sail up to Aramis’s windows.”

“Porthos, Porthos,” cried d’Artagnan, “you are a well of knowledge, a spring of ingenious and profound reflections. Porthos, you no longer surprise me, you confound me.”

“Here we are,” said Porthos, turning the conversation with his usual modesty.

And high time we were, thought d’Artagnan, for Aramis’s horse is melting away like a steed of ice.

They entered almost at the same instant the faubourg; but scarcely had they gone a hundred paces when they were surprised to find the streets strewed with leaves and flowers. Against the old walls of Vannes, hung the oldest and the strangest tapestries of France. From over balconies fell long white sheets stuck all over with bouquets. The streets were deserted; it was plain the entire population was assembled on one point. The blinds were closed, and the breeze penetrated into the houses under the hangings, which cast long, black shades between their places of issue and the walls. Suddenly, at the turning of a street, chants struck the ears of the newly arrived travelers. A crowd in holiday garb appeared through the vapors of incense which mounted to the heavens in blue fleeces, and clouds of rose-leaves fluttered as high as the first stories. Above all heads were to be seen the cross and banners, the sacred symbols of religion. Then, beneath these crosses and banners, as if protected by them, walked a whole world of young girls clothed in white, crowned with cornflowers. At the two sides of the street, enclosing the cortège, marched the guards of the garrison, carrying bouquets in the barrels of their muskets and on the points of their lances. This was the procession.

Whilst d’Artagnan and Porthos were looking on with critical glances, which disguised an extreme impatience to get forward, a magnificent dais approached preceded by a hundred Jesuits and a hundred Dominicans, and escorted by two archdeacons, a treasurer, a penitent and twelve canons. A singer with a thundering voice⁠—a man certainly picked out from all the voices of France, as was the drum-major of the imperial guard from all the giants of the empire⁠—escorted by four other chanters, who appeared to be there only to serve him as an accompaniment, made the air resound, and the windows of the houses vibrate. Under the dais appeared a pale and noble countenance with black eyes, black hair streaked with threads of white, a delicate, compressed mouth, a prominent and angular chin. His head, full of graceful majesty, was covered with the episcopal mitre, a headdress which gave it, in addition to the character of sovereignty, that of asceticism and evangelic meditation.

“Aramis!” cried the musketeer, involuntarily, as this lofty countenance passed before him. The prelate started at the sound of the voice. He raised his large black eyes, with their long lashes, and turned them without hesitation towards the spot whence the exclamation proceeded. At a glance, he saw Porthos and d’Artagnan close to him. On his part, d’Artagnan, thanks to the keenness of his sight, had seen all, seized all. The full portrait of the prelate had entered his memory, never to leave it. One thing had particularly struck d’Artagnan. On perceiving him, Aramis had colored, then he had concentrated under his eyelids the fire of the look of the master, and the indefinable affection of the friend. It was evident that Aramis had asked himself this question:⁠—“Why is d’Artagnan with Porthos, and what does he want at Vannes?” Aramis comprehended all that was passing in the mind of d’Artagnan, on turning his look upon him again, and seeing that he had not lowered his eyes. He knew the acuteness and intelligence of his friend; he feared to let him divine the secret of his blush and his astonishment. He was still the same Aramis, always having a secret to conceal. Therefore, to put an end to his look of an inquisitor, which it was necessary to get rid of at all events, as, at any price, a general extinguishes a battery which annoys him, Aramis stretched forth his beautiful white hand, upon which sparkled the amethyst of the pastoral ring; he cut the air with sign of the cross, and poured out his benediction upon his two friends. Perhaps thoughtful and absent, d’Artagnan, impious in spite of himself, might not have bent beneath this holy benediction; but Porthos saw his distraction, and laying his friendly hand upon the back of his companion, he crushed him down towards the earth. D’Artagnan was forced to give way; indeed, he was little short of being flat on the ground. In the meantime Aramis had passed. D’Artagnan, like Antaeus, had only touched the ground, and he turned towards Porthos, almost angry. But there was no mistaking the intention of the brave Hercules; it was a feeling of religious propriety that had influenced him.

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