“What can that diaphanous milord want with us?” exclaimed the Colonel, turning to assure himself that the horseman who had followed them from the bridge was the young Englishman.
After all, the stranger committed no breach of good manners by riding along on the footway, and Colonel d’Aiglemont was fain to lie back in his corner after sending a scowl in the Englishman’s direction. But in spite of his hostile instincts, he could not help noticing the beauty of the animal and the graceful horsemanship of the rider. The young man’s face was of that pale, fair-complexioned, insular type, which is almost girlish in the softness and delicacy of its color and texture. He was tall, thin, and fair-haired, dressed with the extreme and elaborate neatness characteristic of a man of fashion in prudish England. Anyone might have thought that bashfulness rather than pleasure at the sight of the Countess had called up that flush into his face. Once only Julie raised her eyes and looked at the stranger, and then only because she was in a manner compelled to do so, for her husband called upon her to admire the action of the thoroughbred. It so happened that their glances clashed; and the shy Englishman, instead of riding abreast of the carriage, fell behind on this, and followed them at a distance of a few paces.
Yet the Countess had scarcely given him a glance; she saw none of the various perfections, human and equine, commended to her notice, and fell back again in the carriage, with a slight movement of the eyelids intended to express her acquiescence in her husband’s views. The Colonel fell asleep again, and both husband and wife reached Tours without another word. Not one of those enchanting views of ever-changing landscape through which they sped had drawn so much as a glance from Julie’s eyes.
Mme. d’Aiglemont looked now and again at her sleeping husband. While she looked, a sudden jolt shook something down upon her knees. It was her father’s portrait, a miniature which she wore suspended about her neck by a black cord. At the sight of it, the tears, till then kept back, overflowed her eyes, but no one, save perhaps the Englishman, saw them glitter there for a brief moment before they dried upon her pale cheeks.
Colonel d’Aiglemont was on his way to the South. Marshal Soult was repelling an English invasion of Béarn; and d’Aiglemont, the bearer of the Emperor’s orders to the Marshal, seized the opportunity of taking his wife as far as Tours to leave her with an elderly relative of his own, far away from the dangers threatening Paris.
Very shortly the carriage rolled over the paved road of Tours, over the bridge, along the Grande-Rue, and stopped at last before the old mansion of the ci-devant Marquise de Listomère-Landon.
The Marquise de Listomère-Landon, with her white hair, pale face, and shrewd smile, was one of those fine old ladies who still seem to wear the paniers of the eighteenth century, and affects caps of an extinct mode. They are nearly always caressing in their manners, as if the heyday of love still lingered on for these septuagenarian portraits of the age of Louis Quinze, with the faint perfume of poudre à la maréchale always clinging about them. Bigoted rather than pious, and less of bigots than they seem, women who can tell a story well and talk still better, their laughter comes more readily for an old memory than for a new jest—the present intrudes upon them.
When an old waiting-woman announced to the Marquise de Listomère-Landon (to give her the title which she was soon to resume) the arrival of a nephew whom she had not seen since the outbreak of the war with Spain, the old lady took off her spectacles with alacrity, shut the Galerie de l’ancienne Cour (her favorite work), and recovered something like youthful activity, hastening out upon the flight of steps to greet the young couple there.
Aunt and niece exchanged a rapid glance of survey.
“Good morning, dear aunt,” cried the Colonel, giving the old lady a hasty embrace. “I am bringing a young lady to put under your wing. I have come to put my treasure in your keeping. My Julie is neither jealous nor a coquette, she is as good as an angel. I hope that she will not be spoiled here,” he added, suddenly interrupting himself.
“Scapegrace!” returned the Marquise, with a satirical glance at her nephew.
She did not wait for her niece to approach her, but with a certain kindly graciousness went forward herself to kiss Julie, who stood there thoughtfully, to all appearance more embarrassed than curious concerning her new relation.
“So we are to make each other’s acquaintance, are we, my love?” the Marquise continued. “Do not be too much alarmed of me. I always try not to be an old woman with young people.”
On the way to the drawing-room, the Marquise ordered breakfast for her guests in provincial fashion; but the Count checked his aunt’s flow of words by saying soberly that he could only remain in the house while the horses were changing. On this the three hurried into the drawing-room. The Colonel had barely time to tell the story of the political and military events which had compelled him to ask his aunt for a shelter for his young wife. While he talked on without interruption, the older lady
