Young M. de Rastignac had come to spend a few days with his family. He had spoken of Lucien in terms that set Paris gossip circulating in Angoulême, till at last it reached the journalist’s mother and sister. Eve went to Mme. de Rastignac, asked the favor of an interview with her son, spoke of all her fears, and asked him for the truth. In a moment Eve heard of her brother’s connection with the actress Coralie, of his duel with Michel Chrestien, arising out of his own treacherous behavior to Daniel d’Arthez; she received, in short, a version of Lucien’s history, colored by the personal feeling of a clever and envious dandy. Rastignac expressed sincere admiration for the abilities so terribly compromised, and a patriotic fear for the future of a native genius; spite and jealousy masqueraded as pity and friendliness. He spoke of Lucien’s blunders. It seemed that Lucien had forfeited the favor of a very great person, and that a patent conferring the right to bear the name and arms of Rubempré had actually been made out and subsequently torn up.
“If your brother, madame, had been well advised, he would have been on the way to honors, and Mme. de Bargeton’s husband by this time; but what can you expect? He deserted her and insulted her. She is now Mme. la Comtesse Sixte du Châtelet, to her own great regret, for she loved Lucien.”
“Is it possible!” exclaimed Mme. Séchard.
“Your brother is like a young eagle, blinded by the first rays of glory and luxury. When an eagle falls, who can tell how far he may sink before he drops to the bottom of some precipice? The fall of a great man is always proportionately great.”
Eve came away with a great dread in her heart; those last words pierced her like an arrow. She had been wounded to the quick. She said not a word to anybody, but again and again a tear rolled down her cheeks, and fell upon the child at her breast. So hard is it to give up illusions sanctioned by family feeling, illusions that have grown with our growth, that Eve had doubted Eugène de Rastignac. She would rather hear a true friend’s account of her brother. Lucien had given them d’Arthez’s address in the days when he was full of enthusiasm for the brotherhood; she wrote a pathetic letter to d’Arthez, and received the following reply:—
D’Arthez to Mme. Séchard.
“Madame—You ask me to tell you the truth about the life that your brother is leading in Paris; you are anxious for enlightenment as to his prospects; and to encourage a frank answer on my part, you repeat certain things that M. de Rastignac has told you, asking me if they are true. With regard to the purely personal matter, madame, M. de Rastignac’s confidences must be corrected in Lucien’s favor. Your brother wrote a criticism of my book, and brought it to me in remorse, telling me that he could not bring himself to publish it, although obedience to the orders of his party might endanger one who was very dear to him. Alas! madame, a man of letters must needs comprehend all passions, since it is his pride to express them; I understood that where a mistress and a friend are involved, the friend is inevitably sacrificed. I smoothed your brother’s way; I corrected his murderous article myself, and gave it my full approval.
“You ask whether Lucien has kept my friendship and esteem; to this it is difficult to make an answer. Your brother is on a road that leads to ruin. At this moment I still feel sorry for him; before long I shall have forgotten him, of set purpose, not so much on account of what he has done already as for that which he inevitably will do. Your Lucien is not a poet, he has the poetic temper; he dreams, he does not think; he spends himself in emotion, he does not create. He is, in fact—permit me to say it—a womanish creature that loves to shine, the Frenchman’s great failing. Lucien will always sacrifice his best friend for the pleasure of displaying his own wit. He would not hesitate to sign a pact with the Devil tomorrow if so he might secure a few years of luxurious and glorious life. Nay, has he not done worse already? He has bartered his future for the short-lived delights of living openly with an actress. So far, he has not seen the dangers of his position; the girl’s youth and beauty and devotion (for she worships him) have closed his eyes to the truth; he cannot see that no glory or success or fortune can induce the world to accept the position. Very well, as it is now, so it will be with each new temptation—your brother will not look beyond the enjoyment of the moment. Do not be alarmed: Lucien will never go so far as a crime, he has not the strength of character; but he would take the fruits of a crime, he would share the benefit but not the risk—a thing that seems abhorrent to the whole world, even to scoundrels. Oh, he would despise himself, he would repent; but bring him once more to the test, and he would fail again; for he is weak of will, he cannot resist the allurements of pleasure, nor forego the least of his ambitions. He is indolent, like all who would fain be poets; he thinks it clever to juggle with the difficulties of life instead of facing and overcoming them. He will be brave at one time, cowardly at another, and deserves neither credit for his courage, nor blame for his cowardice. Lucien is like a harp with strings that are slackened or tightened by the atmosphere. He might write a great book in a glad or angry mood, and care nothing for the success that he had
