even to the mere writing of a letter, represented untold fatigue, said protestingly: “What do you want to write for? It’ll just make your head ache.” But Vance said he was only going to jot down something, and she gave him what he wanted. When she was gone he took the pen, and wrote across the paper: “Damn him⁠—I hate him⁠—I hate⁠—hate⁠—hate⁠—” He added a long line of obscene and blasphemous denunciation.

His hand was still unsteady, but he formed the letters slowly and carefully, with a sort of morbid satisfaction in the doing. He had fancied that writing them out would in some mysterious way dispel the awful sense of loneliness which had repossessed him since he had come back to life. But after his first burst of anger he felt no relief, and dropped back again into the solitude which had isolated him from his kind ever since the afternoon when he had leaned against the fence and looked across the maple grove to the river. Yet relief he must have⁠—and at once⁠—or chuck up this too hideous business of living. He closed his eyes and tried to picture himself, when he was well again, taking up his usual pursuits and pleasures; and he turned from the vision, soul-sick. The fair face of the world had been besmirched, and he felt the first agony of youth at such profanation.

The oppression was intolerable. He was like a captive walled into a dark airless cell, and the walls of that cell were Reality, were the life he would in future be doomed to. The impulse to end it all here and now possessed him. He had tried out the whole business and found it wanting; been the round of it, and come back gorged with disgust. The negativeness of death would be better, a million times better. He got to his feet and walked unsteadily across the room to the door. He knew where his father’s revolver was kept. Mrs. Weston had only one weakness: she was afraid of burglars, and her husband always had a revolver in the drawer of the night table between their beds. Vance made his way along the passage, resting his hand against the wall to steady his steps. The house was silent and empty. His mother and the girls were out, and the Lithuanian would be downstairs in her kitchen. He reached his parents’ room, walked feebly to the table between the beds, and opened the drawer. The revolver was not there.⁠ ⁠…

Vance’s brain reeled. He might have looked elsewhere, might have hunted⁠ ⁠… but a sudden weakness overcame him and he sat down in the nearest chair. Was it the weakness of his state, or a secret reluctance to pursue his quest, the unconfessed fear that he might find what he was looking for? He asked himself the question, and could not answer. But as he sat there he became conscious that, even in the halting progress from his room to the spot where he had supposed death waited⁠—even during that transit, so short in space, so long in time, he had felt the arms of Life, the ancient mother, reaching out to him, winding about him, crushing him fast again to her great careless bosom. He was glad⁠—he knew now he was glad⁠—that he had not found the weapon.

He crawled back to his room and his armchair, pulled the blanket over his knee, and sat there, faint and frightened. His heart was still beating convulsively. It was incredible, what a coward illness had made of him. But he was resolved not to be beaten, not to accept any makeshift compromise between his fear of life and his worse fear of death. If life it was to be, well⁠—he’d live!

The writing paper lay on the table at his side. He turned over the page on which he had scrawled his senseless curses, and sat with his pen over the blank paper; then he wrote out, slowly and carefully, at the top of the page: “One Day.” Yes⁠—that was the right title for the story he meant to tell. One day had sufficed to dash his life to pieces.⁠ ⁠…

He began hastily, feverishly, the words rushing from his pen like water from a long-obstructed spring, and as the paragraphs grew it seemed to him that at last he had found out a way of reconciling his soul to its experiences. He would set them down just as they had befallen him in all their cruel veracity, but as if he were relating the tragedy of somebody else.

IV

Mrs. Weston, turning over old Christmas cards in the course of the spring cleaning (which Vance’s illness had deplorably delayed), came on one giving a view of Iceboating On The Hudson, and said: “Lucilla Tracy⁠—why, now, I don’t know’s anybody’s ever acknowledged that card.⁠ ⁠…”

The doctors said that Vance ought to get away for the hot weather⁠—clear away, to a new place with new air and new associations. Nineteen was a nasty age to have a shakeup of that kind, they said; it took time to build up a growing body after such a tumble. The family’d better not talk to the boy about looking round for a job till the autumn⁠—just let him lie fallow through the hot months, somewhere by the sea if it could be managed.

The sea seemed a long way off to the Weston family, and especially to Mrs. Weston, who could never understand why anybody whose parlour windows looked out on Mapledale Avenue, Euphoria, should ever want to go anywhere else, even to Chicago. But she had been frightened about the boy, and her husband, she knew, was frightened still. After consultation between the two it was decided to ask Vance himself where he would like to go. His father put the question, and Vance immediately said: “New York.”

The announcement was staggering. New York was almost as far away as Europe; it was ten times more expensive; it was as hot in summer as

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