the peculiar ornateness and originality of any particular building: it would tend to be diffused, so that the humblest shop would share in the triumph with the most conspicuous public building. There are examples of this order of comprehensive architectural design in hundreds of little villages and towns in pre-industrial Europe⁠—to say nothing of a good handful in pre-industrial America⁠—and community planning would make it once more our daily practice. That it can be done again the examples of Letchworth and Welwyn in England, and numerous smaller gardened cities created by municipal authorities in England and other parts of Europe, bear evidence; and where the precepts of Mr. Ebenezer Howard have been to any degree followed, architecture has been quick to benefit.

The difference between community planning and the ordinary method of city-extension and suburb-building has been very well put in a recent report to the American Institute of Architects, by the Committee on Community Planning. “Community planning,” says the report, “does not ask by what desperate means a city of 600,000 people can add another 400,000 during the next generation, nor how a city of seven millions may enlarge its effective borders to include 29,000,000. It begins, rather, at the other end, and it asks with Mr. Ebenezer Howard how big must a city be to perform all of its social, educational, and industrial functions. It attempts to establish minima and maxima for different kinds of communities, depending upon their character and function. If the established practices of industry, commerce, and finance tend to produce monstrous agglomerations which do not contribute to human welfare or happiness, community planning must question these established practices, since the values they create have nothing to do with the essential welfare of the community itself, and since the condition thus created is inimical to the stable, architectural development of the community.”

The normative idea of the garden-city and the garden-village is the corrective for the flatulent and inorganic conception of city-development that we labor with, and under, today. So far from being a strange importation from Europe, the garden-city is nothing more or less than a sophisticated recovery of a form that we once enjoyed on our Atlantic seaboard, and lost through our sudden and almost uncontrollable access of natural resources and people. Here and there an enterprising and somewhat benevolent industrial corporation has attempted to carry out some of the principles of garden-city development; and the United States Housing Corporation and the Shipping Board had begun to build many admirable communities, when the war brought this vast initiative to an end. These precedents are better than nothing, it goes without saying, but there will have to be a pretty thorough reorientation in our economic and social life before the garden-city will be anything more than a slick phrase, without content or power.

Until our communities are ready to undertake the sort of community planning that leads to garden-cities, it will be empty eloquence to talk about the future of American architecture. Sheltered as an enjoyment for the prosperous minority, or used as a skysign for the advertisement of business, architecture will still await its full opportunity for creative achievement.

The signs of promise are plenty, and if I have dealt with the darker side of the picture and have occasionally overemphasized the weaknesses and defects of the American tradition, it is only because in our present appreciation of what the American architect has already given form to, we are likely to forget the small area these achievements occupy. So far we have achieved patches of good building; more than once we have achieved the mot juste, but we have not learnt the more difficult art of consecutive discourse. With respect to the architecture of the whole community, medieval Boston and medieval New Amsterdam had more to boast than their magnificently endowed successors. Just as Mr. Babbitt’s great ancestor, Scadder, transformed a swamp into a thriving metropolis by the simple method of calling it New Eden, so do we tend to lighten our burdens by calling them the “blessings of progress”; but it does not avail. Our mechanical and metropolitan civilization, with all its genuine advances, has let certain essential human elements drop out of its scheme; and until we recover these elements our civilization will be at loose ends, and our architecture will unerringly express this situation.

Home, meeting-place, and factory; polity, culture, and art have still to be united and wrought together, and this task is one of the fundamental tasks of our civilization. Once that union is effected, the long breach between art and life, which began with the Renaissance, will be brought to an end. The magnitude of our task might seem a little disheartening, were it not for the fact that, “against or with our will,” our civilization is perpetually being modified and altered. If in less than a hundred years the feudal civilization of Japan could adopt our modern mechanical gear, there is nothing to prevent our own civilization from recovering once more its human base⁠—nothing, that is, except our own desires, aims, habits, and ends. This is an ironic consolation, perhaps, but the remedy it offers is real.

Envoi

The aristocracies of the world have never doubted the supremacy of the home and garden and temple over all the baser mechanisms of existence, and the folk-civilizations out of which aristocracies have so often risen have never strayed far from these realities. In the Norse fables, the dwarfs are regarded as queer monsters, because they are always “busy people” who have no pride or joy except in the work they perform and the mischief they cause.

The great heresy of the modern world is that it ceased to worship the Lords of Life, who made the rivers flow, caused the animals to mate, and brought forth the yearly miracle of vegetation: it prostrated itself, on the contrary, before the dwarfs, with their mechanical ingenuity, and the giants, with their imbecile power. Today our lives are perpetually menaced by these “busy people”;

Вы читаете Sticks and Stones
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату