a present of a hundred dollars; she saw him off.

As the train was starting, she slipped into his hand a little package.

He looked at it an hour or two afterward. It contained a gold cigarette case which must have cost her all of his hundred dollars.

Nande Azeredo!

He never wrote to Nande. He wanted to, but she was not one to whom you could say anything on paper.

She seemed to him a character in a play; a rather fantastic and overacted character; but she had definitely done something to him. She had, along with the glances of Minna von Escher, broken down all the celibacy which had plagued him, and however much he still fretted over Fran, imagined her loneliness in Berlin, let himself be wrung by pity for her self-dramatizing play at romance which was bound to turn into tragedy, he no longer felt himself her prisoner, and he began to see that this world might be a very green and pleasant place.


He was more conscious of the wagon-lit than he had ever been, for he was wondering if he might not spend much of his life, now, in those homes for people who flee from life.⁠ ⁠… Blue upholstered seat, rather hard, with hard cylindrical cushions. Above the blue velvet, yellow and brown florid stamped leather, rough to a speculative touch. The Alarm Signal to stop the train, all labeled nicely in four languages for the linguistic instruction of tourists, which he always longed to pull, even if it cost him five hundred lire. The tricky little cabinet in the corner which turned into a washstand when one let down the folding shelf. And the detached loneliness of which he rid himself now and then by poking out into the corridor, to lean against the brass rail across the broad low windows, or to sit on the tiny folding seat. And outside, mountains; stations with vacant-faced staring loungers; plains which seemed to him altogether like the American Middlewest till suddenly the sun, revealing a high and distant castle on an abrupt cliff, restored to him the magic of foreignness.


Till now, Sam Dodsworth had never greatly heeded fellow passengers, except Americans who looked as though they might be good fellows with whom to gossip and have a drink. Of most of them, had you demanded a description from him after the journey, he would have said, “Oh, they looked about like anybody else, I guess⁠—why?” He saw them not as trees walking but as clothes sitting.

But the incredible jar of being dismissed by Fran, the opening of his eyes to the possibilities of misery in the world, made him feel the universal pathos of things more sensitively than he had even on the exalted night when he had first beheld the lights of England. He felt⁠—no doubt sentimentally⁠—akin to everything that was human; he saw⁠—no doubt often without reason⁠—a drama, tragic or comic, behind all the face-masks of travelers, behind surly faces, stupid faces, mean faces, common faces. He a little forgot himself⁠—and Fran and Kurt and Nande Azeredo⁠—as he wondered whether that tight-mouthed woman had recently been burying her husband, whether that overdressed young salesman had a nagging wife at home, whether that petulant and snarling old man had lost his fortune. He studied the railroad workmen who stood back to let the train pass, and speculated as to which of them was about to be married, which was an ecstatically religious communist, which was longing to murder his wife.

Thus brooding, hour-long, not having to hasten back to the compartment and entertain Fran. Thus slowly and painfully perceiving a world vaster than he had known. Thus considering whether he was so badly beaten, so enfeebled by Fran’s scorn, that he could never find the Not Impossible She and, with her, experience the not impossible self-confidence and peace.


He poked about Rome for a week, trying to persuade himself that he was studying architecture. It was hot, and he fled to Montreux, with a notion of swimming and cool mountains. Daily he examined schedules of sailings for New York and surmised that one of these days would find him fleeing aboard a steamer. He drifted to Geneva, solemnly viewed the League of Nations building, and in his hotel wondered which of the not very exciting-looking gentlemen with top hats were famous ministers of state. Then, in a small restaurant, he heard, like an angelic trump, the voice of Ross Ireland, the correspondent: “Well, Sam, you old devil, where did you come from!”

They had many drinks.

With Ross he tramped for a week, rucksack on shoulders, through the Bernese Oberland. He felt rather foolish, at first, to be carrying a sack and walking dustily past large hotels, for he had been trained to feel that it was undignified for him to walk, except on a duck pass or a golf course. But he enjoyed seeing a view without the need, as a rich, busy, and motorized tourist, of having to hustle past it; he found himself breathing deeper, sleeping better, brooding less, and drinking beer instead of cognac. In fact he believed that he had discovered walking, and wrote enthusiastic recommendations of it on postcards to Fran, Tub, and Dr. Hazzard. He came to feel superior to large, plushy hotels. Ross and he ate dumplings and pig’s knuckle; they rested at tiny tables in front of inns when they had panted into a village, sweaty and shoulders aching.

Ross insisted that whenever they “saw church-steeples and heard the bright prattle of children,” those were the signs certain and indivisible of the proximity of beer, and however much they enjoyed the mountainside lanes, they cheered up and hastened their step and began to listen for the bright prattle as soon as they saw a church steeple.

And Sam decided what he would do with the wreckage of his life.

He had not known that wandering could be so satisfying as it was with Ross Ireland, who never complained and became superior like Fran, or felt bound to be

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