“Who?” I murmured.
“The Hounds of Tindalos!” he muttered. “They can only reach us through angles. We must eliminate all angles from this room. I shall plaster up all of the corners, all of the crevices. We must make this room resemble the interior of a sphere.”
I knew that it would have been useless to argue with him. I fetched the stepladder, Chalmers mixed the plaster, and for three hours we labored. We filled in the four corners of the wall and the intersections of the floor and wall and the wall and ceiling, and we rounded the sharp angles of the window-seat.
“I shall remain in this room until they return in time,” he affirmed when our task was completed. “When they discover that the scent leads through curves they will return. They will return ravenous and snarling and unsatisfied to the foulness that was in the beginning, before time, beyond space.”
He nodded graciously and lit a cigarette. “It was good of you to help,” he said.
“Will you not see a physician, Chalmers?” I pleaded.
“Perhaps—tomorrow,” he murmured. “But now I must watch and wait.”
“Wait for what?” I urged.
Chalmers smiled wanly. “I know that you think me insane,” he said. “You have a shrewd but prosaic mind, and you can not conceive of an entity that does not depend for its existence on force and matter. But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space? When one knows, as I do, that time and space are identical and that they are both deceptive because they are merely imperfect manifestations of a higher reality, one no longer seeks in the visible world for an explanation of the mystery and terror of being.”
I rose and walked toward the door.
“Forgive me,” he cried. “I did not mean to offend you. You have a superlative intellect, but I—I have a superhuman one. It is only natural that I should be aware of your limitations.”
“Phone if you need me,” I said, and descended the stairs two steps at a time. “I’ll send my physician over at once,” I muttered, to myself. “He’s a hopeless maniac, and heaven knows what will happen if someone doesn’t take charge of him immediately.”
III
The following is a condensation of two announcements which appeared in the Partridgeville Gazette for :
Earthquake Shakes Financial District
At this morning an earth tremor of unusual severity broke several plate-glass windows in Central Square and completely disorganized the electric and street railway systems. The tremor was felt in the outlying districts and the steeple of the First Baptist Church on Angell Hill (designed by Christopher Wren in ) was entirely demolished. Firemen are now attempting to put out a blaze which threatens to destroy the Partridgeville Glue Works. An investigation is promised by the mayor and an immediate attempt will be made to fix responsibility for this disastrous occurrence.
Occult Writer Murdered by Unknown Guest
Horrible Crime in Central Square
Mystery Surrounds Death of Halpin Chalmers
At today the body of Halpin Chalmers, author and journalist, was found in an empty room above the jewelry store of Smithwick and Isaacs, 24 Central Square. The coroner’s investigation revealed that the room had been rented furnished to Mr. Chalmers on , and that he had himself disposed of the furniture a fortnight ago. Chalmers was the author of several recondite books on occult themes, and a member of the Bibliographic Guild. He formerly resided in Brooklyn, New York.
At Mr. L. E. Hancock, who occupies the apartment opposite Chalmers’ room in the Smithwick and Isaacs establishment, smelt a peculiar odor when he opened his door to take in his cat and the morning edition of the Partridgeville Gazette. The odor he describes as extremely acrid and nauseous, and he affirms that it was so strong in the vicinity of Chalmers’ room that he was obliged to hold his nose when he approached that section of the hall.
He was about to return to his own apartment when it occurred to him that Chalmers might have accidentally forgotten to turn off the gas in his kitchenette. Becoming considerably alarmed at the thought, he decided to investigate, and when repeated tappings on Chalmers’ door brought no response he notified the superintendent. The latter opened the door by means of a pass key, and the two men quickly made their way into Chalmers’ room. The room was utterly destitute of furniture, and Hancock asserts that when he first glanced at the floor his heart went cold within him, and that the superintendent, without saying a word, walked to the open window and stared at the building opposite for fully five minutes.
Chalmers lay stretched upon his back in the center of the room. He was starkly nude, and his chest and arms were covered with a peculiar bluish pus or ichor. His head lay grotesquely upon his chest. It had been completely severed from his body, and the features were twisted and torn and horribly mangled. Nowhere was there a trace of blood.
The room presented a most astonishing appearance. The intersections of the walls, ceiling and floor had been thickly smeared with plaster of Paris, but at intervals fragments had cracked and fallen off, and someone had grouped these upon the floor about the murdered man so as to form a perfect triangle.
Beside the body were several sheets of charred yellow paper. These bore fantastic geometric designs and symbols and several hastily scrawled sentences. The sentences were almost illegible and so absurd in context that they furnished no possible clue to the perpetrator of the crime. “I am waiting and watching,” Chalmers wrote. “I sit by the window and watch walls and ceiling. I do not believe they can reach me, but I must beware of the Doels. Perhaps they can help them break