the river; smoke, purple chocolatecolor fleshpink climbed into light. Cant go nowhere now.

In a swallowtail suit with a gold watchchain and a red seal ring riding to his wedding beside Maria Sackett, riding in a carriage to City Hall with four white horses to be made an alderman by the mayor; and the light grows behind them brighter brighter, riding in satins and silks to his wedding, riding in pinkplush in a white carriage with Maria Sackett by his side through rows of men waving cigars, bowing, doffing brown derbies, Alderman Bud riding in a carriage full of diamonds with his milliondollar bride.⁠ ⁠… Bud is sitting on the rail of the bridge. The sun has risen behind Brooklyn. The windows of Manhattan have caught fire. He jerks himself forward, slips, dangles by a hand with the sun in his eyes. The yell strangles in his throat as he drops.

Captain McAvoy of the tugboat Prudence stood in the pilothouse with one hand on the wheel. In the other he held a piece of biscuit he had just dipped into a cup of coffee that stood on the shelf beside the binnacle. He was a wellset man with bushy eyebrows and a bushy black mustache waxed at the tips. He was about to put the piece of coffeesoaked biscuit into his mouth when something black dropped and hit the water with a thudding splash a few yards off the bow. At the same moment a man leaning out of the engineroom door shouted, “A guy juss jumped offn de bridge.”

“God damn it to hell,” said Captain McAvoy dropping his piece of biscuit and spinning the wheel. The strong ebbtide whisked the boat round like a straw. Three bells jangled in the engineroom. A negro ran forward to the bow with a boathook.

“Give a hand there Red,” shouted Captain McAvoy.

After a tussle they landed a long black limp thing on the deck. One bell. Two bells, Captain McAvoy frowning and haggard spun the tug’s nose into the current again.

“Any life in him Red?” he asked hoarsely. The negro’s face was green, his teeth were chattering.

“Naw sir,” said the redhaired man slowly. “His neck’s broke clear off.”

Captain McAvoy sucked a good half of his mustache into his mouth. “God damn it to hell,” he groaned. “A pretty thing to happen on a man’s wedding day.”

Section II

I

Great Lady on a White Horse

Morning clatters with the first L train down Allen Street. Daylight rattles through the windows, shaking the old brick houses, splatters the girders of the L structure with bright confetti.

The cats are leaving the garbage cans, the chinches are going back into the walls, leaving sweaty limbs, leaving the grimetender necks of little children asleep. Men and women stir under blankets and bedquilts on mattresses in the corners of rooms, clots of kids begin to untangle to scream and kick.

At the corner of Riverton the old man with the hempen beard who sleeps where nobody knows is putting out his picklestand. Tubs of gherkins, pimentos, melonrind, piccalilli give out twining vines and cold tendrils of dank pepperyfragrance that grow like a marshgarden out of the musky bedsmells and the rancid clangor of the cobbled awakening street.

The old man with the hempen beard who sleeps where nobody knows sits in the midst of it like Jonah under his gourd.

Jimmy Herf walked up four creaky flights and knocked at a white door fingermarked above the knob where the name Sunderland appeared in old English characters on a card neatly held in place by brass thumbtacks. He waited a long while beside a milkbottle, two creambottles, and a copy of the Sunday Times. There was a rustle behind the door and the creak of a step, then no more sound. He pushed a white button in the doorjamb.

“An he said, Margie I’ve got a crush on you so bad, an she said, Come in outa the rain, you’re all wet.⁠ ⁠…” Voices coming down the stairs, a man’s feet in button shoes, a girl’s feet in sandals, pink silk legs; the girl in a fluffy dress and a Spring Maid hat; the young man had white edging on his vest and a green, blue, and purple striped necktie.

“But you’re not that kind of a girl.”

“How do you know what kind of a girl I am?”

The voices trailed out down the stairs.

Jimmy Herf gave the bell another jab.

“Who is it?” came a lisping female voice through a crack in the door.

“I want to see Miss Prynne please.”

Glimpse of a blue kimono held up to the chin of a fluffy face. “Oh I don’t know if she’s up yet.”

“She said she would be.”

“Look will you please wait a second to let me make my getaway,” she tittered behind the door. “And then come in. Excuse us but Mrs. Sunderland thought you were the rent collector. They sometimes come on Sunday just to fool you.” A smile coyly bridged the crack in the door.

“Shall I bring in the milk?”

“Oh do and sit down in the hall and I’ll call Ruth.” The hall was very dark; smelled of sleep and toothpaste and massagecream; across one corner a cot still bore the imprint of a body on its rumpled sheets. Straw hats, silk eveningwraps, and a couple of men’s dress overcoats hung in a jostling tangle from the staghorns of the hatrack. Jimmy picked a corsetcover off a rockingchair and sat down. Women’s voices, a subdued rustling of people dressing, Sunday newspaper noises seeped out through the partitions of the different rooms.

The bathroom door opened; a stream of sunlight reflected out of a pierglass cut the murky hall in half, out of it came a head of hair like copper wire, bluedark eyes in a brittle-white eggshaped face. Then the hair was brown down the hall above a slim back in a tangerine-colored slip, nonchalant pink heels standing up out of the bathslippers at every step.

“Ou-ou, Jimmee⁠ ⁠…” Ruth was yodling

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