Between the table and the Marquise a tall, beautiful girl sat at her tapestry frame; sometimes she drew back from her work, sometimes she bent over it, and her hair, picturesque in its ebony smoothness and darkness, caught the light of the lamp. Hélène was a picture in herself. In her beauty there was a rare distinctive character of power and refinement. Though her hair was gathered up and drawn back from her face, so as to trace a clearly marked line about her head, so thick and abundant was it, so recalcitrant to the comb, that it sprang back in curl-tendrils to the nape of her neck. The bountiful line of eyebrows was evenly marked out in dark contrasting outline upon her pure forehead. On her upper lip, beneath the Grecian nose with its sensitively perfect curve of nostril, there lay a faint, swarthy shadow, the sign-manual of courage; but the enchanting roundness of contour, the frankly innocent expression of her other features, the transparence of the delicate carnations, the voluptuous softness of the lips, the flawless oval of the outline of the face, and with these, and more than all these, the saintlike expression in the girlish eyes, gave to her vigorous loveliness the distinctive touch of feminine grace, that enchanting modesty which we look for in these angels of peace and love. Yet there was no suggestion of fragility about her; and, surely, with so grand a woman’s frame, so attractive a face, she must possess a corresponding warmth of heart and strength of soul.
She was as silent as her schoolboy brother. Seemingly a prey to the fateful maiden meditations which baffle a father’s penetration and even a mother’s sagacity, it was impossible to be certain whether it was the lamplight that cast those shadows that flitted over her face like thin clouds over a bright sky, or whether they were passing shades of secret and painful thoughts.
Husband and wife had quite forgotten the two older children at that moment, though now and again the General’s questioning glance traveled to that second mute picture; a larger growth, a gracious realization, as it were, of the hopes embodied in the baby forms rioting in the foreground. Their faces made up a kind of living poem, illustrating life’s various phases. The luxurious background of the salon, the different attitudes, the strong contrasts of coloring in the faces, differing with the character of differing ages, the modeling of the forms brought into high relief by the light—altogether it was a page of human life, richly illuminated beyond the art of painter, sculptor, or poet. Silence, solitude, night and winter lent a final touch of majesty to complete the simplicity and sublimity of this exquisite effect of nature’s contriving. Married life is full of these sacred hours, which perhaps owe their indefinable charm to some vague memory of a better world. A divine radiance surely shines upon them, the destined compensation for some portion of earth’s sorrows, the solace which enables man to accept life. We seem to behold a vision of an enchanted universe, the great conception of its system widens out before our eyes, and social life pleads for its laws by bidding us look to the future.
Yet in spite of the tender glances that Hélène gave Abel and Moïna after a fresh outburst of merriment; in spite of the look of gladness in her transparent face whenever she stole a glance at her father, a deep melancholy pervaded her gestures, her attitude, and more than all, her eyes veiled by their long lashes. Those white, strong hands, through which the light passed, tinting them with a diaphanous, almost fluid red—those hands were trembling. Once only did the eyes of the mother and daughter clash without shrinking, and the two women read each other’s thoughts in a look, cold, wan, and respectful on Hélène’s part, sombre and threatening on her mother’s. At once Hélène’s eyes were lowered to her work, she plied her needle swiftly, and it was long before she raised her head, bowed as it seemed by a weight of thought too heavy to bear. Was the Marquise over harsh with this one of her children? Did she think this harshness needful? Was she jealous of Hélène’s beauty?—She might still hope to rival Hélène, but only by the magic arts of the toilette. Or again, had her daughter, like many a girl who reaches the clairvoyant age, read the secrets which this wife (to all appearance so religiously faithful in the fulfilment of her duties) believed to be buried in her own heart as deeply as in a grave?
Hélène had reached an age when purity of soul inclines to pass over-rigid judgments. A certain order of mind is apt to exaggerate transgression into crime; imagination reacts upon conscience, and a young girl is a hard judge because she magnifies the seriousness of the offence. Hélène seemed to think herself worthy of no one. Perhaps there was a secret in her past life, perhaps something had happened, unintelligible to her at the time, but with gradually developing significance for a mind grown susceptible to religious influences; something which lately seemed to have degraded her, as it were, in her own eyes, and according to her own romantic standard. This change in her demeanor dated from the day of reading Schiller’s noble tragedy of Wilhelm Tell in a new series of translations. Her mother scolded her for letting the book fall, and then remarked to herself that the passage which had so worked on Hélène’s feelings was
