When one stands where the Saviour was crucified, he finds it all he can do to keep it strictly before his mind that Christ was not crucified in a Catholic Church. He must remind himself every now and then that the great event transpired in the open air, and not in a gloomy, candle-lighted cell in a little corner of a vast church, upstairs—a small cell all bejeweled and bespangled with flashy ornamentation, in execrable taste.
Under a marble altar like a table, is a circular hole in the marble floor, corresponding with the one just under it in which the true Cross stood. The first thing everyone does is to kneel down and take a candle and examine this hole. He does this strange prospecting with an amount of gravity that can never be estimated or appreciated by a man who has not seen the operation. Then he holds his candle before a richly engraved picture of the Saviour, done on a messy slab of gold, and wonderfully rayed and starred with diamonds, which hangs above the hole within the altar, and his solemnity changes to lively admiration. He rises and faces the finely wrought figures of the Saviour and the malefactors uplifted upon their crosses behind the altar, and bright with a metallic lustre of many colors. He turns next to the figures close to them of the Virgin and Mary Magdalene; next to the rift in the living rock made by the earthquake at the time of the Crucifixion, and an extension of which he had seen before in the wall of one of the grottoes below; he looks next at the showcase with a figure of the Virgin in it, and is amazed at the princely fortune in precious gems and jewelry that hangs so thickly about the form as to hide it like a garment almost. All about the apartment the gaudy trappings of the Greek Church offend the eye and keep the mind on the rack to remember that this is the Place of the Crucifixion—Golgotha—the Mount of Calvary. And the last thing he looks at is that which was also the first—the place where the true Cross stood. That will chain him to the spot and compel him to look once more, and once again, after he has satisfied all curiosity and lost all interest concerning the other matters pertaining to the locality.
And so I close my chapter on the Church of the Holy Sepulchre—the most sacred locality on earth to millions and millions of men, and women, and children, the noble and the humble, bond and free. In its history from the first, and in its tremendous associations, it is the most illustrious edifice in Christendom. With all its claptrap sideshows and unseemly impostures of every kind, it is still grand, revered, venerable—for a god died there; for fifteen hundred years its shrines have been wet with the tears of pilgrims from the earth’s remotest confines; for more than two hundred, the most gallant knights that ever wielded sword wasted their lives away in a struggle to seize it and hold it sacred from infidel pollution. Even in our own day a war, that cost millions of treasure and rivers of blood, was fought because two rival nations claimed the sole right to put a new dome upon it. History is full of this old Church of the Holy Sepulchre—full of blood that was shed because of the respect and the veneration in which men held the last resting-place of the meek and lowly, the mild and gentle, Prince of Peace!
LIV
The “Sorrowful Way”—The legend of St. Veronica’s handkerchief—An illustrious stone—House of the Wandering Jew—The tradition of the Wanderer—Solomon’s Temple—Mosque of Omar—Muslim traditions—“Women not admitted”—The fate of a gossip—Turkish sacred relics—Judgment seat of David and Saul—Genuine precious remains of Solomon’s Temple—Surfeited with sights—The Pool of Siloam—The Garden of Gethsemane and other sacred localities.
We were standing in a narrow street, by the Tower of Antonio. “On these stones that are crumbling away,” the guide said, “the Saviour sat and rested before taking up the cross. This is the beginning of the Sorrowful Way, or the Way of Grief.” The party took note of the sacred spot, and moved on. We passed under the “Ecce Homo Arch,” and saw the very window from which Pilate’s wife warned her husband to have nothing to do with the persecution of the Just Man. This window is in
