The Informer
By Liam O’Flaherty.
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I
It was three minutes to six o’clock in the evening of the fifteenth of March 192‒.
Francis Joseph McPhillip ran up the concrete steps leading to the glass-panelled swing door that acted as street entrance to the Dunboy Lodging House. The House, as it was called in Dublin, among criminal and pauperized circles, was a grey concrete building of four stories. It stood on the left-hand side of a wide windswept asphalt lane off B⸺ Road on the south side of the city. A maze of slum streets surrounded it. An indefinable smell of human beings living in a congested area filled the air around it. From the building itself, a smell of food and of floors being scrubbed with soap and hot water emanated.
A drizzling rain was falling from a black bulging sky. Now and again a flock of hailstones, driven by a sudden gust of querulous wind, clattered down the lane, falling in little dancing groups on the hard, perspiring asphalt.
McPhillip ran up the four steps and peered into the hall hurriedly through the glass door. He put his face so close to the glass that his excited breath caused an immediate blur of vapour on the frozen pane. Then he turned about. He crouched against the angle of the doorway and peered around the corner of the wall, up the lane through which he had just come. He wanted to find out whether anybody was following him. He was a murderer.
He had killed the secretary of the local branch of the Farmers’ Union during the farm labourers’ strike at M⸺ in the previous October. Since then he had been hiding out in the mountains with a group of men who were evading arrest, brigands, criminals and political refugees. He had just come into Dublin half an hour previously on a goods train. The conductor of the train was a member of the Revolutionary Organization, to which McPhillip himself had belonged when he shot the Farmers’ Union Secretary.
He saw nobody of account in the lane. An old woman crossed near the far end. She had a black shawl about her head and in her hand a milk jug, with a corner of the shawl drawn across its mouth to keep out the rain. A man was singing forlornly, facing the kerb on the right-hand side, with his cap held out in front of him. He was begging, but nobody took any notice of him.
McPhillip’s eyes darted about everywhere, with the speed and acuteness of one who has perfected his detective sensibilities by necessity and long practice. The street was quite safe. He sighed and turned about to survey the interior of the House.
He was a man of middle size and slightly built, but his shoulders were broad enough for a giant. His body narrowed down from the shoulders, so that the hips and waist were totally out of proportion to the upper part of the body. His right leg opened outwards in a curve below the knee and he placed the toe of the right foot on the ground before the heel when he walked, so that his walk had the crouching appearance of a wild animal stalking in a forest. His face was thin and sallow. His hair was black and cropped close. His eyebrows were black and bushy. His eyelashes were long and they continually drooped over his eyes. When his eyelashes drooped his eyes were blue, sharp and fierce. But when he raised his lashes for a moment to think of something distant and perhaps imaginary, his eyes were large, wistful and dreamy. They were soft and full of a sorrow that was unfathomable. His jaws were square, sharp and fleshless. His lips were thin and set tightly. This gave the lower part of his face a ferocious appearance. His nose was long and straight. His cheeks were hollow and on the cheekbones a bright flush appeared when he was seized with a fit of hard, dry coughing which he tried to suppress.
He was dressed in a shabby pair of wrinkled navy blue trousers and a fawn-coloured, shabby raincoat, buttoned up around his throat like a uniform. His boots were old and thin. They creaked with moisture soaked in through their torn soles. He wore a grey tweed cap. Under his left armpit he carried an automatic pistol in a leather holster. The pistol hung from a lanyard that was suspended from his neck.
As he stood looking in