snapped back: “I don’t warm, I singe.”

Not a bad description of his relation to most people; but she, who knew him so well, knew also the communicative glow he could give out, and often wondered why it had never lit up his own path.

She was familiar with Frenside’s explanation: the critical faculty outweighed all others in him, and, as he had often told her, criticism won’t keep its man. He saw (he also said) the skeletons of things and people: he was a walking radiograph. God knows he didn’t want to be⁠—would rather not have had a decomposing mind. But it was the one allotted to him, and with it he had lingered on the outskirts of success, contributing fierce dissections of political and literary ideas to various newspapers and reviews, often refusing to write an article when it was asked for⁠—and especially when a good sum was offered for it⁠—and then suddenly dashing off a brilliant diatribe which no one wanted, and which came back to him from one editor after another. He had written, a good many years earlier, a brief volume of essays called Dry Points, which had had a considerable success in the limited circle of the cultivated, and been enthusiastically reviewed in England. This had produced a handsome offer from a publisher, who asked Frenside for a revolutionary book on education: a subject made to his hand. The idea delighted him, he wanted the money badly, he had never before had the offer of so large a sum; and he sat paralyzed by the completeness of the opportunity. One day he found a title which amused him⁠—The Art of Imparting Ignorance⁠—and that was the only line of the book he ever wrote.

“It’s one of the surest signs of genius to do your best when you’re working for money,” he told Halo. “I have only talent⁠—and the idea of doing a book to order simply benumbed me. What the devil can I do but keep on hack-writing?” But even that he did only intermittently. Nevertheless, he held jealously to his pecuniary independence, and, though he frequently accepted the hospitality of the Spears, and of a few other old friends, he was never known to have borrowed a penny of any of them, a fact which Halo Spear’s own brief experience led her to regard as unusual, and almost unaccountable. But then, she thought, there was nothing about George Frenside that wasn’t queer, even to his virtues.⁠ ⁠…

Her eyes wandered back to the landscape. It lay before her in the perfect beauty of a June evening: one of those evenings when twilight floats aloft in an air too pure to be penetrated by the density of darkness. What did it all mean, she wondered⁠—that there should be this beauty, so ever-varying, so soul-sufficing, so complete, and face to face with it these people who one and all would gladly have exchanged it for any one of a hundred other things; her mother for money enough to carry them to the end of the year, her father for his New York club and a bridge table, Lorry of course for money too (money was always the burning question in the Spear family), and George Frenside for good talk in a Bohemian restaurant?

The girl herself shared, or at least understood, the hereditary antagonism toward Eaglewood of those who lived there. To the last two generations of Lorburns Eaglewood had embodied all the things they could not do because of it. The only member of the family who idealised it (and even he only theoretically) was Mr. Spear, who had “married into” it, and still faintly glowed with the refracted honour of speaking of “our little old place on the Hudson.”

Old it was, for an American possession. Lorburns had lived there for considerably over two hundred years: the present house had been built in 1680. It was too long, perhaps, for Americans to live in any one place; and the worst of it was that, when they had, it became a sort of tribal obligation to go on doing so. Sell Eaglewood? Which one of them would have dared to? When Pittsburgh and Chicago fell upon the feudal Hudson, and one old property after another was bartered for a mess of pottage, the Lorburns sat apart with lifted brows, and grimly thanked Providence that Paul’s Landing was too far from New York to attract the millionaires. Even now, had fashion climbed to their solitary height it is doubtful if any of them⁠—not excepting Lorry⁠—would have dared to mention aloud the places they could have gone to, and the things they could have done, if only they had been free of Eaglewood. As it happened, no such danger threatened, for fashion had passed them by; but had the peril been imminent, Mr. Spear would have opposed it with all the force of his eloquence.

Mr. Spear regarded Eaglewood with the veneration of the parvenu for a recently acquired ancestor. When he married the beautiful Miss Lorburn, New York said: “He’s very clever, of course; but still, who would have expected to see a Spear at Eaglewood?” And he knew it, and was determined to show New York that a Spear could be perfectly at home even at that altitude.

He was himself the son of the Reverend Harold Spear, the eloquent and popular divine who for years had packed Saint Ambrose’s with New York’s most distinguished congregation. Dr. Spear, as popular out of the pulpit as in it, had married a distant cousin of the Van der Luydens, thus paving the way for his son’s more brilliant alliance; but still it required a certain courage on the part of the heiress of Eaglewood to accept a suitor whom her friends alluded to as “merely clever.” Sometimes Héloïse, thinking over the phrase (which her mother had once quoted to her in derision), smiled to note how exact it was. After all, those dull old Lorburns and their clan must have had a nice sense

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