Another question presented itself to me more than once. Why did he run away, that is, literally run away on foot, rather than simply drive away? I put it down at first to the impracticability of fifty years and the fantastic bent of his mind under the influence of strong emotion. I imagined that the thought of posting tickets and horses (even if they had bells) would have seemed too simple and prosaic to him; a pilgrimage, on the other hand, even under an umbrella, was ever so much more picturesque and in character with love and resentment. But now that everything is over, I am inclined to think that it all came about in a much simpler way. To begin with, he was afraid to hire horses because Varvara Petrovna might have heard of it and prevented him from going by force; which she certainly would have done, and he certainly would have given in, and then farewell to the great idea forever. Besides, to take tickets for anywhere he must have known at least where he was going. But to think about that was the greatest agony to him at that moment; he was utterly unable to fix upon a place. For if he had to fix on any particular town his enterprise would at once have seemed in his own eyes absurd and impossible; he felt that very strongly. What should he do in that particular town rather than in any other? Look out for ce marchand? But what marchand? At that point his second and most terrible question cropped up. In reality there was nothing he dreaded more than ce marchand, whom he had rushed off to seek so recklessly, though, of course, he was terribly afraid of finding him. No, better simply the high road, better simply to set off for it, and walk along it and to think of nothing so long as he could put off thinking. The high road is something very very long, of which one cannot see the end—like human life, like human dreams. There is an idea in the open road, but what sort of idea is there in travelling with posting tickets? Posting tickets mean an end to ideas. Vive la grande route and then as God wills.
After the sudden and unexpected interview with Liza which I have described, he rushed on, more lost in forgetfulness than ever. The high road passed half a mile from Skvoreshniki and, strange to say, he was not at first aware that he was on it. Logical reasoning or even distinct consciousness was unbearable to him at this moment. A fine rain kept drizzling, ceasing, and drizzling again; but he did not even notice the rain. He did not even notice either how he threw his bag over his shoulder, nor how much more comfortably he walked with it so. He must have walked like that for nearly a mile or so when he suddenly stood still and looked round. The old road, black, marked with wheel-ruts and planted with willows on each side, ran before him like an endless thread; on the right hand were bare plains from which the harvest had long ago been carried; on the left there were bushes and in the distance beyond them a copse.
And far, far away a scarcely perceptible line of the railway, running aslant, and on it the smoke of a train, but no sound was heard. Stepan Trofimovitch felt a little timid, but only for a moment. He heaved a vague sigh, put down his bag beside a willow, and sat down to rest. As he moved to sit down he was conscious of being chilly and wrapped himself in his rug; noticing at the same time that it was raining, he put up his umbrella. He sat like that for some time, moving his lips from time to time and firmly grasping the umbrella handle. Images of all sorts passed in feverish procession before him, rapidly succeeding one another in his mind.
“Lise, Lise,” he thought, “and with her ce Maurice. … Strange people. … But what was the strange fire, and what were they talking about, and who were murdered? I fancy Nastasya has not found out yet and is still waiting for me with my coffee … cards? Did I really lose men at cards? H’m! Among us in