to manhood with no parental supervision in times of great unsettlement. Very wisely, then, he left the fifty thousand (which was not the whole, but the bulk of the legacy) in trust, until such time as Derek (or, failing him, Nigel) should reach the age of twenty-five. Meanwhile, the boys were rare visitors to their grandfather’s house, and scarcely welcome ones; a kind of precocious boredom in their manner exasperated the old gentleman, none the less bitterly because it was assumed to be typical of a period. The avital thunders about politics, art, morals and religion may be supposed to have formed the grandsons’ character by repulsion. Derek lived, mostly, with old friends of the family in the South of France, who let him run wild on the facile excuse that “anyhow, the boy will have money.” Nigel, who never took to his step-relations, was little better handled; an exile when at home, an unappreciated rebel at school, he flung himself, with a pathetic illusion of originality, into the career of an aesthete.

The two cousins met little, whether before or after their grandfather’s death; there was little in the character of either to make it desirable. They went to different schools, neither of which (since schools have a reputation to lose) I intend to specify. But Oxford, though her critics have been unkindly of late, has too broad a back to need the shelter of anonymity; Both matriculated at the older University, both at Simon Magus College. Election to colleges is a mystery, as election should be; but the two years which Derek had misspent there might surely have warned the fellows against risking a second experiment with Nigel. On the other hand, Derek was a normal creature, though morose in disposition, idiotically extravagant, and with a strict periodicity of drunkenness. There was nothing in him, it must be admitted, which gave promise of Nigel’s unendurable affectations.

Derek was dissolute with a kind of lumpish unimaginativeness which may infect youth in any century. If he gambled to excess, it was because nobody had succeeded in introducing him to any other method by which you could kill time until the age of twenty-five. If he drank, it was with the stupid man’s haste to forget and to disguise his own dullness. His dress, his manner, his associates were of the equestrian world; but his taste was neither for horses nor for horsemanship, only for horsiness. With the Dean he was continually in conflict; but there was a regularity in his irregularities, you knew beforehand just when he would be drunk, and just how drunk he would be; and there is that in the academic mind which appreciates consistency in whatever direction. He was not clever enough to devise organized mischief; he was too indolent (it seemed) to bear malice; he accepted his fines, his gatings, and a couple of rustications with the complacency of the schoolboy who (in the language of his terminal report) “takes punishment well.” He made little stir in the University world, and it is probable that during the whole period of his residence he never had an enemy, except his cousin.

Nigel’s perceptions were infinitely more acute, his faults infinitely less excusable. He had grown up in the aftermath of war, under the infection of disillusionment. He looked out upon a world of men (schoolmasters especially) who had fought and bled for the sake of certain simple emotions, with a submerged jealousy which took the form of resentment. These others had had the opportunity which was denied to him, of exploiting the full possibilities of manhood; he would console himself for the loss by denying that the opportunity was worth having. They had been born to set the world right; he would retaliate on the cursed spite of his late nativity by doing his best to put the world out of joint again. He would rebel against everything his neighbours bowed down to; would embrace every form of revolt, however tawdry, however trite; he would have no aim or ideal except to shock. At school, he had the sense to keep his powder dry, to lock up his splenetic poems, to revenge himself upon his uncongenial surroundings by the secret satisfaction of an undivulged irony. “Loony Burtell” they called him; and he was content, like another Brutus, to bide his time.

Among all her immemorial traditions, Oxford cherishes none staler than that of aestheticism. A small group in each generation lights upon the same old recipe for setting the Isis on fire, and (since undergraduate memory only lives three years) is satisfied that it is a group of lonely pioneers. Nigel had read Wilde at school; he pillaged epigrams from Saki without appreciating that ironic reservation which is his charm. He offered absinthe to all his visitors, usually explaining that he did not really care for it, but kept it in his rooms in order to put temptation in the way of his scout. He painted his walls a light mauve, and hung them with a few squares of blank cartridge paper on which he was always threatening to do crayon drawings; the beauty of art, he said, lay in its promise⁠—its fulfilment only brought disillusion. He talked in a very slow drawl, with a lisp and a slight stammer which he had cultivated to perfection. He never attended lectures; the dons did not understand, he complained, that undergraduates come up to Oxford in order to teach. He was desperately callow, and quite inordinately conceited.

The older Universities tolerate everything. There are times, and there are Colleges, at which the essential rowdyism of youth clothes itself in a mantle of righteous Philistine indignation, and breaks up the aesthetic group with circumstances of violence. But you can fool some of the people some of the time; and at Simon Magus men cared little what their neighbours did, short of the bagpipes. Nigel found disciples, or at least comrades-in-arms for his movement, in that home of impossible unbeliefs. If you were the kind

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