The same feeling came over him as he stood in the long grass before the abandoned house. He felt in the age and the emptiness of it something of the church bell’s haunting sonority—as if it kept in its mute walls a voice as secret and compelling. If only he had known how to pull the rope and start the clapper swinging!
As he stood there the shutters were thrown back from one of the windows on the ground floor, and Upton leaned out to hail him. “Hullo! Laura Lou thought the ghosts had got you.”
“They had—almost,” Vance laughed. He went up to the window and swung himself into the room. Upton had opened all the shutters, and the afternoon light flowed softly in. The room was not large, but its ceiling was high, with a dim cobwebby cornice. On the floor was a carpet with a design of large flower wreaths and bows and loops of faded green. The mantelpiece, richly carved, was surmounted by a mirror reaching to the ceiling; and here and there stood pieces of furniture of a polished black wood inlaid with patterns of ivory or metal. There were tall vases on mantel and table, their flanks painted with landscapes in medallion, or garlanded with heavy wreathes like those on the carpet. On the mantelpiece Vance noticed a round-faced clock guarded by an old man in bronze with a scythe and an hourglass; and stiffly ranged about the room were armchairs and small seats covered with a pale material slit and tattered with age. As Vance stood looking at it all Laura Lou appeared from another room. A long apron covered her from chin to knees, and she had tied a towel about her head, and carried a large feather duster.
“This is where she always sat,” she whispered to Vance, signalling to him to follow. The room she led him into was more sombre than the other, partly because the wistaria had stretched a long drapery across one of the windows, partly because the walls were dark and had tall heavy bookcases against them. In a bow window stood a table with a velvet table cover trailing its faded folds and moth-eaten fringes on the floor. It bore a monumental inkstand, a bronze lamp with a globe of engraved glass, a work basket, and two or three books. But what startled Vance, and made him, in his surprise, forget everything else, was the fact that one of the books lay open, and that across the page was a small pair of oddly shaped spectacles in a thin gold mounting. It looked as if someone had been reading there a few minutes before, and, disturbed by the sound of steps, had dropped the book and spectacles and glided out of sight. Vance remembered Laura Lou’s fear of ghosts, and glanced about him half apprehensively, as if the reader of that book, the wearer of those spectacles, might be peering at them from some shadowy corner of the room.
As he looked his eye fell on a picture hanging above the mantelpiece—a crayon drawing, he thought it must be, in a bossy and ponderous gilt frame. It was the portrait of a middle-aged woman, seen in three-quarter length. She leaned on a table with a heavy velvet cover, bearing an inkstand and some books—the very table and the very inkstand, Vance perceived, on which the picture itself looked down. And the lady, past a doubt, was Miss Lorburn: Miss Lorburn in her thoughtful middle age. She had dark hair, parted in heavy folds above a wide meditative forehead touched with highlights in chalk. Her face was long and melancholy. The lappets of her lace cap fell on her shoulders, and her thin arms emerged from the wide sleeves of a dark jacket, with undersleeves of white lawn also picked out in chalk.
The peculiar dress, the sad face, resembled nothing Vance had ever seen; but instantly he felt their intimate relation to all that was peculiar and unfamiliar in the house. The past—they all belonged to the past, this woman and her house, to the same past, a past of their own, a past so remote from anything in Vance Weston’s experience that it took its place in the pages of history anywhere in the dark Unknown before Euphoria was. He continued to gaze up at the sad woman, who looked down on him with large full-orbed eyes, as if it were she who had just dropped her book and spectacles, and reascended to her frame as he came in.
Without surprise he heard Laura Lou say behind him: “This is the book she was reading when she died. Mr. Lorburn—that’s her nephew—won’t let us touch anything in this room, not even to dust it. We have to dust the things without moving them.”
He had never heard Laura Lou make such a long speech; but he had no ears for it. He nodded, and she tiptoed away with her duster. Far off, down the inlaid wooden floors, he heard Upton clumping about in his heavy gardening shoes, opening other doors and shutters. Laura Lou called to him, and their voices receded together to some distant part of the house.
Vance
