For his part, that morning at seven o’clock, the Prince sent for Conte Zurla, the Minister of the Interior.
“Repeat,” he told him, “the strictest orders to every podestà to have Signor Fabrizio del Dongo arrested. We are informed that possibly he may dare to reappear in our States. This fugitive being now at Bologna, where he seems to defy the judgment of our tribunals, post the sbirri who know him by sight: (1) in the villages on the road from Bologna to Parma; (2) in the neighbourhood of Duchessa Sanseverina’s castello at Sacca, and of her house at Castelnuovo; (3) round Conte Mosca’s castello. I venture to hope from your great sagacity, Signor Conte, that you will manage to keep all knowledge of these, your Sovereign’s orders, from the curiosity of Conte Mosca. Understand that I wish Signor Fabrizio del Dongo to be arrested.”
As soon as the Minister had left him, a secret door introduced into the Prince’s presence the Fiscal General Rassi, who came towards him bent double, and bowing at every step. The face of this rascal was a picture; it did full justice to the infamy of the part he had to play, and, while the rapid and extravagant movements of his eyes betrayed his consciousness of his own merits, the arrogant and grimacing assurance of his mouth showed that he knew how to fight against contempt.
As this personage is going to acquire a considerable influence over Fabrizio’s destiny, we may say a word here about him. He was tall, he had fine eyes that showed great intelligence, but a face ruined by smallpox; as for brains, he had them in plenty, and of the finest quality; it was admitted that he had an exhaustive knowledge of the law, but it was in the quality of resource that he specially shone. Whatever the aspect in which a case might be laid before him, he easily and in a few moments discovered the way, thoroughly well founded in law, to arrive at a conviction or an acquittal; he was above all a past-master of the hair-splittings of a prosecutor.
In this man, whom great Monarchs might have envied the Prince of Parma, one passion only was known to exist: he loved to converse with eminent personages and to please them by buffooneries. It mattered little to him whether the powerful personage laughed at what he said or at his person, or uttered revolting pleasantries at the expense of Signora Rassi; provided that he saw the great man laugh and was himself treated as a familiar, he was content. Sometimes the Prince, at a loss how further to insult the dignity of this Chief Justice, would actually kick him; if the kicks hurt him, he would begin to cry. But the instinct of buffoonery was so strong in him that he might be seen every day frequenting the drawing-room of a Minister who scoffed at him, in preference to his own drawing-room where he exercised a despotic rule over all the stuff gowns of the place. This Rassi had above all created for himself a place apart, in that it was impossible for the most insolent noble to humiliate him; his method of avenging himself for the insults which he had to endure all day long was to relate them to the Prince, in whose presence he had acquired the privilege of saying anything; it is true that the reply often took the form of a well-directed cuff, which hurt him, but he stood on no ceremony about that. The presence of this Chief Justice used to distract the Prince in his moments of ill humour; then he amused himself by outraging him. It can be seen that Rassi was almost the perfect courtier: a man without honour and without humour.
“Secrecy is essential above all things,” the Prince shouted to him without greeting him, treating him, in fact, exactly as he would have treated a scullion, he who was so polite to everybody. “From when is your sentence dated?”
“Serene Highness, from yesterday morning.”
“By how many judges is it signed?”
“By all five.”
“And the penalty?”
“Twenty years in a fortress, as Your Serene Highness told me.”
“The death penalty would have given offence,” said the Prince, as though speaking to himself; “it is a pity! What an effect on that woman! But he is a del Dongo, and that name is revered in Parma, on account of the three Archbishops, almost in direct sequence. … You say twenty years in a fortress?”
“Yes, Serene Highness,” replied the Fiscal, still on his feet and bent double; “with, as a preliminary, a public apology before His Serene Highness’s portrait; and, in addition, a diet of bread and water every Friday and on the Vigils of the principal Feasts, the accused being notorious for his impiety. This is with an eye to the future and to put a stop to his career.”
“Write,” said the Prince: “ ‘His Serene Highness having deigned to turn a considerate ear to the most humble supplications of the Marchesa del Dongo, the culprit’s mother, and of the Duchessa Sanseverina, his aunt, which ladies have represented to him that at the date of the crime their son and nephew was extremely young, and in addition led astray by an insensate passion conceived for the wife of the unfortunate Giletti, has been graciously pleased, notwithstanding the horror inspired by such a murder, to commute the penalty to which Fabrizio del Dongo has been sentenced to that of twelve