Perched up there in the velvet obscurity of our box, I surveyed a woodland scene, ruins, distant mountains, a rocky stream on which an enormous moon shone, and actually moved in the theatrical heavens. And when an exquisite figure floated, pale, gauzy, and a-tiptoe, into those artificial solitudes, drenched with filmy light; with a far cry of “Fanny!” my heart suddenly stood still; and all the old stubborn infatuation flooded heavily back upon me once more.
Susan sat ghostlike, serenely smiling. Percy’s narrow jaws were working on their hinges like those of a rabbit I had seen through my grandfather’s spyglass nibbling a root of dandelion. Mrs. Monnerie reclined in her chair, hands on lap, with pursed-up mouth and weary eyes. There was nobody to confide in, then. But when from either side of the brightening stage flocked in winged creatures with lackadaisical arms and waxlike smilings, whose paint and powder caught back my mind rather than my feelings, my first light-of-foot was hovering beneath us close to the flaring footlights; and she was now no more Fanny than the circle of illuminated parchment over her head was the enchanting moon. What a complicated world it was with all these layers! The experience filled me with a hundred disquieting desires, and yet again, chiefest of them was that which made sensitive the stumps where, if I turned into a bird, my wings would grow, and which bade me “escape.”
“She’s getting devilish old and creaky on her pins,” yawned Percy, when the curtain had descended, and I had sighingly shrunk back into my own tasselled nook from the noise and emptiness of actuality.
“No,” said Mrs. Monnerie, “it is you, Percy, who are getting old. You were born blasé. You’ll be positively yawning your head off at the last trump.”
“Dear Aunt Alice,” said Percy, squinting through his opera-glasses, “nothing of the kind. I shall be helping you to find the mislaid knucklebones. Besides, it’s better to be born—”
But the rest of his sentence—and I listened to him only because I hated him—passed unheeded, for all my attention had been drawn to Susan. The hand beside me had suddenly clutched at her silk skirt, and a flush, gay as the Queen’s Union Jacks in Bond Street, had mounted into her clear, pale cheek, as with averted chin she sat looking down upon someone in the stalls. At sight of her blushing, a richer fondness for her lightened my mind. I followed her eye to its goal, and gazed enthralled, now up, now down, stringing all kinds of little beads of thoughts together; until, perhaps conscious that she was being watched, she turned and caught me. Flamed up her cheeks yet hotter; and now mine too; for my spirits had suddenly sunk into my shoes at the remembrance of Wanderslore and my “ghostly, gloating little dwarfish creature.” Then once more darkness stole over the vast, quieting house, and the curtain reascended upon Romance.
XXXV
Instead of its being a month as had been arranged, it was over six weeks before I was deposited again with my elegant dressing-case—a mere flying visitor—on Mrs. Bowater’s doorstep. A waft of cooked air floated out into the June sunshine through the letter-box. Then, in the open door, just as of old, flushed and hot in her black clothes, there stood my old friend, indescribably the same, indescribably different. She knelt down on her own doormat, and we exchanged loving greetings. Once more I trod beneath the wreathing, guardian horns, circumnavigated the age-stained eight-day clock, and so into my parlour.
Nothing was changed. There stood the shepherdess ogling the shepherd; there hung Mr. Bowater; there dangled the chandelier; there angled the same half-dozen flies. Not a leg, caster, or antimacassar was out of place. Yet how steadfastly I had to keep my back turned on my landlady lest she should witness my discomfiture. Faded, dingy, crowded, shrunken—it seemed unbelievable, as I glanced around me, that here I could have lived and breathed so many months, and been so ridiculously miserable, so tragically happy. All that bygone happiness and wretchedness seemed, for the moment, mere waste and folly. And not only that—“common.” I climbed Mr. Bates’s clumsy staircase, put down my dressing-case, and slowly removing my gloves, faced dimly the curtained window. Beyond it lay the distant hills, misty in the morning sunbeams, the familiar meadows all but chin-high with buttercups.
“Oh, Mrs. Bowater,” I turned at last, “here I am. You and the quiet sky—I wish I had never gone away. What is the use of being one’s self, if one is always changing?”
“There comes a time, miss, when we don’t change; only the outer walls crumble away morsel by morsel, so to speak. But that’s not for you yet. Still, that’s the reason. Me and the old sticks are just what we were, at least to the eye; and you—well, there!—the house has been like a cage with the bird gone.”
She stood looking at me with one long finger stretching bonily out on the black and crimson tablecloth, a shining sea of loving kindness in her eyes. “I can see they have taken good care of you and all, preened the pretty feathers. Why, you are a bit plumper in figure, miss; only the voice a little different, perhaps.” The last words were uttered almost beneath her breath.
“My voice, Mrs. Bowater; oh, they cannot have altered that.”
“Indeed they have, miss; neater-twisted, as you might say; but not scarcely to be noticed by any but a very old friend. Maybe you are a little tired with your long drive and those two solemnities on the box. I remember the same thing—the change of voice—when Fanny came back from her first term at Miss Stebbings’.”
“How is she?” I inquired in even tones. “She has never written to me. Not a word.”
But, strange to say, as Mrs. Bowater explained, and not without a symptom of triumph, that’s just what Fanny had done.
