insupportable. Whenever there is a question of laughing a little or of amusing ourselves, La Vallière begins to cry; whenever we girls have reason to cry, because, perhaps, we have mislaid our dresses, or because our vanity as been wounded, or our costume fails to produce an effect, La Vallière laughs.”

“As far as I am concerned, that is not my character,” said Mademoiselle de Tonnay-Charente. “I am a woman; and there are few like me; whoever loves me, flatters me; whoever flatters me, pleases me; and whoever pleases⁠—”

“Well!” said Montalais, “you do not finish.”

“It is too difficult,” replied Mademoiselle de Tonnay-Charente, laughing loudly. “Do you, who are so clever, finish for me.”

“And you, Louise?” said Montalais, “does anyone please you?”

“That is a matter that concerns no one but myself,” replied the young girl, rising from the mossy bank on which she had been reclining during the whole time the ballet lasted. “Now, mesdemoiselles, we have agreed to amuse ourselves tonight without anyone to overlook us, and without any escort. We are three in number, we like one another, and the night is lovely. Look yonder, do you not see the moon slowly rising, silvering the topmost branches of the chestnuts and the oaks. Oh, beautiful walk! sweet liberty! exquisite soft turf of the woods, the happiness which your friendship confers upon me! let us walk arm in arm towards those large trees. Out yonder all are at this moment seated at table and fully occupied, or preparing to adorn themselves for a set and formal promenade; horses are being saddled, or harnessed to the carriages⁠—the queen’s mules or Madame’s four white ponies. As for ourselves, we shall soon reach some retired spot where no eyes can see us and no step follow ours. Do you not remember, Montalais, the woods of Cheverny and of Chambord, the innumerable rustling poplars of Blois, where we exchanged our mutual hopes?”

“And confidences too?”

“Yes.”

“Well,” said Mademoiselle de Tonnay-Charente, “I also think a good deal; but I take care⁠—”

“To say nothing,” said Montalais, “so that when Mademoiselle de Tonnay-Charente thinks, Athenaïs is the only one who knows it.”

“Hush!” said Mademoiselle de Tonnay-Charente, “I hear steps approaching from this side.”

“Quick, quick, then, among the high reed-grass,” said Montalais; “stoop, Athenaïs, you are so tall.”

Mademoiselle de Tonnay-Charente stooped as she was told, and, almost at the same moment, they saw two gentlemen approaching, their heads bent down, walking arm in arm, on the fine gravel walk running parallel with the bank. The young girls had, indeed, made themselves small⁠—indeed invisible.

“It is Monsieur de Guiche,” whispered Montalais in Mademoiselle de Tonnay-Charente’s ear.

“It is Monsieur de Bragelonne,” whispered the latter to La Vallière.

The two young men approached still closer, conversing in animated tones. “She was here just now,” said the count. “If I had only seen her, I should have declared it to be a vision, but I spoke to her.”

“You are positive, then?”

“Yes; but perhaps I frightened her.”

“In what way?”

“Oh! I was still half crazy at you know what; so that she could hardly have understood what I was saying, and must have grown alarmed.”

“Oh!” said Bragelonne, “do not make yourself uneasy: she is all kindness, and will excuse you; she is clear-sighted, and will understand.”

“Yes, but if she should have understood, and understood too well, she may talk.”

“You do not know Louise, count,” said Raoul. “Louise possesses every virtue, and has not a single fault.” And the two young men passed on, and, as they proceeded, their voices were soon lost in the distance.

“How is it, La Vallière,” said Mademoiselle de Tonnay-Charente, “that the Vicomte de Bragelonne spoke of you as Louise?”

“We were brought up together,” replied Louise, blushing; “M. de Bragelonne has honored me by asking my hand in marriage, but⁠—”

“Well?”

“It seems the king will not consent to it.”

“Eh! Why the king? and what has the king to do with it?” exclaimed Aure, sharply. “Good gracious! has the king any right to interfere in matters of that kind? Politics are politics, as M. de Mazarin used to say; but love is love. If, therefore, you love M. de Bragelonne, marry him. I give my consent.”

Athenaïs began to laugh.

“Oh! I am speaking seriously,” replied Montalais, “and my opinion in this case is quite as good as the king’s, I suppose; is it not, Louise?”

“Come,” said La Vallière, “these gentlemen have passed; let us take advantage of our being alone to cross the open ground and so take refuge in the woods.”

“So much the better,” said Athenaïs, “because I see the torches setting out from the château and the theater, and they seem as if they were preceding some person of distinction.”

“Let us run, then,” said all three. And, gracefully lifting up the long skirts of their silk dresses, they lightly ran across the open space between the lake and the thickest covert of the park. Montalais agile as a deer, Athenaïs eager as a young wolf, bounded through the dry grass, and, now and then, some bold Acteon might, by the aid of the faint light, have perceived their straight and well-formed limbs somewhat displayed beneath the heavy folds of their satin petticoats. La Vallière, more refined and more bashful, allowed her dress to flow around her; retarded also by the lameness of her foot, it was not long before she called out to her companions to halt, and, left behind, she obliged them both to wait for her. At this moment, a man, concealed in a dry ditch planted with young willow saplings, scrambled quickly up its shelving side, and ran off in the direction of the château. The three young girls, on their side, reached the outskirts of the park, every path of which they well knew. The ditches were bordered by high hedges full of flowers, which on that side protected the foot-passengers from being intruded upon by the horses and carriages. In fact, the sound of Madame’s and the queen’s carriages could be heard in the distance upon the hard dry ground of the roads, followed by

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