I was almost asleep, scarcely conscious of the room, when suddenly I heard a voice cry, “Marie! Marie! Marie!” three times. It was a voice that I had never heard before, strong but also tender, full of pain, with a note in it too of a struggling self-control that would break in a moment and overwhelm its possessor. As I look back at it I remember that I felt the passion and strength in it so violently that I seemed to shrink into myself, as though I were witnessing something that no man should see, and as though also I were conscious of my own weakness and insignificance.
It was Semyonov. The flashlight flashed into the room, shining for an instant upon him. He was sitting up in bed, his shirt open and his chest bare. His eyes were fixed upon the window, but he was fast asleep. He seemed to me a new man. I had grown so accustomed to his sarcasm, his irony, that I had almost persuaded myself that he had never truly loved Marie, but had felt some sensual attraction for her that would, by realisation, have been at once satisfied. This was another man. Here was a struggle, an agony that was not for such men as I.
He cried again, “Marie! Marie!” then got up out of bed, walked on his naked feet in his shirt to the window, stood there and waited. The moonlight had, by this, struck our room and flooded it. He turned suddenly and faced me. I could not believe that he did not see me, but I could not endure the unhappiness in his eyes and I turned, looking down. I did not look at him again but I heard his feet patter back to the bed; then he stood there, his whole body strung to meet some overmastering crisis. He whispered her name as though she had come to him since his first call. “Ah, Marie, my darling,” he whispered.
I could not bear that. I crept from my bed, slipped away, closed the door softly behind me and stole downstairs.
I cannot write at length of what followed. It was the crisis of everything that has happened to me since I left Petrograd. Every experience that I had had was suddenly flung into this moment. I was in our sitting-room now, pitch dark because shutters had been placed outside the windows to guard against bullets. I stood there in my shirt and drawers: shuddering, shivering with hatred of myself, shivering with fear of Semyonov, shivering above all, with a desperate, agonising, torturing hunger for Marie. Semyonov’s voice had appalled me. I hadn’t realised before how strongly I had relied on his not truly caring for her. Everything in the man had seemed to persuade me of this, and I had even flattered myself on my miserable superiority to him, that I was the true faithful lover and he the vulgar sensualist. How small now I seemed beside him!—and how I feared him! Then I was at sudden fierce grip with the beast! … At grips at last!
I had once before, on another night, been tempted to kill myself, but that had been nothing to this. Now sick and ill, faint for food, I swayed there on the floor, hearing always in my ear—“Give way! Give way! … You’ll be in front of him, you’ll have left him behind you, he can do nothing … a moment more and you can be with her—and he cannot reach you!”
I do not know how long I fought there. I was not fighting with an evil devil, a fearful beast as in my dreams I had always imagined it—I was fighting myself: every weakness in the past to which I had ever surrendered, every little scrap of personal history, every slackness and cowardice and lethargy was there on the floor against me.
I don’t know what it was that prevented me stealing back to my room, fetching my revolver and so ending it. I