the gates of society. As soon as she could say that she was “out” Emma had kept the idea of having “her chance” of making friends and getting invitations always before her. But her opportunities had not been great, and Elinor had not devoted herself to her younger sister. She was still young enough to amuse herself, and it had not occurred to her to put so unimportant a person as Emma in the foreground. So that she had never been allowed to have much of a “chance.” Emma had not much experience of the world. Of the many novels she had read, and which were her guides to life, a great many devoted themselves to the history and description of young ladies at whose entrance into a ballroom every man present fell metaphorically on his knees. She was acquainted with many evening parties in fiction at which the fate of countless young men and women was decided. The smallest dance would be represented there as bringing people together who were never more to be sundered. Emma herself had not produced any such sensation at the small parties she had hitherto gone to, but she felt that this glory must be awaiting her, and especially that in a new place like this Redborough, in some waltz or other, among some unknown assembly she should meet her fate.

This being the case, it is not to be wondered at that she should lose no time in announcing her certainty of an invitation to anything so likely to conduce to such an object as Ellen Merridew’s dancing teas. She had come down to Redborough prepared to be cousin to all the world. Roland, indeed, had taken pains to explain that Catherine Vernon’s cousins were not actually her cousins, but she had thought it better in many ways to ignore this, and to descend upon the new scene with the most amiable disposition to embrace as a near relative every Vernon presented to her. Among them all, what could be more likely than that her fate should be found? She meant no harm to anybody. It would be doing no harm, certainly, if any young man fell in love with her, to make him happy by marrying him. She felt most strongly the supreme necessity of marrying for her own part. She had no disguise with herself on this subject, and with her grandparents she did not think it necessary to have any disguise. Everything was involved in it. Roland had taken the responsibility of her upon himself and given her a home, with very little to do, and enough to make her sufficiently comfortable. Emma had always been brought up to consider everything from a strictly practical point of view. She had been taught to believe that she had no right to anything, that it was out of their bounty and charity that her brothers and sisters, now one, now another, afforded her a temporary home. And she was very comfortable with Roland⁠—but if he were to marry, what then? The comfort of having a home of her own, a husband of her own with a settled income, was to Emma in prospect the crown of all good things. She would not have been ashamed to say so if necessary; and it was in balls and parties and picnics and social meetings generally, that a young woman had her chance of suddenly obtaining, by looking pretty, by making herself agreeable, all these good things at a stroke. She made up her mind at once that heaven and earth must be moved to get her an invitation to Mrs. Algernon Merridew’s Thés Dansantes. She would not take, she said to herself, any denial. She would see all the Redborough people there, among whom there must certainly be some individuals of the class upon which depended Emma’s fate. As she sat unfolding so much of this as was needful with a calm confidence in being understood, her grandparents, with a sort of stupefaction, listened and looked on. Emma was knitting all the time in the German way, with a very slight swift movement of her fingers and without looking at her work. She spoke slowly, with an air of such undoubted fact and practical commonplace about her, that those two old people, who each in their several ways indulged in fancy and sentiment, were daunted and silenced. Emma spoke in a sort of saintly simplicity, as not knowing that anything beyond those solid primitive foundations, anything like sentiment or fancy, was in the world.

She was not handsome like her brother, and yet there was something remarkable about her appearance which some people admired. Her hair was dark, her features sufficiently good. The strange thing in her was her eyes, which were very light in colour⁠—so light, that sometimes there seemed no colour at all in them. This was not beautiful, but it was bizarre and unusual, and as such Emma had her admirers. But it was only in this particular, not in mind or thoughts, that there was anything in her out of the way.

“Well?” said the old captain to his wife, when, after having yawned softly over her work as a signal and preparation for bed-going, Emma rose with a smile at half-past ten, and kissed them both, and asked if she might have her candle. “I must not keep you out of bed,” she said, with that look of complacent consideration which, notwithstanding, was quite innocent and referred to her own circumscribed horizon, in which everything connected with herself was well in the foreground. Mrs. Morgan did not meet her husband’s eye as she had met it when Roland was the visitor.

“She has not been well brought up, poor thing!” the old lady said. “She has had no one to care for her⁠—and, Rowley, she is our own flesh and blood.”

“That’s the wonderful thing,” the captain said, “Katie’s child! My dear, I give it up; there seems no reason and no sense in

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