the floor. But it is strange how little an old woman can live on. So the old master had to turn to vermin. He put a sofa that was crawling into old Kerstin’s cottage. But Kerstin thought, “If I must die, I shall at least die on his front step”⁠—so one winter morning she trailed herself up to his house and began to take off her rags before the front door. And you may imagine she was not beautiful, because she had smeared tar over her whole body as a protection against lice. It was so awful that even Old Hök had to hurry to his cupboard and take a drop of something strong.

Here Kristin stopped suddenly and caught hold of Hedvig’s hand as it lay anxiously clenched in her lap. Yes, indeed, it clenched a sticky lump of sugar. The temptation had proven too strong as she stole through the empty kitchen. Kristin’s tone now became still more sinister and solemn: “Well, well, that’s what heredity does,” she mumbled. “Keep your fingers out of the sugar jar, Hedvig, otherwise the sugar knife will fall and cut off your hand. Or maybe the Bogey Man will come and take you.”

Hedvig turned quite white. A spasm passed over her face⁠—but she did not cry. She cowered and went on listening to Kristin, who continued in her sombre manner: “Yes, as I always say, everything goes wrong here at Selambshof, both with human beings and with animals, since the old master drove away the good house spirits. And there are strange things both in the forest and in the lake. Would any of you like to be alone at night time in Enoch’s cave? And don’t bubbles rise even today by the big stone beyond the reeds? The master said that Matts fell in whilst he was trying to catch hold of an oar that he had lost. But I know what I know. They didn’t find Matts. But afterwards Old Hök always dropped his hooks just at that spot and caught lots of eels, and beat the young master because he wouldn’t eat them. Yes, he was like that. And he has not gone from this place yet. Tell me, Anders, don’t the horses still jib down there by the grey stone at the corner of the avenue? They have done so ever since Old Hök died there. He sat quite straight with his hands on the knob of his stick and frowned, though he was stone dead. They had to bring four men to straighten him out and lay him in his coffin, so obstinate was he even after death. But he left lots of money.”

At this point, old Kristin lowered her voice and became humble in spite of herself. That was of course the people’s admiration for wealth. It was the unconditional surrender of the old peasant woman to the fact of possession. And both Anders and the maid, who had been peacefully dozing during this recital of well-known horrors, now leant forward with listening eyes as Kristin sat there and spun out her story of all the gold in the chest and all the corn in the barns⁠—“Yes, he did look after the farm, did the old master. In those days there was something like a manure heap for a cock to stand on and crow. And nobody dared to steal even a potato then. Do you hear that, Anders? No, those were different days⁠—for now you do nothing but idle about and steal. Well, I suppose everything will lie waste soon. Yes, yes, we have not seen the end yet⁠—we have not seen the end. And there are lots of children to share it too⁠—and more are coming. It is a real pity. Poor Peter, who is the eldest and will inherit it. Poor Peter, that’s what I say! Are you loafing about there with your hands in your pockets again? Take your hands out of your pockets⁠—otherwise you will lose both house and land. You wait and see if I don’t speak the truth. And don’t climb on the rail and wear out your stockings.”

Kristin had come to this point when they heard a scream from the bedroom upstairs. The silence beneath the bare elms was suddenly and harshly torn asunder. Perhaps it sounded to Peter and Hedvig like one of those strange, petrified screeches which sometimes fill the sleep of grownups with horror.

The little group dissolved instantly. The maid ran into the kitchen for the kettles. Anders strolled hesitatingly towards the lake, and Kristin pushed the children into the dining-room and turned the key. Peter and Hedvig were locked in with Old Hök, whose portrait hung there in the twilight over the leather-covered sofa. They were standing in the middle of the room and dared not look at the picture. They were expecting another scream that would make their hair stand on end again. They supposed it must come since they had been driven in here. But they heard no scream⁠—for many long, long minutes all was still. By and by their eyes were irresistibly drawn to Old Hök. There he stood in a long, black coat. And his nose looked like a bird’s beak, and his fingers were clenched round his stick handle and looked like claws. But worst of all were his eyes, for wherever you stood they stared straight down at you, so that you felt that your blood ran cold. It had, of course, been horrid to listen to Kristin, but then, it was not altogether uncanny, for there was mixed with it a curiously pleasant sensation as when you step into a pool and the cold water oozes into your stockings. But this! Oh this was ever so much worse! Their childish fear, awakened out of its semi-sleep, now fluttered wildly round Old Hök⁠—and Kristin’s superstition and her prophecies of woe hovered over them in new and terrifying shapes.

Peter was perhaps not so sensitive to the more remote horrors. His

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