epub:type="z3998:name-title">Mr. Weston would see what he could do to get Vance taken back on the Free Speaker, though of course he couldn’t guarantee anything⁠—only Vance might be able to do something if he was on the spot, so Mrs. Weston thought they’d better come out as soon as they could. She added in a postscript that Mr. Weston had showed the terms of Vance’s contract with The Hour to the celebrated authoress, Yula Marphy, who was over from Dakin visiting with friends at Euphoria, and Miss Marphy had said, why it looked to her like a downright swindle, for she could get five hundred dollars any day for a story in the big magazines, and she’d never heard of The Hour anyhow, and she guessed it was one of those highbrow papers that run at a loss for a year or so, and then fizzle out. And what she advised was for Vance to come straight back West, where he belonged, and take up newspaper work again, and write pure manly stories about young fellows prospecting in the Yukon, or that sort of thing, because the big reading public was fed up with descriptions of corrupt society people, like there was a demand for in the East. Mrs. Weston added that his sisters sent him their love, and hoped his marriage would make him very happy; and would he be sure and telegraph when to expect him, as they presumed Mrs. Tracy was still without a telephone?

The sting of this did not escape Vance. The social classifications of Euphoria were based on telephones and bathtubs; but he had already guessed that elsewhere other categories prevailed. His irritation made it easier to answer than if the letter had been more cordial. He wrote that he didn’t suppose his father would seriously advise him, even if he were willing to break his contract, to give up a good opening in New York for a problematic job at Euphoria. He thanked his parents for offering his wife and himself a room, but added that his mother-in-law had already given them a home at Paul’s Landing. And he posted this letter without telling either Mrs. Tracy or Laura Lou that he had heard from his mother. To his grandmother he wrote affectionately; he knew that a Bible and a year’s subscription to Spirit Light were the best she could afford, and the tone of her letter touched him. She was the one human being at Euphoria who had dimly guessed what he was groping for: their souls had brushed wings in the twilight.⁠ ⁠…

The weeks passed. He took his first article⁠—“Coleridge Today”⁠—to The Hour, and Eric Rauch was enthusiastic, but said Vance must tackle a contemporary next time. Rauch suggested his own volume of poems, Voodoo, and Vance reddened and mumbled at the suggestion. The little book had interested and puzzled him; he was surprised to watch, under its modern bluster, so many half-familiar notes. He said he didn’t believe he was ready yet to tackle the new poetry; hadn’t read enough or understood enough of it; Eric Rauch rejoined, with his compelling smile: “Why, that’s just what we’re after for The Hour: a fellow’s first reactions, before he’s ready. We want to wipe out the past and get a fresh eye on things. We can get standardized reviewing by the bushel.” Vance travelled home heavyhearted, trying on the way to distract his thoughts by thinking up subjects for his next story.

Not subjects: they abounded⁠—swarmed like bees, hummed in his ears like mosquitoes. There were times when he could hardly see the real world for his crowding visions of it. What he sought was rather the development of these visions; to discover where they led to. His imagination worked slowly, except in the moments of burning union with the power that fed it. In the intervals he needed time to brood on his themes, to let them round themselves within him. And he felt also increasingly, as his life widened, how small his provision of experience was. He needed time for himself⁠—time to let his mind ripen, to have things happen to himself, and watch them happen about him, without being in haste to interpret or develop what he saw. He did not want to cut down all his trees for firewood. All this was still confused and unexpressed in him; he felt it most clearly when, after his imagination had seized on a subject and was preparing to plunge to its heart, he was brought up short by inexperience, by his inability to relate the thing he had fastened on to the rest of the world. Experiences, for him, were not separable entities; everything he saw, and took into himself, came with a breaking away of tendrils, a rending of filaments to which the soil of life still clung⁠—and he was familiar, as yet, with so few inches of that soil. The rest was alien territory. He never seemed able to get to the heart of his subjects.⁠ ⁠… And then, when he got out of the train at Paul’s Landing, there was Laura Lou in the winter dusk, a little pinched by the cold, but with eyes of blue fire, lips that burned on his⁠—and he wondered if he hadn’t been meant to be a poet.⁠ ⁠…


Two or three times a week he went up to the office of The Hour. Tarrant would have liked him to come every day; but that would have put an end to his writing. He had never been able to work except in solitude; and besides, the journey back and forth was a clear waste of time and money.

He soon found that even these absences preyed on Laura Lou. She did not reproach him; she simply pined when he was not there. When he got back he had to tell her everything that had happened to him, describe the people he had met, repeat everything that everyone had said or done; and

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