Grandet’s manners were distinctly homely. He did not say very much. He expressed his ideas, as a rule, in brief, sententious phrases, uttered in a low voice. Since the time of the Revolution, when for a while he had attracted some attention, the worthy man had contracted a tiresome habit of stammering as soon as he took part in a discussion or began to speak at any length. He had other peculiarities. He habitually drowned his ideas in a flood of words more or less incoherent; his singular inaptitude for reasoning logically was usually set down to a defective education; but this, like his unwelcome fluency, the trick of stammering, and various other mannerisms, was assumed, and for reasons which, in the course of the story, will be made sufficiently clear. In conversation, moreover, he had other resources: four phrases, like algebraical formulae, which fitted every ease, were always forthcoming to solve every knotty problem in business or domestic life—“I do not know,” “I cannot do it,” “I will have nothing to do with it,” and “We shall see.” He never committed himself. He never said Yes or No; he never put anything down in writing. He listened with apparent indifference when he was spoken to, caressing his chin with his right hand, while the back of his left supported his elbow. When once he had formed his opinion in any matter of business, he never changed it; but he pondered long even over the smallest transactions. When in the course of deep and weighty converse he had managed to fathom the intentions of an antagonist, who meanwhile flattered himself that he at least knew where to have Grandet, the latter was wont to say, “I must talk it over with my wife before I can give a definite answer.” In business matters the wife, whom he had reduced to the most abject submission, was unquestionably a most convenient support and screen.
He never paid visits, never dined away from home, nor asked anyone to dinner; his movements were almost noiseless; he seemed to carry out his principles of economy in everything; to make no useless sound, to be chary of spending even physical energy. His respect for the rights of ownership was so habitual that he never displaced nor disturbed anything belonging to another. And yet, in spite of the low tones of his voice, in spite of his discretion and cautious bearing, the cooper’s real character showed itself in his language and manners, and this was more especially the case in his own house, where he was less on his guard than elsewhere.
As to Grandet’s exterior. He was a broad, square-shouldered, thickset man, about five feet high; his legs were thin (he measured perhaps twelve inches round the calves), his knee joints large and prominent. He had a bullet-shaped head, a sunburned face, scarred with the smallpox, and a narrow chin; there was no trace of a curve about the lines of his mouth. He possessed a set of white teeth, eyes with the expression of stony avidity in them with which the basilisk is credited, a deeply-furrowed brow on which there were prominences not lacking in significance, hair that had once been of a sandy hue, but which was now fast turning gray; so that thoughtless youngsters, rash enough to make jokes on so serious a subject, would say that M. Grandet’s very hair was “gold and silver.” On his nose, which was broad and blunt at the tip, was a variegated wen; gossip affirmed, not without some appearance of truth, that spite and rancor was the cause of this affection. There was a dangerous cunning about this face, although the man, indeed, was honest according to the letter of the law; it was a selfish face; there were but two things in the world for which its owner cared—the delights of hoarding wealth in the first place, and in the second, the only being who counted for anything in his estimation, his daughter Eugénie, his only child, who one day should inherit that wealth. His attitude, manner, bearing, and everything about him plainly showed that he had the belief in himself which is the natural outcome of an unbroken record of successful business speculations. Pliant and smooth-spoken though he might appear to be, M. Grandet was a man of bronze. He was always dressed after the