white lettering: one or two brushes were tucked behind picture frames, and a fox’s pad was mounted as the handle of a paper-knife. Finally (and there was only just enough room for it) an upright piano with a pianola apparatus attached to it, demonstrated that he was fond of a bit of music. A record of Dvořák’s New World Symphony appeared to be his only link with Europe. But he had the advantage of me as regards foreign travel, since he had once been to Budapest to play in a polo tournament. (He told me this at dinner, when we were saying how superior the English were to all foreigners.)

It was after half-past six when he came in. He seemed to take me for granted already, but he assured me once again that he was “terrible pleased to have someone to talk to.” He threw off his wet hunting-coat and slipped into a ragged tweed jacket which the silent servant Henry held out for him. As soon as he had swallowed a cup of tea he lit his pipe and sat down at his writing-table to open a pile of letters. He handed me one, with a grimy envelope addressed to “Mr. Milden, The Dog Kennels, Ringwell.” The writer complained that a fox had been the night before and killed three more of his pullets, and unless he could bring the dogs there soon there wouldn’t be one left and they’d really have to start shooting the foxes, and respectfully begging to state that he was owed fifteen shillings by the Hunt for compensation. Many of Denis’s letters were complaints from poultry keepers or from small farmers whose seeds or sown ground had been ridden over when the land was wet. I asked what he did with these, and he replied that he sent them on to old McCosh, the Hunt secretary. “But when they look like being troublesome I go over and talk to them myself.”

I found afterwards that he had a great gift for pacifying such people, to whom the Hunt might have been an unmitigated nuisance if it hadn’t been an accepted institution. The non-hunting farmers liked to see the Hunt, but they disliked the marks it left on their land. The whole concern depended on the popularity and efficiency of the Master, and the behaviour of the people who hunted. Denis Milden’s predecessor in the Mastership had been too lavish with indiscriminate five-pound notes; consequently the petitioners for compensation had begun to regard the Poultry and Damage Fund as a regular friend in need, and complaints from poultry farmers were far too frequent. To hear Denis talk about them one might have thought that hens were the enemies of society instead of being the providers of that universally respected object, the egg.

Watching him open those letters was an important step in my sporting education. Until then I had not begun to realize how much there was to be done apart from the actual chivvying of the foxes. Thenceforward I became increasingly aware that a successful day’s hunting was the result of elaborate and tactful preparations, and I ceased to look upon an angry farmer with a pitchfork as something to be laughed at. In the meantime I wished he would go upstairs and change his wet clothes. But he sat there in his muddy boots for almost an hour, writing letters in his careful calligraphy and filling in his diary⁠—a logbook of details such as which horses had been out, where foxes had been found, and so on.

It was eight-thirty by the time he’d had his bath and was shouting from the top of the stairs to Mrs. Timson, the buxom grey-haired cook, “Mrs. Timson! Tell Henry to put that dinner on.”

When that dinner had been put on and eaten (there was a large joint of beef, I remember) he asked me to play some music. I treadled away at the pianola, while he dozed in a shabby armchair with Moll, the fox-terrier, on his knees, and a litter of newspapers at his carpet-slippered feet. I had ambled to the end of a musical comedy arrangement (“The Geisha” I think it was) and was bundling the perforated music-roll back again with reverse motion when he suddenly heaved himself out of the chair, yawned, remarked that he’d give anything to be able to play the piano properly, whistled to the dogs, and turned them out into the night for an airing. He then lit a couple of candles, extinguished the unshaded oil-lamp, led the way upstairs, and hoped I’d sleep all right. All this sounds humdrum, but I have since then spent many a much duller evening with people who were under the impression that they were talking brilliantly. I have never cared greatly about highly sophisticated persons, although some of them may seek to enlarge their intellectual experience by perusing my modest narrative.

Lying awake that night I listened to the wind which was making queer noises round the flimsily constructed house. Once or twice there was an outburst of hound music from the kennels. Through the thin partition wall I could hear the grunts and snores of the stablemen, whose dormitory was next to the spare room. The blind on my window flapped. I thought how different staying at Ringwell Kennels was from what I’d expected. Yet it seemed exactly like what it ought to be. I wondered whether old Cockbird was asleep out in his loose-box. Thought what an odd character the head-groom looked, and how surprised Stephen would be when I told him all about my visit. Meditated on the difference between Denis hunting the hounds (unapproachable and with “a face like a boot”) and Denis indoors⁠—homely and kind and easy to get on with; would he really want me to come and stay with him again, I wondered. And then I fell into so sound a sleep that the stablemen on the other side of the partition wall failed to awake

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