Representative Men

animate beings find their place; and he assumes the hair-worm, the span-worm, or the snake, as the type of prediction of the spine. Manifestly, at the end of the spine, nature puts out smaller spines, as arms; at the end of the arms, new spines, as hands; at the other end, she repeats the process, as legs and feet. At the top of the column, she puts out another spine, which doubles or loops itself over, as a span-worm, into a ball, and forms the skull, with extremities again; the hands being now the upper jaw, the feet the lower jaw, the fingers and toes being represented this time by upper and lower teeth. This new spine is destined to high uses. It is a new man on the shoulders of the last. It can almost shed its trunk, and manage to live alone, according to the Platonic idea in the Timaeus. Within it, on a higher plane, all that was done in the trunk repeats itself. Nature recites her lesson once more in a higher mood. The mind is a finer body, and resumes its functions of feeding, digesting, absorbing, excluding, and generating, in a new and ethereal element. Here, in the brain, is all the process of alimentation repeated, in the acquiring, comparing, digesting, and assimilating of experience. Here again is the mystery of generation repeated. In the brain are male and female faculties; here is marriage, here is fruit. And there is no limit to this ascending scale, but series on series. Everything, at the end of one use, is taken up into the next, each series punctually repeating every organ and process of the last. We are adapted to infinity. We are hard to please, and love nothing which ends; and in nature is no end; but everything, at the end of one use, is lifted into a superior, and the ascent of these things climbs into daemonic and celestial natures. Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.

Gravitation, as explained by Newton, is good, but grandeur, when we find chemistry only an extension of the law of masses into particles, and that the atomic theory shows the action of chemistry to be mechanical also. Metaphysics shows us a sort of gravitation, operative also in the mental phenomena; and the terrible tabulation of the French statists brings every piece of whim and humor to be reducible also to exact numerical rations. If one man in twenty thousand, or in thirty thousand, eats shoes, or marries his grandmother, then, in every twenty thousand, or thirty thousand, is found one man who eats shoes, or marries his grandmother. What we call gravitation, and fancy ultimate, is one fork of a mightier stream, for which we have yet no name. Astronomy is excellent; but it must come up into life to have its full value, and not remain there in globes and spaces. The globule of blood gyrates around its own axis in the human veins, as the planet in the sky; and the circles of intellect relate to those of the heavens. Each law of nature has the like universality; eating, sleep or hybernation, rotation, generation, metamorphosis, vortical motion, which is seen in eggs as in planets. These grand rhymes or returns in nature⁠—the dear, best-known face startling us at every turn, under a mask so unexpected that we think it the face of a stranger, and, carrying up the semblance into divine forms⁠—delighted the prophetic eye of Swedenborg; and he must be reckoned a leader in that revolution, which, by giving to science an idea, has given to an aimless accumulation of experiments, guidance and form, and a beating heart.

I own, with some regret, that his printed works amount to about fifty stout octaves, his scientific works being about half of the whole number; and it appears that a mass of manuscript still unedited remains in the royal library at Stockholm. The scientific works have just now been translated into English, in an excellent edition.

Swedenborg printed these scientific books in the ten years from 1734 to 1744, and they remained from that time neglected; and now, after their century is complete, he has at last found a pupil in Mr. Wilkinson, in London, a philosophic critic, with a coequal vigor of understanding and imagination comparable only to Lord Bacon’s, who has produced his master’s buried books to the day, and transferred them, with every advantage, from their forgotten Latin into English, to go round the world in our commercial and conquering tongue. This startling reappearance of Swedenborg, after a hundred years, in his pupil, is not the least remarkable fact in his history. Aided, it is said, by the munificence of Mr. Clissold, and also by his literary skill, this piece of poetic justice is done. The admirable preliminary discourses with which Mr. Wilkinson has enriched these volumes, throw all the contemporary philosophy of England into shade, and leave me nothing to say on their proper grounds.

The Animal Kingdom is a book of wonderful merits. It was written with the highest end⁠—to put science and the soul, long estranged from each other, at one again. It was an anatomist’s account of the human body, in the highest style of poetry. Nothing can exceed the bold and brilliant treatment of a subject usually so dry and repulsive. He saw nature “wreathing through an everlasting spiral, with wheels that never dry, on axles that never creak,” and sometimes sought “to uncover those secret recess is where nature is sitting at the fires in the depths of her laboratory;” whilst the picture comes recommended by the hard fidelity with which it is based on practical anatomy. It is remarkable that this sublime genius decides, peremptorily for the analytic, against the synthetic method; and, in a book whose genius is a