almost in love with her himself. She disturbed him. She disturbed him in his new English aplomb of a London restaurateur, and she disturbed in him the old Italian dark soul, to which he was renegade. He tried treating her as an English lady. But the slow, remote look in her eyes made this fall flat. He had to be Italian.

And he was jealous of Ciccio. In Ciccio’s face was a lurking smile, and round his fine nose there seemed a subtle, semi-defiant triumph. After all, he had triumphed over his well-to-do, Anglicized cousin. With a stealthy, leopard-like pride Ciccio went through the streets of London in those wild early days of war. He was the one victor, arching stealthily over the vanquished north.

Alvina saw nothing of all these complexities. For the time being, she was all dark and potent. Things were curious to her. It was curious to be in Battersea, in this English-Italian household, where the children spoke English more readily than Italian. It was strange to be high over the restaurant, to see the trees of the park, to hear the clang of trams. It was strange to walk out and come to the river. It was strange to feel the seethe of war and dread in the air. But she did not question. She seemed steeped in the passional influence of the man, as in some narcotic. She even forgot Mrs. Tuke’s atavism. Vague and unquestioning she went through the days, she accompanied Ciccio into town, she went with him to make purchases, or she sat by his side in the music hall, or she stayed in her room and sewed, or she sat at meals with the Califanos, a vague brightness on her face. And Mrs. Califano was very nice to her, very gentle, though with a suspicion of malicious triumph, mockery, beneath her gentleness. Still, she was nice and womanly, hovering as she was between her English emancipation and her Italian subordination. She half pitied Alvina, and was more than half jealous of her.

Alvina was aware of nothing⁠—only of the presence of Ciccio. It was his physical presence which cast a spell over her. She lived within his aura. And she submitted to him as if he had extended his dark nature over her. She knew nothing about him. She lived mindlessly within his presence, quivering within his influence, as if his blood beat in her. She knew she was subjected. One tiny corner of her knew, and watched.

He was very happy, and his face had a real beauty. His eyes glowed with lustrous secrecy, like the eyes of some victorious, happy wild creature seen remote under a bush. And he was very good to her. His tenderness made her quiver into a swoon of complete self-forgetfulness, as if the floodgates of her depths opened. The depth of his warm, mindless, enveloping love was immeasurable. She felt she could sink forever into his warm, pulsating embrace.

Afterwards, later on, when she was inclined to criticize him, she would remember the moment when she saw his face at the Italian Consulate in London. There were many people at the Consulate, clamouring for passports⁠—a wild and ill-regulated crowd. They had waited their turn and got inside⁠—Ciccio was not good at pushing his way. And inside a courteous tall old man with a white beard had lifted the flap for Alvina to go inside the office and sit down to fill in the form. She thanked the old man, who bowed as if he had a reputation to keep up.

Ciccio followed, and it was he who had to sit down and fill up the form, because she did not understand the Italian questions. She stood at his side, watching the excited, laughing, noisy, east-end Italians at the desk. The whole place had a certain free-and-easy confusion, a human, unofficial, muddling liveliness which was not quite like England, even though it was in the middle of London.

“What was your mother’s name?” Ciccio was asking her. She turned to him. He sat with the pen perched flourishingly at the end of his fingers, suspended in the serious and artistic business of filling in a form. And his face had a dark luminousness, like a dark transparence which was shut and has now expanded. She quivered, as if it was more than she could bear. For his face was open like a flower right to the depths of his soul, a dark, lovely translucency, vulnerable to the deep quick of his soul. The lovely, rich darkness of his southern nature, so different from her own, exposing itself now in its passional vulnerability, made her go white with a kind of fear. For an instant, her face seemed drawn and old as she looked down at him, answering his questions. Then her eyes became sightless with tears, she stooped as if to look at his writing, and quickly kissed his fingers that held the pen, there in the midst of the crowded, vulgar Consulate.

He stayed suspended, again looking up at her with the bright, unfolded eyes of a wild creature which plays and is not seen. A faint smile, very beautiful to her, was on his face. What did he see when he looked at her? She did not know, she did not know. And she would never know. For an instant, she swore inside herself that God Himself should not take her away from this man. She would commit herself to him through every eternity. And then the vagueness came over her again, she turned aside, photographically seeing the crowd in the Consulate, but really unconscious. His movement as he rose seemed to move her in her sleep, she turned to him at once.

It was early in November before they could leave for Italy, and her dim, lustrous state lasted all the time. She found herself at Charing Cross in the early morning, in all the bustle of catching the Continental train. Giuseppe was there, and Gemma his wife, and two

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