and ends which might possibly call up recollections in the mind which had gathered the stuff, but of very little interest to a casual visitor. It was a miscellany of souvenirs rather than a museum; and the items seemed to be lying on the shelves without any system whatever.

Ardsley evidently knew exactly where to go. Leaving the others, he moved across to one of the cases on the wall, opened it, and took down from a shelf a little pot of unbaked earthenware.

Arthur had followed him suspiciously.

“What’s that you’re doing?” he demanded, abruptly.

“The Chief Constable asked me to find this for him,” Ardsley replied, examining the material in the pot as he spoke.

“You’re not taking any of it, are you?”

Young Hawkhurst put the question with obvious distrust. He had his eyes fixed on the toxicologist’s hands, as though he feared that Ardsley might remove some of the stuff under their very eyes.

“No,” Ardsley retorted, with a certain sharpness in his tone. “I’ve nothing further to do with it.”

He handed the little vessel to Wendover as he spoke; and seemed to dissociate himself from any further connection with the matter. Arthur’s eyes fixed themselves on the pot. He was still, apparently, disturbed by the way things were going.

“I don’t care about this way of doing things,” he complained. “Here you come along. For all we know you’ve no authority whatever behind you. And you go straight to this stuff and want to take it away with you, by the look of it. I know what it is. It’s curare⁠—Indian arrow-poison. And you propose calmly to walk off with it! We can’t have that sort of thing. It’s dangerous stuff. You’ve no right to take it: I object.”

Wendover tried to throw oil on the waters.

“We aren’t going to take it away,” he explained, turning to Sylvia. “Sir Clinton asked us to pick it out⁠—that’s all. He’ll be here shortly and you can learn from himself what he intends to do. But in any case, I think it ought to be in a safer place than this. As you say”⁠—he turned again to Arthur⁠—“it’s dangerous stuff.”

Sylvia agreed immediately.

“It was rather careless to leave it about like that if it’s poisonous,” she confirmed.

Wendover’s mind had been busy in the meanwhile. He had noted for Sir Clinton’s benefit that Arthur evidently knew the nature of the stuff, although there was no label on the specimen. If Arthur knew, then the chances were that other people knew also. He glanced at the contents of the pot in his hand, and he thought he could detect that some of the stuff had been removed. The original surface seemed to have been disturbed. Then he remembered that Ardsley had volunteered an account of how he had run short of curare and had taken some of Roger’s specimen. That might account for the disturbance. Another thought occurred to him, and he asked permission to inspect the museum.

“Do you mind if I look round the shelves?” he asked Sylvia. “I’ve never been in this place before, you know. Your uncle seems to have collected a lot of specimens.”

Sylvia accompanied him in his tour of inspection; but she could throw little light on the various objects.

“Hardly anything’s labelled, as you see,” she pointed out.

“Once or twice I offered to label them all for Uncle Roger; for it seems so silly to have a lot of things there with no explanation, doesn’t it?”

They moved down the room, scanning the shelves. Ardsley remained near the door, grimly aloof from the rest of the group. Arthur hovered uncertainly about the room, evidently keeping his eye on the visitors as though troubled by suspicions of their motives.

“This is a dreadful business about my uncles,” Sylvia said in a low voice, when she and Wendover had moved away from the others. “I was terribly shocked when I got back here and heard what had happened. I’m not going to pretend I was very fond of either of them⁠—they always seemed to me different from the rest of us, somehow⁠—but I liked them in a way; and it was horrible to come back and find that while I’d been enjoying myself in the afternoon, they’d been⁠ ⁠…”

She hesitated, evidently disliking the word⁠—“murdered.”

Wendover nodded understandingly. He quite appreciated her feelings. Neither of the dead men had been of the type that would attract the admiration or even the respect of a girl like Sylvia. Their disappearance would leave no real gap in her world. But after all, they were relations of hers and the sudden incursion of violence and death into her family was bound to leave its impression.

“You’re not frightened, are you?” he asked.

“No, of course not. But it seems a frightful affair, doesn’t it? It leaves one dazed, somehow⁠—like a bad dream. Only one doesn’t wake up. We all seem to be going about trying to persuade ourselves that the world’s just the same as ever; but somehow I don’t seem to succeed. It’s too horrible for that.”

Wendover did his best to soothe her. Behind the pretence of indifference he could see that she was badly shaken. Quite obviously she was trying to minimise her feelings so as not to make him uncomfortable. They continued their tour of the collection, and she tried to interest herself in explaining to him the various objects in it.

When they had completed their inspection, Wendover suppressed a sigh of relief.

“Well,” he said to himself, “there are no poisoned arrows there, at any rate. This pot of stuff seems to be the only danger-point in the whole lot.”

He bent his efforts to infusing at least a semblance of harmony into the company, but it was not a very successful attempt. Sylvia seconded him to the best of her ability; but Arthur still maintained his suspicious attitude; and Ardsley seemed disinclined to emerge from his state of unfriendly neutrality. It was a relief to them all when the door of the museum opened and Ernest Shandon ushered in the Chief Constable. Stenness followed

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