and slaty train it seemed to Sam); he prevented Sam from tipping the porter enough to set him up in a shop. And so Sam and Fran were alone in a compartment, safe again till Paris.

Sam chuckled, “Say, I guess I’ll have to learn the French for two phrases: ‘How much?’ and ‘Go to hell.’ But⁠—Sweet! We’re in France⁠—in Europe!”

She smiled at him; she let him off and didn’t even rebuke him for his Americanism. They sat hand in hand, and they were more intimately happy than since the day they had sailed from America. They were pleased by everything: by the battery of red and golden bottles on their table at lunch, by the deftness with which the waiter sliced the cone of ice cream, by the mysterious widow who was trying to pick up the mysterious Frenchman who combined a checked suit and a red tie with a square black beard⁠—such a beard, murmured Fran, as it was worth crossing the Atlantic to behold.


He was stimulated equally by the “foreignness” of the human spectacle flickering past the window of their compartment⁠—women driving oxcarts, towns with sidewalk cafés, and atrocious new houses of yellow brick between lumpy layers of stone picked out in red mortar⁠—and the lack of “foreignness” in the land itself. Somehow it wasn’t quite right that French trees and grass should be of the same green, French earth of the same brown, French sky of the same blue, as in a natural, correct country like America. After the tight little fenced fields of England, the wide Picardy plains, green with approaching April, seemed to him extraordinarily like the prairies of Illinois and Iowa. If it was a little disappointing, not quite right and decent after he had gone and taken so long and expensive a journey, yet he was pleased by that sense of recognition which is one of the most innocent and egotistic of human diversions, that feeling of understanding and of mastering an observation. He was as pleased as a side-street nobody when in his newspaper he sees the name of a man he knows.

“I’m enjoying this!” said Sam.


He had been accustomed to sizing up American towns; he could look from a Pullman window at Kalamazoo or Titus Center and guess the population within ten percent. He could, and with frequency he did; he was fascinated by figures of any sort, and for twenty years he had been trying to persuade Fran that there was nothing essentially ignoble in remembering populations and areas and grade-percentages and the average life of tires. He had been able to guess not too badly at the size of British towns; he had not been too greatly bewildered by anything in England, once he was over the shock of seeing postmen with funny hats, and taxicabs with no apparent speed above neutral. But in Paris, as they bumped and slid and darted from the Gare du Nord to their hotel, he could not be certain just what it was that he was seeing.

Fran was articulate enough about it. She half stood up in the taxi, crying, “Oh, look, Sam, look! Isn’t it adorable! Isn’t it too exciting! Oh, the darling funny little zincs! And the Cointreau ads, instead of chewing gum! These bald-faced high white houses! Everybody so noisy, and yet so gay! Oh, I adore it!”

But for Sam it was a motion picture produced by an insane asylum; it was an earthquake with a volcano erupting and a telephone bell ringing just after he’d gone to sleep; it was lightning flashes and steam whistles and newspaper extras and war.

Their taxicab, just missing an omnibus, sliding behind its rear platform. A policeman, absurdly little, with an absurd white baton. Two priests over glasses of beer at a café. Silver gray everywhere, instead of London’s golden brown. Two exceedingly naked plaster ladies upholding a fifth-story balcony. Piles of shoddy rugs in front of a shop, and beside them a Frenchman looking utterly content with his little business, instead of yearning at the department store opposite and feeling guilty as he would in New York or Chicago or Zenith. Fish. Bread. Beards. Brandy. Artichokes. Apples. Etchings. Fish. A stinking-looking alley. A splendid sweeping boulevard. Circular tin structures whose use he dared not suspect and which gave him a shocking new notion of Latin proprieties and of the apparently respectable and certainly bearded gentlemen who dashed toward them. Many books, bound in paper of a thin-looking yellow. An incessant, nerve-cracking, irritating, exhilarating blat-blat-blat of nervous little motor horns. Buildings which in their blankness seemed somehow higher than American skyscrapers ten times as high. A tiny, frowsy, endearing façade of a house which suggested the French Revolution and crazed women in red caps and kirtled skirts. A real artist (Sam decided), a being in red beard, wide black hat, and a cloak, with a dog-eared marble-paper-covered portfolio under his arm. Gossiping women, laughing, denouncing, forgiving, laughing. Superb public buildings, solid-looking as Gibraltar. Just missing another taxi, and the most admirable cursing by both chauffeurs⁠—

“This certainly is a busy town. But not much traffic control, looks to me,” said Samuel Dodsworth, and his voice was particularly deep and solemn, because he was particularly confused and timid.

It was at the Grand Hôtel des Deux Hémisphères et Dijon that he was able to reassume the pleasant mastery with which (he hoped) he had been able to impress Fran at the Calais customs. The assistant manager of the hotel spoke excellent English, and Sam had never been entirely at a loss so long as his opponent would be decent and speak a recognizable language.

Lucile McKelvey, of Zenith, had told Fran that the Hémisphères was “such a nice, quiet hotel,” and Sam had wired for reservations from London. By himself, he would doubtless have registered and taken meekly whatever room was given him. But Fran insisted on seeing their suite, and they found it a damp, streaked apartment looking on a sunless courtyard.

“Oh, this won’t do at all!”

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