a watch over me?” Thou knowest that I am not wicked. “Thou settest a print upon the heels of my feet!”⁠—that the way I have gone may be known by my footprints! To his friends he cries: “Will ye speak wickedly for God? and talk deceitfully for him?” Do you not know that I am the man I say? “Will ye accept His person?”⁠—siding with Him against me? “Will ye contend for God?”⁠—be special pleaders for him, his partisans? “Is it good that He should search you out? or as one man mocketh another, do ye so mock Him?”⁠—saying what you do not think? “He will surely reprove you, if ye do secretly accept persons!”⁠—even the person of God himself!

Such words are pleasing in the ear of the father of spirits. He is not a God to accept the flattery which declares him above obligation to his creatures; a God to demand of them a righteousness different from his own; a God to deal ungenerously with his poverty-stricken children; a God to make severest demands upon his little ones! Job is confident of receiving justice. There is a strange but most natural conflict of feeling in him. His faith is in truth profound, yet is he always complaining. It is but the form his faith takes in his trouble. Even while he declares the hardness and unfitness of the usage he is receiving, he yet seems assured that, to get things set right, all he needs is admission to the presence of God⁠—an interview with the Most High. To be heard must be to have justice. He uses language which, used by any living man, would horrify the religious of the present day, in proportion to the lack of truth in them, just as it horrified his three friends, the honest pharisees of the time, whose religion was “doctrine” and rebuke. God speaks not a word of rebuke to Job for the freedom of his speech:⁠—he has always been seeking such as Job to worship him. It is those who know only and respect the outsides of religion, such as never speak or think of God but as the Almighty or Providence, who will say of the man who would go close up to God, and speak to him out of the deepest in the nature he has made, “he is irreverent.” To utter the name of God in the drama⁠—highest of human arts, is with such men blasphemy. They pay court to God, not love him; they treat him as one far away, not as the one whose bosom is the only home. They accept God’s person. “Shall not his excellency”⁠—another thing quite than that you admire⁠—“make you afraid? Shall not his dread”⁠—another thing quite than that to which you show your pagan respect⁠—“fall upon you?”

In the desolation of this man, the truth of God seems to him, yet more plainly than hitherto, the one thing that holds together the world which by the word of his mouth came first into being. If God be not accessible, nothing but despair and hell are left the man so lately the greatest in the east. Like a child escaping from the dogs of the street, he flings the door to the wall, and rushes, nor looks behind him, to seek the presence of the living one. Bearing with him the burden of his death, he cries, “Look what thou hast laid upon me! Shall mortal man, the helpless creature thou hast made, bear cross like this?” He would cast his load at the feet of his maker!⁠—God is the God of comfort, known of man as the refuge, the life-giver, or not known at all. But alas! he cannot come to him! Nowhere can he see his face! He has hid himself from him! “Oh that I knew where I might find him! that I might come even to his seat! I would order my cause before him, and fill my mouth with arguments. I would know the words which he would answer me, and understand what he would say unto me. Will he plead against me with his great power? No! but he would put strength in me. There the righteous might dispute with him; so should I be delivered forever from my judge. Behold, I go forward, but he is not there; and backward, but I cannot perceive him: on the left hand, where he doth work, but I cannot behold him: he hideth himself on the right hand, that I cannot see him: but he knoweth the way that I take: when he hath tried me, I shall come forth as gold.”

He cannot find him! Yet is he in his presence all the time, and his words enter into the ear of God his Saviour.

The grandeur of the poem is that Job pleads his cause with God against all the remonstrance of religious authority, recognizing no one but God, and justified therein. And the grandest of all is this, that he implies, if he does not actually say, that God owes something to his creature. This is the beginning of the greatest discovery of all⁠—that God owes himself to the creature he has made in his image, for so he has made him incapable of living without him. This, his creatures’ highest claim upon him, is his divinest gift to them. For the fulfilling of this their claim he has sent his son, that he may himself, the father of him and of us, follow into our hearts. Perhaps the worst thing in a theology constructed out of man’s dull possible, and not out of the being and deeds and words of Jesus Christ, is the impression it conveys throughout that God acknowledges no such obligation. Are not we the clay, and he the potter? how can the clay claim from the potter? We are the clay, it is true, but his clay, but spiritual clay, live clay, with needs and desires⁠—and rights; we are clay, but clay

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