could leave her father and M. de Bargeton together; she beckoned Lucien to follow her as she withdrew.

“Dear,” she said, and the tones of her voice were half glad, half melancholy, “I am going to Paris, and my father is taking Bargeton back with him to the Escarbas, where he will stay during my absence. Mme. d’Espard (she was a Blamont-Chauvry before her marriage) has great influence herself, and influential relations. The d’Espards are connections of ours; they are the older branch of the Nègrepelisses; and if she vouchsafes to acknowledge the relationship, I intend to cultivate her a good deal; she may perhaps procure a place for Bargeton. At my solicitation, it might be desired at Court that he should represent the Charente, and that would be a step towards his election here. If he were a deputy, it would further other steps that I wish to take in Paris. You, my darling, have brought about this change in my life. After this morning’s duel, I am obliged to shut up my house for some time; for there will be people who will side with the Chandours against us. In our position, and in a small town, absence is the only way of softening down bad feeling. But I shall either succeed, and never see Angoulême again, or I shall not succeed, and then I mean to wait in Paris until the time comes when I can spend my summers at the Escarbas and the winters in Paris. It is the only life for a woman of quality, and I have waited too long before entering upon it. The one day will be enough for our preparations; tomorrow night I shall set out, and you are coming with me, are you not? You shall start first. I will overtake you between Mansle and Ruffec, and we shall soon be in Paris. There, beloved, is the life for a man who has anything in him. We are only at our ease among our equals; we are uncomfortable in any other society. Paris, besides, is the capital of the intellectual world, the stage on which you will succeed; overleap the gulf that separates us quickly. You must not allow your ideas to grow rancid in the provinces; put yourself into communication at once with the great men who represent the nineteenth century. Try to stand well with the Court and with those in power. No honor, no distinction, comes to seek out the talent that perishes for lack of light in a little town; tell me, if you can, the name of any great work of art executed in the provinces! On the contrary, see how Jean-Jacques, himself sublime in his poverty, felt the irresistible attraction of that sun of the intellectual world, which produces ever-new glories and stimulates the intellect⁠—Paris, where men rub against one another. What is it but your duty to hasten to take your place in the succession of pleiades that rise from generation to generation? You have no idea how it contributes to the success of a clever young man to be brought into a high light, socially speaking. I will introduce you to Mme. d’Espard; it is not easy to get into her set; but you meet all the greatest people at her house, Cabinet ministers and ambassadors, and great orators from the Chamber of Deputies, and peers and men of influence, and wealthy or famous people. A young man with good looks and more than sufficient genius could fail to excite interest only by very bad management.

“There is no pettiness about those who are truly great; they will lend you their support; and when you yourself have a high position, your work will rise immensely in public opinion. The great problem for the artist is the problem of putting himself in evidence. In these ways there will be hundreds of chances of making your way, of sinecures, of a pension from the civil list. The Bourbons are so fond of encouraging letters and the arts, and you therefore must be a religious poet and a Royalist poet at the same time. Not only is it the right course, but it is the way to get on in life. Do the Liberals and the Opposition give places and rewards, and make the fortunes of men of letters? Take the right road and reach the goal of genius. You have my secret, do not breathe a syllable of it, and prepare to follow me.⁠—Would you rather not go?” she added, surprised that her lover made no answer.

To Lucien, listening to the alluring words, and bewildered by the rapid bird’s-eye view of Paris which they brought before him, it seemed as if hitherto he had been using only half his brain and suddenly had found the other half, so swiftly his ideas widened. He saw himself stagnating in Angoulême like a frog under a stone in a marsh. Paris and her splendors rose before him; Paris, the Eldorado of provincial imaginings, with golden robes and the royal diadem about her brows, and arms outstretched to talent of every kind. Great men would greet him there as one of their order. Everything smiled upon genius. There, there were no jealous booby-squires to invent stinging gibes and humiliate a man of letters; there was no stupid indifference to poetry in Paris. Paris was the fountainhead of poetry; there the poet was brought into the light and paid for his work. Publishers should no sooner read the opening pages of An Archer of Charles IX than they should open their cashboxes with “How much do you want?” And besides all this, he understood that this journey with Mme. de Bargeton would virtually give her to him; that they should live together.

So at the words, “Would you rather not go?” tears came into his eyes, he flung his arms about Louise, held her tightly to his heart, and marbled her throat with impassioned kisses. Suddenly he checked himself, as

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