With Josef Hamacher in our midst we can now risk anything.

Then come the soundless, flat trollies to take us away.

The bandages are stuck fast. We bellow like steers.


There are eight men in our room. Peter, a curly black-haired fellow, has the worst injury;⁠—a severe lung wound. Franz Wächter, alongside him, has a shot in the arm which didn’t look too bad at first. But the third night he calls out to us, telling us to ring, he thinks he has a haemorrhage.

I ring loudly. The night sister does not come. We have been making rather heavy demands on her during the night, because we have all been freshly bandaged, and so have a good deal of pain. One wants his leg placed so, another so, a third wants water, a fourth wants her to shake his pillow;⁠—in the end the buxom old body grumbled bad-temperedly and slammed the doors. Now no doubt she thinks it is something of the same sort and so she is not coming.

We wait. Then Franz says: “Ring again.”

I do so. Still she does not put in an appearance. In our wing there is only one night sister, perhaps she has something to do in one of the other rooms. “Franz, are you quite sure you are bleeding?” I ask. “Otherwise we shall be getting cursed again.”

“The bandage is wet. Can’t anybody make a light?”

That cannot be done either. The switch is by the door and none of us can stand up. I hold my thumb against the button of the bell till it becomes numb. Perhaps the sister has fallen asleep. They certainly have a great deal to do and are all overworked day after day. And added to that is the everlasting praying.

“Should we smash a bottle?” asks Josef Hamacher of the shooting license.

“She wouldn’t hear that any more than the bell.”

At last the door opens. The old lady appears, mumbling. When she perceives Franz’s trouble she begins to bustle, and says: “Why did not someone say I was wanted?”

“We did ring. And none of us here can walk.”

He has been bleeding badly and she binds him up. In the morning we look at his face, it has become sharp and yellow, whereas the evening before he looked almost healthy. Now a sister comes oftener.


Sometimes there are red-cross voluntary aid sisters. They are pleasant, but often rather unskilled. They frequently give us pain when remaking our beds, and then are so frightened that they hurt us still more.

The nuns are more reliable. They know how they must take hold of us, but we would be better pleased if they were somewhat more cheerful. A few of them have real spirit, they are superb. There is no one but would do anything for Sister Libertine, this marvelous sister, who spreads good cheer through the whole wing even when she can only be seen in the distance. And there are others like her. We would go through fire for her. A man cannot really complain, here he is treated by the nuns exactly like a civilian. And just to think of a garrison hospital gives one the creeps.

Franz Wächter does not regain his strength. One day he is taken away and does not come back. Josef Hamacher knows all about it: “We shan’t see him again. They have put him in the Dead Room.”

“What do you mean, Dead Room?” asks Kropp.

“Well, Dying Room⁠—”

“What is that, then?”

“A little room at the corner of the building. Whoever is about to kick the bucket is put in there. There are two beds in it. It is generally called the Dying Room.”

“But what do they do that for?”

“They don’t have so much work to do afterwards. It is more convenient, too, because it lies right beside the lift to the mortuary. Perhaps they do it for the sake of the others also, so that no one in the ward dies in sympathy. And they can look after him better, too, if he is by himself.”

“But what about him?”

Josef shrugs his shoulders. “Usually he doesn’t take much notice any more.”

“Does everybody know about it then?”

“Anyone who has been here long enough knows, of course.”


In the afternoon Franz Wächter’s bed has a fresh occupant. A couple of days later they take the new man away, too. Josef makes a significant glance. We see many come and go.

Often relatives sit by the beds and weep or talk softly and awkwardly. One old woman will not go away, but she cannot stay there the whole night through. The next morning she comes very early, but not early enough; for when she goes up to the bed, someone else is in it already. She has to go the mortuary. The apples that she has brought with her she gives to us.

And then little Peter begins to get worse. His temperature chart looks bad, and one day the flat trolley stands beside his bed. “Where to?” he asks.

“To the bandaging ward.”

He is lifted out. But the sister makes the mistake of removing his tunic from the hook and putting it on the trolley, too, so that she should not have to make two journeys. Peter understands immediately and tries to roll off the trolley. “I’m stopping here!”

They push him back. He cries out feebly with his shattered lung: “I won’t go to the Dying Room.”

“But we are going to the bandaging ward.”

“Then what do you want my tunic for?” He can speak no more. Hoarse, agitated, he whispers: “Stopping here!”

They do not answer but wheel him out. At the door he tries to raise himself up. His black curly head sways, his eyes are full of tears. “I will come back again! I will come back again!” he cries.

The door shuts. We are all excited; but we say nothing. At last Josef says: “Many a man has said that. Once a man is in there, he never comes through.”


I am operated on and vomit for two days. My bones will not grow together, so the surgeons’

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