was Black Dudley’s exterior, the rooms within were none the less magnificent. Even here there were the same signs of neglect that were so evident in the Park, but there was a certain dusty majesty about the dark-panelled walls with the oil-paintings hanging in their fast-blackening frames, and in the heavy, dark-oak furniture, elaborately carved and utterly devoid of polish, that was very impressive and pleasing.

The place had not been modernized at all. There were still candles in the iron sconces in the hall, and the soft light sent great shadows, like enormous ghostly hands, creeping up to the oak-beamed ceiling.

George sniffed as he ran down the staircase. The air was faintly clammy and the tallow smelt a little.

“Damp!” said he to himself. “These old places need a lot of looking after⁠ ⁠… shouldn’t think the sanitary system was any too good. Very nice, but I’m glad it’s not mine.”

The dining-hall might have made him change his mind. All down one side of the long, low room was a row of stained-glass windows. In a great open fireplace a couple of faggots blazed whole, and on the long refectory table, which ran nearly the entire length of the flagged floor, eight seven-branched candlesticks held the only light. There were portraits on the walls, strangely differing in style, as the artists of the varying periods followed the fashions set by the masters of their time, but each face bearing a curious likeness to the next⁠—the same straight noses, the same long thin lips, and above all, the same slightly rebellious expression.

Most of the party had already assembled when Abbershaw came in, and it struck him as incongruous to hear the babble of bright young conversation in this great tomb of a house with its faintly musty air and curiously archaic atmosphere.

As he caught sight of a gleam of copper-coloured hair on the other side of the table, however, he instantly forgot any sinister dampness or anything at all mysterious or unpleasant about the house.

Meggie Oliphant was one of those modern young women who manage to be fashionable without being ordinary in any way. She was a tall, slender youngster with a clean-cut white face, which was more interesting than pretty, and dark-brown eyes, slightly almond-shaped, which turned into slits of brilliance when she laughed. Her hair was her chief beauty, copper-coloured and very sleek; she wore it cut in a severe “John” bob, a straight thick fringe across her forehead.

George Abbershaw’s prosaic mind quivered on the verge of poetry when he looked at her. To him she was exquisite. He found they were seated next to each other at table, and he blessed Wyatt for his thoughtfulness.

He glanced up the table at him now and thought what a good fellow he was.

The candlelight caught his clever, thoughtful face for an instant, and immediately the young scientist was struck by the resemblance to the portraits on the wall. There was the same straight nose, the same wide thin-lipped mouth.

Wyatt Petrie looked what he was, a scholar of the new type. There was a little careful disarrangement in his dress, his brown hair was not quite so sleek as his guests’, but he was obviously a cultured, fastidious man: every shadow on his face, every line and crease of his clothes indicated as much in a subtle and elusive way.

Abbershaw regarded him thoughtfully and, to a certain degree, affectionately. He had the admiration for him that one first-rate scholar always has for another out of his own line. Idly he reviewed the other man’s record. Head of a great public school, a First in Classics at Oxford, a recognized position as a minor poet, and above all a good fellow. He was a rich man, Abbershaw knew, but his tastes were simple and his charities many. He was a man with an urge, a man who took life, with its problems and its pleasures, very seriously. So far as the other man knew he had never betrayed the least interest in women in general or in one woman in particular. A month ago Abbershaw would have admired him for this attribute as much as for any other. Today, with Meggie at his side, he was not so sure that he did not pity him.

From the nephew, his glance passed slowly round to the uncle, Colonel Gordon Coombe, host of the weekend.

He sat at the head of the table, and Abbershaw glanced curiously at this old invalid who liked the society of young people so much that he persuaded his nephew to bring a houseful of young folk down to the gloomy old mansion at least half a dozen times a year.

He was a little man who sat huddled in his high-backed chair as if his backbone was not strong enough to support his frame upright. His crop of faded yellow hair was now almost white, and stood up like a hedge above a narrow forehead. But by far the most striking thing about him was the flesh-coloured plate with which clever doctors had repaired a war-mutilated face which must otherwise have been a horror too terrible to think upon. From where he sat, perhaps some fourteen feet away, Abbershaw could only just detect it, so skilfully was it fashioned. It was shaped roughly like a one-sided half-mask and covered almost all the top right-hand side of his face, and through it the Colonel’s grey-green eyes peered out shrewd and interested at the tableful of chattering young people.

George looked away hastily. For a moment his curiosity had overcome his sense of delicacy, and a wave of embarrassment passed over him as he realized that the little grey-green eyes had rested upon him for an instant and had found him eyeing the plate.

He turned to Meggie with a faint twinge of unwanted colour in his round cherubic face, and was a little disconcerted to find her looking at him, a hint of a smile on her lips and a curious brightness in her intelligent, dark-brown eyes.

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