“Walk faster,” replied Fouquet.
Baisemeaux made a sign to the jailer to precede them. He was afraid of his companion, which the latter could not fail to perceive.
“A truce to this child’s play,” he said, roughly. “Let the man remain here; take the keys yourself, and show me the way. Not a single person, do you understand, must hear what is going to take place here.”
“Ah!” said Baisemeaux, undecided.
“Again!” cried M. Fouquet. “Ah! say ‘no’ at once, and I will leave the Bastille and will myself carry my own dispatches.”
Baisemeaux bowed his head, took the keys, and unaccompanied, except by the minister, ascended the staircase. The higher they advanced up the spiral staircase, the more clearly did certain muffled murmurs become distinct appeals and fearful imprecations.
“What is that?” asked Fouquet.
“That is your Marchiali,” said the governor; “this is the way these madmen scream.”
And he accompanied that reply with a glance more pregnant with injurious allusion, as far as Fouquet was concerned, than politeness. The latter trembled; he had just recognized in one cry more terrible than any that had preceded it, the king’s voice. He paused on the staircase, snatching the bunch of keys from Baisemeaux, who thought this new madman was going to dash out his brains with one of them. “Ah!” he cried, “M. d’Herblay did not say a word about that.”
“Give me the keys at once!” cried Fouquet, tearing them from his hand. “Which is the key of the door I am to open?”
“That one.”
A fearful cry, followed by a violent blow against the door, made the whole staircase resound with the echo.
“Leave this place,” said Fouquet to Baisemeaux, in a threatening tone.
“I ask nothing better,” murmured the latter, to himself. “There will be a couple of madmen face to face, and the one will kill the other, I am sure.”
“Go!” repeated Fouquet. “If you place your foot on this staircase before I call you, remember that you shall take the place of the meanest prisoner in the Bastille.”
“This job will kill me, I am sure it will,” muttered Baisemeaux, as he withdrew with tottering steps.
The prisoner’s cries became more and more terrible. When Fouquet had satisfied himself that Baisemeaux had reached the bottom of the staircase, he inserted the key in the first lock. It was then that he heard the hoarse, choking voice of the king, crying out, in a frenzy of rage, “Help, help! I am the king.” The key of the second door was not the same as the first, and Fouquet was obliged to look for it on the bunch. The king, however, furious and almost mad with rage and passion, shouted at the top of his voice, “It was M. Fouquet who brought me here. Help me against M. Fouquet! I am the king! Help the king against M. Fouquet!” These cries filled the minister’s heart with terrible emotions. They were followed by a shower of blows leveled against the door with a part of the broken chair with which the king had armed himself. Fouquet at last succeeded in finding the key. The king was almost exhausted; he could hardly articulate distinctly as he shouted, “Death to Fouquet! death to the traitor Fouquet!” The door flew open.
230
The King’s Gratitude
The two men were on the point of darting towards each other when they suddenly and abruptly stopped, as a mutual recognition took place, and each uttered a cry of horror.
“Have you come to assassinate me, Monsieur?” said the king, when he recognized Fouquet.
“The king in this state!” murmured the minister.
Nothing could be more terrible indeed than the appearance of the young prince at the moment Fouquet had surprised him; his clothes were in tatters; his shirt, open and torn to rags, was stained with sweat and with the blood which streamed from his lacerated breast and arms. Haggard, ghastly pale, his hair in disheveled masses, Louis XIV presented the most perfect picture of despair, distress, anger and fear combined that could possibly be united in one figure. Fouquet was so touched, so affected and disturbed by it, that he ran towards him with his arms stretched out and his eyes filled with tears. Louis held up the massive piece of wood of which he had made such a furious use.
“Sire,” said Fouquet, in a voice trembling with emotion, “do you not recognize the most faithful of your friends?”
“A friend—you!” repeated Louis, gnashing his teeth in a manner which betrayed his hate and desire for speedy vengeance.
“The most respectful of your servants,” added Fouquet, throwing himself on his knees. The king let the rude weapon fall from his grasp. Fouquet approached him, kissed his knees, and took him in his arms with inconceivable tenderness.
“My king, my child,” he said, “how you must have suffered!”
Louis, recalled to himself by the change of situation, looked at himself, and ashamed of the disordered state of his apparel, ashamed of his conduct, and ashamed of the air of pity and protection that was shown towards him, drew back. Fouquet did not understand this movement; he did not perceive that the king’s feeling of pride would never forgive him for having been a witness of such an exhibition of weakness.
“Come, sire,” he said, “you are free.”
“Free?” repeated the king. “Oh! you set me at liberty, then, after having dared to lift up your hand against me.”
“You do not believe that!” exclaimed Fouquet, indignantly; “you cannot believe me to be guilty of such an act.”
And rapidly, warmly even, he related the whole particulars of the intrigue, the details of which are already known to the reader. While the recital continued, Louis suffered the most horrible anguish of mind; and when it was finished, the magnitude of the danger he had run struck him far more than the importance of the secret relative to his twin brother.
“Monsieur,” he said, suddenly to Fouquet, “this double birth is a falsehood; it is impossible—you
