Mme. de Bargeton could not set foot outside her house but the whole town knew whither she was going. To take a walk alone with Lucien out of Angoulême would have been a decided measure, indeed; it would have been less dangerous to shut herself up with him in the house. There would have been comments the next day if Lucien had stayed on till midnight after the rooms were emptied. Within as without her house, Mme. de Bargeton lived in public.
These details describe life in the provinces; an intrigue is either openly avoided or impossible anywhere.
Like all women carried away for the first time by passion, Louise discovered the difficulties of her position one by one. They frightened her, and her terror reacted upon the fond talk that fills the fairest hours which lovers spend alone together. Mme. de Bargeton had no country house whither she could take her beloved poet, after the manner of some women who will forge ingenious pretexts for burying themselves in the wilderness; but, weary of living in public, and pushed to extremities by a tyranny which afforded no pleasures sweet enough to compensate for the heaviness of the yoke, she even thought of Escarbas, and of going to see her aged father—so much irritated was she by these paltry obstacles.
Châtelet did not believe in such innocence. He lay in wait, and watched Lucien into the house, and followed a few minutes later, always taking M. de Chandour, the most indiscreet person in the clique, along with him; and, putting that gentleman first, hoped to find a surprise by such perseverance in pursuit of the chance. His own part was a very difficult one to play, and its success was the more doubtful because he was bound to appear neutral if he was to prompt the other actors who were to play in his drama. So, to give himself a countenance, he had attached himself to the jealous Amélie, the better to lull suspicion in Lucien and in Mme. de Bargeton, who was not without perspicacity. In order to spy upon the pair, he had contrived of late to open up a stock controversy on the point with M. de Chandour. Châtelet said that Mme. de Bargeton was simply amusing herself with Lucien; she was too proud, too highborn, to stoop to the apothecary’s son. The role of incredulity was in accordance with the plan which he had laid down, for he wished to appear as Mme. de Bargeton’s champion. Stanislas de Chandour held that Mme. de Bargeton had not been cruel to her lover, and Amélie goaded them to argument, for she longed to know the truth. Each stated his case, and (as not unfrequently happens in small country towns) some intimate friends of the house dropped in in the middle of the argument. Stanislas and Châtelet vied with each other in backing up their opinions by observations extremely pertinent. It was hardly to be expected that the champions should not seek to enlist partisans. “What do you yourself think?” they asked, each of his neighbor. These polemics kept Mme. de Bargeton and Lucien well in sight.
At length one day Châtelet called attention to the fact that whenever he went with M. de Chandour to Mme. de Bargeton’s and found Lucien there, there was not a sign nor a trace of anything suspicious; the boudoir door stood open, the servants came and went, there was nothing mysterious to betray the sweet crime of love, and so forth and so forth. Stanislas, who did not lack a certain spice of stupidity in his composition, vowed that he would cross the room on tiptoe the next day, and the perfidious Amélie held him to his bargain.
For Lucien that morrow was the day on which a young man tugs out some of the hairs of his head, and inwardly vows that he will give up the foolish business of sighing. He was accustomed to his situation. The poet, who had seated himself so bashfully in the boudoir-sanctuary of the queen of Angoulême, had been transformed into an urgent lover. Six months had been enough to bring him on a level with Louise, and now he would fain be her lord and master. He left home with a settled determination to be extravagant in his behavior; he would say that it was a matter of life or death to him; he would bring all the resources of torrid eloquence into play; he would cry that he had lost his head, that he could not think, could not write a line. The horror that some women feel for premeditation does honor to their delicacy; they would rather surrender upon the impulse of passion, than in fulfilment of a contract. In general, prescribed happiness is not the kind that any of us desire.
Mme. de Bargeton read fixed purpose in Lucien’s eyes and forehead, and in the agitation in his face and manner, and proposed to herself to baffle him, urged thereto partly by a spirit of contradiction, partly also by an exalted conception of love. Being given to exaggeration, she set an exaggerated value upon her person. She looked upon herself as a sovereign lady, a Beatrice, a Laura. She enthroned herself, like some dame of the Middle
