had drawn the heroine of his novel from her was simply devastating. Mechanically she got out at the right station and mechanically made her way to the cottage. She was relieved to find that William was still out on the links. She loved William devotedly, of course, but just at the moment he would have been in the way; for she wanted a quiet hour with The Purple Fan. It was necessary for her to reread in the light of this new knowledge the more important of the scenes in which Eulalie French figured. She knew them practically by heart already, but nevertheless she wished to read them again. When William returned, warm and jubilant, she was so absorbed that she only just had time to slide the book under the sofa-cushion before the door opened.

Some guardian angel ought to have warned William Bates that he was selecting a bad moment for his reentry into the home, or at least to have hinted that a preliminary wash and brush-up would be no bad thing. There had been rain in the night, causing the links to become a trifle soggy in spots, and William was one of those energetic golfers who do not spare themselves. The result was that his pleasant features were a good deal obscured by mud. An explosion-shot out of the bunker on the fourteenth had filled his hair with damp sand, and his shoes were a disgrace to any refined home. No, take him for all in all, William did not look his best. He was fine if the sort of man you admired was the brawny athlete straight from the dust of the arena; but on a woman who was picturing herself the heroine of The Purple Fan he was bound to jar. Most of the scenes in which Eulalie French played anything like a fat part took place either on moonlight terraces or in beautifully furnished studios beneath the light of Oriental lamps with pink silk shades, and all the men who came in contact with her⁠—except her husband, a clodhopping brute who spent most of his time in riding-kit⁠—were perfectly dressed and had dark, clean-cut, sensitive faces.

William, accordingly, induced in Jane something closely approximating to the heeby-jeebies.

“Hullo, old girl!” said William, affectionately. “You back? What have you been doing with yourself?”

“Oh, shopping,” said Jane, listlessly.

“See anyone you knew?”

For a moment Jane hesitated.

“Yes,” she said. “I met Rodney Spelvin.”

Jealousy and suspicion had been left entirely out of William Bates’s makeup. He did not start and frown; he did not clutch the arm of his chair; he merely threw back his head and laughed like a hyena. And that laugh wounded Jane more than the most violent exhibition of mistrust could have done.

“Good Lord!” gurgled William, jovially. “You don’t mean to say that bird is still going around loose? I should have thought he would have been lynched years ago. Looks like negligence somewhere.”

There comes a moment in married life when every wife gazes squarely at her husband and the scales seem to fall from her eyes and she sees him as he is⁠—one of Nature’s Class A fatheads. Fortunately for married men, these times of clear vision do not last long, or there would be few homes left unbroken. It was so that Jane gazed at William now, but unhappily her conviction that he was an outsize in roughneck chumps did not pass. Indeed, all through that evening it deepened. That night she went to bed feeling for the first time that, when the clergyman had said “Wilt thou, Jane?” and she had replied in the affirmative, a mean trick had been played on an inexperienced girl.


And so began that black period in the married life of Jane and William Bates, the mere recollection of which in after years was sufficient to put them right off their short game and even to affect their driving from the tee. To William, having no clue to the cause of the mysterious change in his wife, her behaviour was inexplicable. Had not her perfect robustness made such a theory absurd, he would have supposed that she was sickening for something. She golfed now intermittently, and often with positive reluctance. She was frequently listless and distrait. And there were other things about her of which he disapproved.

“I say, old girl,” he said one evening, “I know you won’t mind my mentioning it, and I don’t suppose you’re aware of it yourself, but recently you’ve developed a sort of silvery laugh. A nasty thing to have about the home. Try to switch it off, old bird, would you mind?”

Jane said nothing. The man was not worth answering. All through the pages of The Purple Fan, Eulalie French’s silvery laugh had been highly spoken of and greatly appreciated by one and all. It was the thing about her that the dark, clean-cut, sensitive-faced men most admired. And the view Jane took of the matter was that if William did not like it the poor fish could do the other thing.

But this brutal attack decided her to come out into the open with the grievance which had been vexing her soul for weeks past.

“William,” she said, “I want to say something. William, I am feeling stifled.”

“I’ll open the window.”

“Stifled in this beastly little village, I mean,” said Jane, impatiently. “Nobody ever does anything here except play golf and bridge, and you never meet an artist-soul from one year’s end to the other. How can I express myself? How can I be myself? How can I fulfil myself?”

“Do you want to?” asked William, somewhat out of his depth.

“Of course I want to. And I shan’t be happy unless we leave this ghastly place and go to live in a studio in town.”

William sucked thoughtfully at his pipe. It was a tense moment for a man who hated metropolitan life as much as he did. Nevertheless, if the solution of Jane’s recent weirdness was simply that she had got tired of

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