saves from the precipitous wood below
The level road, there is a path. It serves
Children for looking down the long smooth steep,
Between the legs of beech and yew, to where
A fallen tree checks the sight: while men and women
Content themselves with the road and what they see
Over the bank, and what the children tell.
The path, winding like silver, trickles on,
Bordered and even invaded by thinnest moss
That tries to cover roots and crumbling chalk
With gold, olive, and emerald, but in vain.
The children wear it. They have flattened the bank
On top, and silvered it between the moss
With the current of their feet, year after year.
But the road is houseless, and leads not to school.
To see a child is rare there, and the eye
Has but the road, the wood that overhangs
And underyawns it, and the path that looks
As if it led on to some legendary
Or fancied place where men have wished to go
And stay; till, sudden, it ends where the wood ends.
The Combe
The Combe was ever dark, ancient and dark.
Its mouth is stopped with bramble, thorn, and briar;
And no one scrambles over the sliding chalk
By beech and yew and perishing juniper
Down the half precipices of its sides, with roots
And rabbit holes for steps. The sun of Winter,
The moon of Summer, and all the singing birds
Except the missel-thrush that loves juniper,
Are quite shut out. But far more ancient and dark
The Combe looks since they killed the badger there,
Dug him out and gave him to the hounds,
That most ancient Briton of English beasts.
If I Should Ever by Chance
If I should ever by chance grow rich
I’ll buy Codham, Cockridden, and Childerditch,
Roses, Pyrgo, and Lapwater,
And let them all to my elder daughter.
The rent I shall ask of her will be only
Each year’s first violets, white and lonely,
The first primroses and orchises—
She must find them before I do, that is.
But if she finds a blossom on furze
Without rent they shall all for ever be hers,
Codham, Cockridden, and Childerditch,
Roses, Pyrgo and Lapwater—
I shall give them all to my elder daughter.
What Shall I Give?
What shall I give my daughter the younger
More than will keep her from cold and hunger?
I shall not give her anything.
If she shared South Weald and Havering,
Their acres, the two brooks running between,
Paine’s Brook and Weald Brook,
With pewit, woodpecker, swan, and rook,
She would be no richer than the queen
Who once on a time sat in Havering Bower
Alone, with the shadows, pleasure and power.
She could do no more with Samarkand,
Or the mountains of a mountain land
And its far white house above cottages
Like Venus above the Pleiades.
Her small hands I would not cumber
With so many acres and their lumber,
But leave her Steep and her own world
And her spectacled self with hair uncurled,
Wanting a thousand little things
That time without contentment brings.
If I Were to Own
If I were to own this countryside
As far as a man in a day could ride,
And the Tyes were mine for giving or letting—
Wingle Tye and Margaretting
Tye—and Skreens, Gooshays, and Cockerells,
Shellow, Rochetts, Bandish, and Pickerells,
Marlins, Lambkins, and Lillyputs,
Their copses, ponds, roads, and ruts,
Fields where plough-horses steam and plovers
Fling and whimper, hedges that lovers
Love, and orchards, shrubberies, walls
Where the sun untroubled by north wind falls,
And single trees where the thrush sings well
His proverbs untranslatable,
I would give them all to my son
If he would let me any one
For a song, a blackbird’s song, at dawn.
He should have no more, till on my lawn
Never a one was left, because I
Had shot them to put them into a pie—
His Essex blackbirds, every one,
And I was left old and alone.
Then unless I could pay, for rent, a song
As sweet as a blackbird’s, and as long—
No more—he should have the house, not I:
Margaretting or Wingle Tye,
Or it might be Skreens, Gooshays, or Cockerells,
Shellow, Rochetts, Bandish, or Pickerells,
Martins, Lambkins, or Lillyputs,
Should be his till the cart tracks had no ruts.
And You, Helen
And you, Helen, what should I give you?
So many things I would give you
Had I an infinite great store
Offered me and I stood before
To choose. I would give you youth,
All kinds of loveliness and truth,
A clear eye as good as mine,
Lands, waters, flowers, wine,
As many children as your heart
Might wish for, a far better art
Than mine can be, all you have lost
Upon the travelling waters tossed,
Or given to me. If I could choose
Freely in that great treasure-house
Anything from any shelf,
I would give you back yourself,
And power to discriminate
What you want and want it not too late,
Many fair days free from care
And heart to enjoy both foul and fair,
And myself, too, if I could find
Where it lay hidden and it proved kind.
When First
When first I came here I had hope,
Hope for I knew not what. Fast beat
My heart at sight of the tall slope
Or grass and yews, as if my feet
Only by scaling its steps of chalk
Would see something no other hill
Ever disclosed. And now I walk
Down it the last time. Never will
My heart beat so again at sight
Of any hill although as fair
And loftier. For infinite
The change, late unperceived, this year,
The twelfth, suddenly, shows me plain.
Hope now—not health, nor cheerfulness,
Since they can come and go again,
As often one brief hour witnesses—
Just hope has gone for ever. Perhaps
I may love other hills yet more
Than this: the future and the maps
Hide something I was waiting for.
One thing I know, that love with chance
And use and time and necessity
Will grow, and louder the heart’s dance
At parting than at meeting be.
Head and Bottle
The downs will lose the sun, white alyssum
Lose the bees’ hum;
But head and bottle tilted back in the cart
Will never part
Till I am cold as midnight and all my hours
Are beeless flowers.
He neither sees, nor hears, nor smells, nor thinks,
But only drinks,
Quiet in the yard where tree trunks do not lie
More quietly.
After You Speak
After you speak
And what you meant
Is plain,
My eyes
Meet yours that mean—
With your cheeks and hair—
Something more wise,
More dark,
And far different.
Even so the
