Binver. Probably you are in the Binver slip, because the railway people always try to shove one into that. I am sure you were in the slip, not in the corridor part of the train, because later on you are going to execute certain complicated manoeuvres over a dead man’s body, and it would be dangerous to do that if a man might look in and say ‘Tickets please’ at any moment. No, you must be in the slip, and unless you are in the same carriage, there is no connection between you and him except along the footboard. That is rather hard to climb along while the train is going; but of course in the fog it may not be going just at this moment. It may be being held up by those signals that are connected with the Paston Whitchurch goods siding, those you see over there⁠—at least, no, you do not see them because of the fog.

“But are you in the same carriage? You might have the decency to tell me that. Preferably not, because people saw you getting in, and people might remember afterwards that you got into the same carriage with him. Besides, you are choosing for the murder a part of the line where it curves, and curves away from the side where you are going to throw the man out. Why did you choose that particular part, unless you wanted to do something in the way of climbing along the footboard? I think you are in a different carriage. And you’ve got to murder somebody who is next door. Now, it’s no good telling me that you’re going to climb along the footboard and attack him, because he would certainly ring the communication cord if you did.

“He is alone in his first-class carriage, and you are alone in yours. Possibly he is asleep, but if so you’ve no means of knowing. You might, of course, bore a hole between the two carriages⁠—and then? Put a cobra through, like the ‘Speckled Band,’ to make him jump out of the train, or to kill him as he sits there? Not very probable, I think; cobras are so difficult to buy, as you rightly observe, without attracting suspicion. Or could you let loose some poisonous gas through the hole? That is a really bright idea; I give you ninety percent for it, only I hardly think a very practicable solution, my dear Reeves, if you don’t mind my saying so. You would look such a fool getting into the train with a couple of oxygen cylinders, or a large balloon. No, you can’t do anything with holes in the partition. To do anything, you must be leaning out of the window. If anything is to be done, you must both be leaning out of the window.

“Of course people do lean out of the window when the train stops and there isn’t a station there. But you can’t be certain that your man will look out: and people generally look out in the direction in which the train is curving: they can see more that way. And you could only make him look out⁠—steady on! Keep steady, Reeves! Oh yes, you could certainly do that: thank you very much indeed; the whole thing becomes a good deal clearer. And then you hit him a good smack on the head, that stuns him anyhow, with a stick. That must have made you rather noticeable, because people don’t take sticks up to London much⁠—strong sticks, I mean. It would have to be⁠—well, I’m blessed!”

And in another moment Reeves was scrambling down the bank, precipitous as it was, to a clump of rank grass some ten feet below. Half-hidden in this he had seen, and now painfully secured, a large knotted stick such as may be carried by a peaceable man, but undoubtedly would come in useful in a scrap. It might be coincidence of course, but that seemed too good to be true. And yet, was it not also too good to be true that he, nearly a week after the event, should be holding between his hands the very weapon, undiscovered hitherto, which had begun the assault? There was no name on it. There was no blood on it, nor any mark of violence. And yet it could undoubtedly have given a stunning blow without breaking or showing signs of the contact.

The next point was to get his treasure home, and this was not so easy as it sounds. He did not dare to carry it openly with him to the dormy-house; if the murderer really lived there he might easily catch sight of the stick and take the alarm. To carry a stick up your trousers-leg makes you a marked man at once. He left it concealed in the bushes a little way from the dormy-house, and went to fetch his golf-bag, in which he bestowed it upside down, and so smuggled it unobserved to his room.

Gordon and Carmichael were properly thrilled by the discovery, but were not very helpful in making suggestions for its use. Carmichael said that he might take the stick to Brotherhood’s grave and see if it bled there, but added that this test was no longer used, he believed, in the detective world. On the whole, it seemed best to hide it away, taking no risks with stray visitors, and keep it until suspicion was thrown on some definite person⁠—then it might come in handy. Meanwhile, Reeves thought he had now sufficient grounds for optimism about his case to justify him in a Sunday afternoon call on Miss Rendall-Smith. This time, Gordon refused to accompany him, and he went over in his own car, though he was careful to garage it at the hotel, for fear the sight of it might have painful memories for his hostess. There was no mistaking the eagerness and anxiety of the tone in which she asked for news. Reeves, with an indiscretion which he would

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