deeds of charity which gratify self-love. The Marquise de Pimentel, the Comtesse du Châtelet, M. de Senonches, and one or two frequenters of the house had given Françoise a few wedding presents, which made great talk in the city. These pretty trifles, together with the trousseau which Zéphirine had been preparing for the past twelve months, the godfather’s jewels, and the usual wedding gifts, consoled Françoise and roused the curiosity of some mothers of daughters.

Petit-Claud and Cointet had both remarked that their presence in the Angoulême Olympus was endured rather than courted. Cointet was Françoise’s trustee and quasi-guardian; and if Petit-Claud was to sign the contract, Petit-Claud’s presence was as necessary as the attendance of the man to be hanged at an execution; but though, once married, Mme. Petit-Claud might keep her right of entry to her godmother’s house, Petit-Claud foresaw some difficulty on his own account, and resolved to be beforehand with these haughty personages.

He felt ashamed of his parents. He had sent his mother to stay at Mansle; now he begged her to say that she was out of health and to give her consent in writing. So humiliating was it to be without relations, protectors, or witnesses to his signature, that Petit-Claud thought himself in luck that he could bring a presentable friend at the Countess’ request. He called to take up Lucien, and they drove to the Hôtel de Bargeton.

On that memorable evening the poet dressed to outshine every man present. Mme. de Senonches had spoken of him as the hero of the hour, and a first interview between two estranged lovers is the kind of scene that provincials particularly love. Lucien had come to be the lion of the evening; he was said to be so handsome, so much changed, so wonderful, that every wellborn woman in Angoulême was curious to see him again. Following the fashion of the transition period between the eighteenth century small clothes and the vulgar costume of the present day, he wore tight-fitting black trousers. Men still showed their figures in those days, to the utter despair of lean, clumsily-made mortals; and Lucien was an Apollo. The openwork gray silk stockings, the neat shoes, and the black satin waistcoat were scrupulously drawn over his person, and seemed to cling to him. His forehead looked the whiter by contrast with the thick, bright curls that rose above it with studied grace. The proud eyes were radiant. The hands, small as a woman’s, never showed to better advantage than when gloved. He had modeled himself upon de Marsay, the famous Parisian dandy, holding his hat and cane in one hand, and keeping the other free for the very occasional gestures which illustrated his talk.

Lucien had quite intended to emulate the famous false modesty of those who bend their heads to pass beneath the Porte Saint-Denis, and to slip unobserved into the room; but Petit-Claud, having but one friend, made him useful. He brought Lucien almost pompously through a crowded room to Mme. de Senonches. The poet heard a murmur as he passed; not so very long ago that hum of voices would have turned his head, today he was quite different; he did not doubt that he himself was greater than the whole Olympus put together.

“Madame,” he said, addressing Mme. de Senonches, “I have already congratulated my friend Petit-Claud (a man with the stuff in him of which Keepers of the Seals are made) on the honor of his approaching connection with you, slight as are the ties between godmother and goddaughter⁠—” (this with the air of a man uttering an epigram, by no means lost upon any woman in the room, for every woman was listening without appearing to do so.) “And as for myself,” he continued, “I am delighted to have the opportunity of paying my homage to you.”

He spoke easily and fluently, as some great lord might speak under the roof of his inferiors; and as he listened to Zéphirine’s involved reply, he cast a glance over the room to consider the effect that he wished to make. The pause gave him time to discover Francis du Hautoy and the prefect; to bow gracefully to each with the proper shade of difference in his smile, and, finally, to approach Mme. du Châtelet as if he had just caught sight of her. That meeting was the real event of the evening. No one so much as thought of the marriage contract lying in the adjoining bedroom, whither Françoise and the notary led guest after guest to sign the document. Lucien made a step towards Louise de Nègrepelisse, and then spoke with that grace of manner now associated, for her, with memories of Paris.

“Do I owe to you, madame, the pleasure of an invitation to dine at the Prefecture the day after tomorrow?” he said.

“You owe it solely to your fame, monsieur,” Louise answered drily, somewhat taken aback by the turn of a phrase by which Lucien deliberately tried to wound her pride.

“Ah! Madame la Comtesse, I cannot bring you the guest if the man is in disgrace,” said Lucien, and, without waiting for an answer, he turned and greeted the Bishop with stately grace.

“Your lordship’s prophecy has been partially fulfilled,” he said, and there was a winning charm in his tones; “I will endeavor to fulfil it to the letter. I consider myself very fortunate since this evening brings me an opportunity of paying my respects to you.”

Lucien drew the Bishop into a conversation that lasted for ten minutes. The women looked on Lucien as a phenomenon. His unexpected insolence had struck Mme. du Châtelet dumb; she could not find an answer. Looking round the room, she saw that every woman admired Lucien; she watched group after group repeating the phrases by which Lucien crushed her with seeming disdain, and her heart contracted with a spasm of mortification.

“Suppose that he should not come to the Prefecture after this, what talk there would be!” she thought. “Where did he learn this

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