Demons

effect, though I tried to dissuade him. I went round to every one at his request and told everybody that Varvara Petrovna had given “our old man” (as we all used to call Stepan Trofimovitch among ourselves) a special job, to arrange in order some correspondence lasting over many years; that he had shut himself up to do it and I was helping him. Liputin was the only one I did not have time to visit, and I kept putting it off⁠—to tell the real truth I was afraid to go to him. I knew beforehand that he would not believe one word of my story, that he would certainly imagine that there was some secret at the bottom of it, which they were trying to hide from him alone, and as soon as I left him he would set to work to make inquiries and gossip all over the town. While I was picturing all this to myself I happened to run across him in the street. It turned out that he had heard all about it from our friends, whom I had only just informed. But, strange to say, instead of being inquisitive and asking questions about Stepan Trofimovitch, he interrupted me, when I began apologising for not having come to him before, and at once passed to other subjects. It is true that he had a great deal stored up to tell me. He was in a state of great excitement, and was delighted to have got hold of me for a listener. He began talking of the news of the town, of the arrival of the governor’s wife, “with new topics of conversation,” of an opposition party already formed in the club, of how they were all in a hubbub over the new ideas, and how charmingly this suited him, and so on. He talked for a quarter of an hour and so amusingly that I could not tear myself away. Though I could not endure him, yet I must admit he had the gift of making one listen to him, especially when he was very angry at something. This man was, in my opinion, a regular spy from his very nature. At every moment he knew the very latest gossip and all the trifling incidents of our town, especially the unpleasant ones, and it was surprising to me how he took things to heart that were sometimes absolutely no concern of his. It always seemed to me that the leading feature of his character was envy. When I told Stepan Trofimovitch the same evening of my meeting Liputin that morning and our conversation, the latter to my amazement became greatly agitated, and asked me the wild question: “Does Liputin know or not?”

I began trying to prove that there was no possibility of his finding it out so soon, and that there was nobody from whom he could hear it. But Stepan Trofimovitch was not to be shaken. “Well, you may believe it or not,” he concluded unexpectedly at last, “but I’m convinced that he not only knows every detail of ‘our’ position, but that he knows something else besides, something neither you nor I know yet, and perhaps never shall, or shall only know when it’s too late, when there’s no turning back!⁠ ⁠…”

I said nothing, but these words suggested a great deal. For five whole days after that we did not say one word about Liputin; it was clear to me that Stepan Trofimovitch greatly regretted having let his tongue run away with him, and having revealed such suspicions before me.

II

One morning, on the seventh or eighth day after Stepan Trofimovitch had consented to become “engaged,” about eleven o’clock, when I was hurrying as usual to my afflicted friend, I had an adventure on the way.

I met Karmazinov, “the great writer,” as Liputin called him. I had read Karmazinov from a child. His novels and tales were well known to the past and even to the present generation. I revelled in them; they were the great enjoyment of my childhood and youth. Afterwards I grew rather less enthusiastic over his work. I did not care so much for the novels with a purpose which he had been writing of late as for his first, early works, which were so full of spontaneous poetry, and his latest publications I had not liked at all. Speaking generally, if I may venture to express my opinion on so delicate a subject, all these talented gentlemen of the middling sort who are sometimes in their lifetime accepted almost as geniuses, pass out of memory quite suddenly and without a trace when they die, and what’s more, it often happens that even during their lifetime, as soon as a new generation grows up and takes the place of the one in which they have flourished, they are forgotten and neglected by everyone in an incredibly short time. This somehow happens among us quite suddenly, like the shifting of the scenes on the stage. Oh, it’s not at all the same as with Pushkin, Gogol, Molière, Voltaire, all those great men who really had a new original word to say! It’s true, too, that these talented gentlemen of the middling sort in the decline of their venerable years usually write themselves out in the most pitiful way, though they don’t observe the fact themselves. It happens not infrequently that a writer who has been for a long time credited with extraordinary profundity and expected to exercise a great and serious influence on the progress of society, betrays in the end such poverty, such insipidity in his fundamental ideas that no one regrets that he succeeded in writing himself out so soon. But the old greybeards don’t notice this, and are angry. Their vanity sometimes, especially towards the end of their career, reaches proportions that may well provoke wonder. God knows what they begin to take themselves for⁠—for gods at least! People used to say about Karmazinov that