The Mirror of the Sea

colours were grey, black, dark green, with a narrow strip of yellow moulding defining their sheer, or with a row of painted ports decking in warlike decoration their robust flanks of cargo-carriers that would know no triumph but of speed in carrying a burden, no glory other than of a long service, no victory but that of an endless, obscure contest with the sea. The great empty hulls with swept holds, just out of dry-dock, with their paint glistening freshly, sat high-sided with ponderous dignity alongside the wooden jetties, looking more like unmovable buildings than things meant to go afloat; others, half loaded, far on the way to recover the true sea-physiognomy of a ship brought down to her load-line, looked more accessible. Their less steeply slanting gangways seemed to invite the strolling sailors in search of a berth to walk on board and try “for a chance” with the chief mate, the guardian of a ship’s efficiency. As if anxious to remain unperceived amongst their overtopping sisters, two or three “finished” ships floated low, with an air of straining at the leash of their level headfasts, exposing to view their cleared decks and covered hatches, prepared to drop stern first out of the labouring ranks, displaying the true comeliness of form which only her proper sea-trim gives to a ship. And for a good quarter of a mile, from the dockyard gate to the farthest corner, where the old housed-in hulk, the President (drill-ship, then, of the Naval Reserve), used to lie with her frigate side rubbing against the stone of the quay, above all these hulls, ready and unready, a hundred and fifty lofty masts, more or less, held out the web of their rigging like an immense net, in whose close mesh, black against the sky, the heavy yards seemed to be entangled and suspended.

It was a sight. The humblest craft that floats makes its appeal to a seaman by the faithfulness of her life; and this was the place where one beheld the aristocracy of ships. It was a noble gathering of the fairest and the swiftest, each bearing at the bow the carved emblem of her name, as in a gallery of plaster-casts, figures of women with mural crowns, women with flowing robes, with gold fillets on their hair or blue scarves round their waists, stretching out rounded arms as if to point the way; heads of men helmeted or bare; full lengths of warriors, of kings, of statesmen, of lords and princesses, all white from top to toe; with here and there a dusky turbaned figure, bedizened in many colours, of some Eastern sultan or hero, all inclined forward under the slant of mighty bowsprits as if eager to begin another run of 11,000 miles in their leaning attitudes. These were the fine figureheads of the finest ships afloat. But why, unless for the love of the life those effigies shared with us in their wandering impassivity, should one try to reproduce in words an impression of whose fidelity there can be no critic and no judge, since such an exhibition of the art of shipbuilding and the art of figurehead carving as was seen from year’s end to year’s end in the open-air gallery of the New South Dock no man’s eye shall behold again? All that patient, pale company of queens and princesses, of kings and warriors, of allegorical women, of heroines and statesmen and heathen gods, crowned, helmeted, bareheaded, has run for good off the sea stretching to the last above the tumbling foam their fair, rounded arms; holding out their spears, swords, shields, tridents in the same unwearied, striving forward pose. And nothing remains but lingering perhaps in the memory of a few men, the sound of their names, vanished a long time ago from the first page of the great London dailies; from big posters in railway-stations and the doors of shipping offices; from the minds of sailors, dockmasters, pilots, and tugmen; from the hail of gruff voices and the flutter of signal flags exchanged between ships closing upon each other and drawing apart in the open immensity of the sea.

The elderly, respectable seaman, withdrawing his gaze from that multitude of spars, gave me a glance to make sure of our fellowship in the craft and mystery of the sea. We had met casually, and had got into contact as I had stopped near him, my attention being caught by the same peculiarity he was looking at in the rigging of an obviously new ship, a ship with her reputation all to make yet in the talk of the seamen who were to share their life with her. Her name was already on their lips. I had heard it uttered between two thick, red-necked fellows of the semi-nautical type at the Fenchurch Street Railway-station, where, in those days, the everyday male crowd was attired in jerseys and pilot-cloth mostly, and had the air of being more conversant with the times of high-water than with the times of the trains. I had noticed that new ship’s name on the first page of my morning paper. I had stared at the unfamiliar grouping of its letters, blue on white ground, on the advertisement-boards, whenever the train came to a standstill alongside one of the shabby, wooden, wharf-like platforms of the dock railway-line. She had been named, with proper observances, on the day she came off the stocks, no doubt, but she was very far yet from “having a name.” Untried, ignorant of the ways of the sea, she had been thrust amongst that renowned company of ships to load for her maiden voyage. There was nothing to vouch for her soundness and the worth of her character, but the reputation of the building-yard whence she was launched headlong into the world of waters. She looked modest to me. I imagined her diffident, lying very quiet, with her side nestling shyly against the wharf to which she was made fast with